María de Mater O'Neill is a Puerto Rican artist, designer and educator.
Inscape, in visual art, is a term especially associated with certain works of Chilean artist Roberto Matta, but it is also used in other senses within the visual arts. Though the term inscape has been applied to stylistically diverse artworks, it usually conveys some notion of representing the artist's psyche as a kind of interior landscape. The word inscape can therefore be read as a kind of portmanteau, combining interior with landscape.
Mario Algaze was a Cuban-American photographer who photographed musicians and celebrities, in rural and urban areas, throughout Latin America.
Emilio Sanchez (1921–1999) was an American artist known for his architectural paintings and graphic lithographs. His work is found in the permanent collections of the Metropolitan Museum of Art, Museum of Modern Art, National Gallery of Art, Smithsonian American Art Museum, Museo Nacional de Bellas Artes de La Habana, Museo de Arte de Ponce, Bogotá Museum of Modern Art, La Tertulia Museum, and the National Gallery of Australia.
Irving Kriesberg was an American painter, sculptor, educator, author, and filmmaker, whose work combined elements of Abstract Expressionism with representational human, animal, and humanoid forms. Because Kriesberg blended formalist elements with figurative forms he is often considered to be a Figurative Expressionist.
Leandro Katz is an Argentine-born writer, visual artist and filmmaker known primarily for his films and photographic installations. His works include long-term, multi-media projects that delve into Latin American history through a combination of scholarly research, anthropology, photography, moving images and printed texts.
Cecilia Vicuña is a Chilean poet and artist based in New York and Santiago, Chile.
Deborah Cullen is an American art curator and museum director, with a specialization in Latin American and Caribbean art.
Marc Latamie is a Martinican artist.
Patricia "Patty" Phelps de Cisneros is a Venezuelan-born Dominican art collector and philanthropist who focuses on Latin American modernist and contemporary art from Brazil, Venezuela, and the Río de la Plata region of Argentina and Uruguay. Since the 1970s Cisneros has supported education and the arts, with a particular focus on Latin America. Along with her husband, Gustavo A. Cisneros, she founded the New York City and Caracas-based Fundación Cisneros. In the 1990s the Fundación's primary art-related program became the Colección Patricia Phelps de Cisneros. In 2016, Cisneros donated 102 modern and contemporary artworks from the 1940s to 1990s to the Museum of Modern Art, establishing the Patricia Phelps de Cisneros Research Institute for the Study of Art from Latin America at MoMA.
Colección Patricia Phelps de Cisneros (CPPC) is a privately held Latin American art organization based in Venezuela and New York City founded by Patricia Phelps de Cisneros and Gustavo Cisneros.
Miguel Ángel Rojas is a Colombian conceptual artist born in Bogotá in 1946. His work includes drawing, painting, photography, installations and video and is often related to the sexuality, the marginal culture, the violence and problems involved with drug consumption and production.
Alejandro Anreus is a curator, art historian and critic who has focused his research on Latin American Art. Though he began his career as an artist, Anreus is now an art historian and poet, and is professor of art history and Latin American/Latino Studies at William Paterson University. Among his many accomplishments, Anreus is a two-time recipient of the Oscar B. Cintas Foundation and has worked as a curator with public collections such as the Montclair Art Museum and the Jersey City Museum during his career.
José García Cordero is a Dominican artist that lives and works in Paris.
Ana Mercedes Hoyos was a Colombian painter, sculptor and a pioneer in modern art in the country. In her half-century of artistic works, she garnered over seventeen awards of national and international recognition. Beginning her career in a Pop Art style which moved towards abstract, her trajectory moved toward cubism and realism as she explored light, color, sensuality and the bounty of her surroundings. Her reinterpretations of master painters led her to an exploration of Colombian multiculturalism, and her later works focused on Afro-Colombian and mestizo heritage within the Colombian landscape. Her works can be found in the permanent collections of the Fuji Art Museum in Tokyo; the Ibercaja Collection in Zaragoza, Spain; the Museum of Modern Art in Mexico City; the Nassau County Museum of Art of Roslyn Harbor, New York, as well as Juan Antonio Roda and museums in other Latin American cities. Her collection of archival materials on San Basilio de Palenque were donated to the United Nations University in Tokyo and the Smithsonian's National Museum of African American History and Culture.
Inés Katzenstein is an Argentine curator, art historian, and art critic who specializes in Latin American art.
Andrea Graciela Giunta is an Argentine art historian, professor, researcher, and curator.
Otra Figuración was an art movement in Argentina founded by Jorge de la Vega, Ernesto Deira, Rómulo Macció, and Luis Felipe Noé in 1961. They advocated a return to figurative art when abstract and often geometric styles were prominent, and they worked in an expressive style with bold colors and sometimes mixed media. They not only shared these ideas, but they also shared a studio in Buenos Aires and exhibited together, gaining widespread recognition with an exhibition at the Museo Nacional de Bellas Artes in 1963. They ultimately disbanded in 1964.
José Leonilson Bezerra Dias, was a Brazilian artist working in both 2D as a painter and draughtsman and in 3D as textile worker and sculptor. He lived most of his life in Brazil where he created conceptual artworks focused on expressions of love and grief specifically from a queer-lens. Leonilson was diagnosed with HIV (AIDS) at the age of 34, and died a few years later from complications.
Propaganda in Spain has a long history, and in the modern times has been studied in the context of the propaganda of the Spanish Civil War and propaganda of the Francoist Spain (1939-1975).
