Moanin' Low

Last updated

Moanin' Low is a popular torch song. The music was written by Ralph Rainger; the lyrics by Howard Dietz. The song was published in 1929 and was introduced that same year in the musical revue The Little Show by Libby Holman becoming a hit [1] and Holman's signature song. A recording by The Charleston Chasers (vocal by Eva Taylor) was also popular in 1929. [2]

Contents

Since its publication, the song has become a popular jazz standard.

Selected recordings

Film appearances

See also

Related Research Articles

"Can Anyone Explain? " is a popular song written by Bennie Benjamin and George David Weiss and published in 1950.

"If (They Made Me a King)" is a popular song with music written by Tolchard Evans and the lyrics written by Robert Hargreaves and Stanley J. Damerell. The song was written in 1934, but the most popular versions were recorded in 1950–1951. Perry Como's version, recorded November 28, 1950, was a number-one hit on the Billboard charts for eight weeks. The Como version was released under the following labels and catalog numbers:

"Thinking of You" is a popular song, composed by Harry Ruby with lyrics by Bert Kalmar. It was introduced in the Broadway show, The Five O'Clock Girl (1927) when it was sung by Mary Eaton and Oscar Shaw.

"A Hundred Years from Today" is a popular song published in 1933 with music by Victor Young and lyrics by Ned Washington and Joe Young. The song was included in the London production of Lew Leslie's Blackbirds of 1934.

"Painting the Clouds with Sunshine" is a popular song published in 1929. The music was written by Joe Burke and the lyrics by Al Dubin for the 1929 musical film Gold Diggers of Broadway when it was sung by Nick Lucas. Gold Diggers of Broadway is a partially lost film, and the scene featuring the song is one of the only surviving scenes of the movie.

"The One I Love (Belongs to Somebody Else)" is a popular song composed by Isham Jones with lyrics by Gus Kahn. The song was recorded by Isham Jones' Orchestra on December 21, 1923, at Brunswick Studios in New York City, and published on January 7, 1924. On January 17 in Chicago, Jones recorded another version, with Al Jolson on lead vocals. Both versions made the charts that Spring, with Jolson's peaking at number 2, and Jones' at number 5. Sophie Tucker recorded her version February 1924, released on Okeh 40054.

"I Had the Craziest Dream" is a popular song which was published in 1942. The music was written by Harry Warren, the lyrics by Mack Gordon.

<span class="mw-page-title-main">Deep River (song)</span> Anonymous spiritual song of African-American origin

"Deep River" is an anonymous African-American spiritual, popularized by Henry Burleigh in his 1916 collection Jubilee Songs of the USA.

"The Lamp Is Low" is a popular song from the 1930s. The music was written by composers Peter DeRose and Bert Shefter, adapted from Pavane pour une infante défunte, a composition by Maurice Ravel. The lyrics were written by Mitchell Parish.

"The Lady's in Love with You" is a popular song which was written by Burton Lane (music) and by Frank Loesser (lyrics). The song was published in 1939 and introduced in the film "Some Like It Hot" (1939) when it was sung by Bob Hope and Shirley Ross. Ms Ross also sang it in the film with Gene Krupa and His Band. The song was sung by Tony Bennett at his final concerts, at Radio City Music Hall, in 2021.

<span class="mw-page-title-main">Why Was I Born?</span> 1929 song by Jerome Kern and Oscar Hammerstein II

"Why Was I Born?" is a 1929 song composed by Jerome Kern, with lyrics written by Oscar Hammerstein II.

"Lover, Come Back to Me" is a popular song composed by Sigmund Romberg with lyrics by Oscar Hammerstein II for the Broadway show The New Moon, where the song was introduced by Evelyn Herbert and Robert Halliday. The song was published in 1928.

"Mean to Me" is a popular song with music by Fred E. Ahlert and lyrics by Roy Turk, published in 1929. Hit versions that year were by Ruth Etting and by Helen Morgan. Ben Bernie and the Hotel Roosevelt Orchestra also recorded what might be the first male version in February 1929 with vocals by Scrappy Albert.

"Trust in Me" is a song written by Ned Wever, Milton Ager, and Jean Schwartz. Popular versions in 1937 were by Mildred Bailey and by Wayne King & his Orchestra.

"Please Be Kind" is a 1938 American song composed by Saul Chaplin with lyrics by Sammy Cahn. Popular recordings that year were by Mildred Bailey and the Red Norvo Orchestra; Bob Crosby & His Orchestra ; and by Benny Goodman & His Orchestra.

"Rockin' Chair is a 1929 popular song with lyrics and music composed by Hoagy Carmichael. Musically it is unconventional, as after the B section when most popular songs return to A, this song has an A-B-C-A1 structure. Carmichael recorded the song in 1929, 1930, and 1956. Mildred Bailey made it famous by using it as her theme song. Like other 1920s standards, "Rockin' Chair" relied on the stereotypes of minstrelsy, citing "Aunt Harriet" from the anti-Uncle Tom song "Aunt Harriet Becha Stowe" (1853).

"Flamingo" (1940) is a popular song and jazz standard written by Ted Grouya with lyrics by Edmund Anderson and first recorded by singer Herb Jeffries and the Duke Ellington Orchestra on December 28, 1940, for Victor Records. This briefly reached the Billboard charts in 1941.

<span class="mw-page-title-main">Runnin' Wild (1922 song)</span> 1922 single by Original Memphis Five

"Runnin' Wild" is a popular song first composed and recorded in 1922, written by Arthur Harrington Gibbs with lyrics by Joe Grey and Leo Wood.

"Tomorrow Night" is a 1939 song written by Sam Coslow and Will Grosz. A version by Horace Heidt and His Musical Knights was very popular in 1939.

Liza (All the Clouds'll Roll Away)" is a song composed by George Gershwin with lyrics by Ira Gershwin and Gus Kahn. It was introduced in 1929 by Ruby Keeler (as Dixie Dugan) in Florenz Ziegfeld's musical Show Girl. The stage performances were accompanied by the Duke Ellington Orchestra. On the show's opening night in Boston on June 25, 1929, Keeler's husband and popular singer Al Jolson suddenly stood up from his seat in the third row and sang a chorus of the song, much to the surprise of the audience and Gershwin himself. Jolson recorded the song a few days later on July 6, 1929, and his rendition rose to number nine on the charts of the day.

References

  1. ↑ Whitburn, Joel (1986). Joel Whitburn's Pop Memories 1890-1954 . Wisconsin, USA: Record Research Inc. p.  216. ISBN   0-89820-083-0.
  2. ↑ Whitburn, Joel (1986). Joel Whitburn's Pop Memories 1890-1954 . Wisconsin, USA: Record Research Inc. p.  81. ISBN   0-89820-083-0.
  3. ↑ "The Online Discographical Project". 78discography.com. Retrieved September 23, 2018.
  4. ↑ "The Online Discographical Project". 78discography.com. Retrieved September 23, 2018.
  5. ↑ "The Online Discographical Project". 78discography.com. Retrieved September 23, 2018.
  6. ↑ "The Online Discographical Project". 78discography.com. Retrieved September 23, 2018.
  7. ↑ "The Online Discographical Project". 78discography.com. Retrieved September 23, 2018.
  8. ↑ "Discogs.com". Discogs.com. Retrieved September 23, 2018.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.