Pietro Antonio Domenico Trapassi, better known by his pseudonym of Pietro Metastasio, was an Italian poet and librettist, considered the most important writer of opera seria libretti.
The Gallerie dell'Accademia is a museum gallery of pre-19th-century art in Venice, northern Italy. It is housed in the Scuola della Carità on the south bank of the Grand Canal, within the sestiere of Dorsoduro. It was originally the gallery of the Accademia di Belle Arti di Venezia, the art academy of Venice, from which it became independent in 1879, and for which the Ponte dell'Accademia and the Accademia boat landing station for the vaporetto water bus are named. The two institutions remained in the same building until 2004, when the art school moved to the Ospedale degli Incurabili.
Daniela Dessì was an Italian operatic soprano.
Gustav Diessl was an Austrian artist, and film and stage actor.
Alessia Marcuzzi is an Italian television host, actress and former fashion model.
Angelo tra la folla is a 1950 Italian film directed by Leonardo de Mitri.
Women Without Names is an Italian drama film of 1950 directed by Géza von Radványi and starring Valentina Cortese, Simone Simon, Vivi Gioi, and Françoise Rosay.
Umberto Spadaro was an Italian actor.
Invisible Chains is a 1942 Italian drama film directed by Mario Mattoli and starring Alida Valli, Carlo Ninchi and Giuditta Rissone. It was shot at the Cinecittà Studios in Rome. The film's sets were designed by the art directors Ottavio Scotti and Mario Rappini.
Flavio Bucci was an Italian actor, voice actor and film producer.
Pietro Mario Pastore, also known as Piero Pastore was an Italian professional footballer who played as a striker; he later became an actor.
Santa Maria Regina Coeli is a Roman Catholic church in central Naples, Italy.
Blood Wedding is a 1941 Italian drama film directed by Goffredo Alessandrini and starring Beatrice Mancini, Fosco Giachetti and Luisa Ferida. It is set in 19th century South America, and features an arranged marriage. The film is based on the novel Immacolata by Lina Pietravalle.
The Two Orphans is a 1942 Italian historical drama film directed by Carmine Gallone and starring Alida Valli, María Denis and Osvaldo Valenti. It was based on the play The Two Orphans by Adolphe d'Ennery and Eugène Cormon, one of many film adaptations. It was made at Cinecittà in Rome.
Romulus and the Sabines is a 1945 Italian comedy film directed by Mario Bonnard and starring Totò, Carlo Campanini, and Clelia Matania. It was one of several of Totò's postwar comedies to use elements of neorealism.
Two on a Vacation is a 1940 Italian comedy film directed by Carlo Ludovico Bragaglia and starring Vittorio De Sica, María Denis, and Umberto Melnati. It was a remake of the 1932 German film Two in a Car. It was shot at the Cinecittà Studios in Rome.
A Thousand Lire a Month is a 1939 Italian "white-telephones" comedy film directed by Max Neufeld and starring Alida Valli, Umberto Melnati and Osvaldo Valenti. It is a remake of the 1936 Hungarian film Havi 200 fix. The plot concerns an electronic engineer who goes to Budapest, accompanied by his girlfriend, to work on experiments for a new television system leading to countless mix-ups.
Motherhood or The Grief and Joy of Motherhood is a 1945 Swedish drama film directed by Ivar Johansson and starring Birgit Rosengren, Björn Berglund and Allan Bohlin. The film's sets were designed by the art director Bertil Duroj.
The Woman of Sin is a 1942 Italian drama film directed by Harry Hasso and starring Viveca Lindfors, Otello Toso and Gustav Diessl. It was one of two films Swedish actress Lindfors made in wartime Italy. It was shot at the Cinecittà Studios in Rome. The film's sets were designed by the art director Guido Fiorini.
The Brothers' Woman is a 1943 Swedish drama film directed by Gösta Cederlund and starring Viveca Lindfors, Arnold Sjöstrand and Gunnar Sjöberg. It was shot at the Centrumateljéerna Studios in Stockholm. The film's sets were designed by the art director Bertil Duroj. It is based on the 1939 novel of the same title by Ebba Richert.
