Mimic 3: Sentinel | |
---|---|
Directed by | J. T. Petty |
Written by | J. T. Petty |
Produced by | Ron Schmidt |
Starring | |
Cinematography | Alex Sterian |
Edited by | Kirk M. Morri |
Music by | Henning Lohner |
Distributed by | Dimension Films |
Release date |
|
Running time | 77 minutes |
Country | United States |
Language | English |
Budget | $10 million |
Mimic 3: Sentinel is a 2003 science fiction horror film written and directed by J. T. Petty, [1] with a script inspired by a short story of the same name by Donald A. Wollheim. The movie was a direct-to-DVD sequel to Mimic (1997) and Mimic 2 (2001).
Mimic 3: Sentinel stars horror film veteran Lance Henriksen and takes a departure from the tone of the first two films, as it has a feel similar to Alfred Hitchcock's Rear Window rather than the action/horror tone of its predecessors.
Unable to leave the germ-free confines of his sterilized bedroom for any real stretch of time, environmentally hypersensitive Marvin (Karl Geary) spends his days taking pictures of his neighbors from his window. Occasionally catching glimpses of his young sister Rosy (Alexis Dziena) hanging out with the neighborhood drug dealer, Marvin's lens remains mostly fixed on a mysterious neighbor known as the Garbageman (Lance Henriksen) and pretty neighbor Carmen (Rebecca Mader), while his slightly overbearing mother (Amanda Plummer) rests on the couch. As neighbors begin disappearing and mysterious figures move in and out of Marvin's viewfinder, the secluded voyeur begins to suspect that a sinister force is at work in his neighborhood. Though Rosy and Carmen are anxious to assist in a little detective work, the situation soon begins to spiral out of control upon the discovery that the Judas breed is far from extinct.
Michael Lee Aday, better known by his stage name Meat Loaf, was an American singer and actor. He was known for his powerful, wide-ranging voice and theatrical live shows. His Bat Out of Hell album trilogy—Bat Out of Hell (1977), Bat Out of Hell II: Back into Hell (1993), and Bat Out of Hell III: The Monster Is Loose (2006)—has sold more than 100 million records worldwide, making him one of the best-selling music artists of all time. The first album stayed on the charts for over nine years and is one of the best-selling albums in history, still selling an estimated 200,000 copies annually as of 2016.
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Ion Creangă, also known as Nică al lui Ștefan a Petrei and Ioan Ștefănescu, was a Romanian writer, raconteur and schoolteacher. A main figure in 19th-century Romanian literature, he is best known for his Childhood Memories volume, his novellas and short stories, and his many anecdotes. Creangă's main contribution to fantasy and children's literature includes narratives structured around eponymous protagonists, as well as fairy tales indebted to conventional forms. Widely seen as masterpieces of the Romanian language and local humor, his writings occupy the middle ground between a collection of folkloric sources and an original contribution to a literary realism of rural inspiration. They are accompanied by a set of contributions to erotic literature, collectively known as his "corrosives".
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The cinema of Romania is the art of motion-picture making within the nation of Romania or by Romanian filmmakers abroad. The history of cinema in Romania dates back to the late 19th century, as early as the history of film itself. With the first set of films screened on May 27, 1896, in the building of L'Indépendance Roumanie newspaper in Bucharest. In the Romanian exhibition, a team of Lumière brothers' employees screened several films, including the famous L'Arrivée d'un train en gare de La Ciotat. The next year, in 1897, the French cameraman Paul Menu shot the first film set in Romania, The Royal parade on May 10, 1897. The first Romanian filmmaker was doctor Gheorghe Marinescu. He created a series of medically themed short films for the first time in history between 1898 and 1899.
Ioan Gyuri Pascu was a Romanian pop music singer, producer, actor, and comedian, also known for his participation in the comedy group Divertis and for his activity in Romanian cinema and television. Moving between rock music, rhythm and blues, reggae, and jazz, the multi-instrumentalist Pascu founded a number of bands and registered success particularly during the early 1990s, when he was the lead singer of a group known as The Blue Workers. Pascu was the manager of several alternative music acts with his label Tempo Music and remained an outspoken critic of Romanian commercial radio.
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