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Mohamed Zakariya (born 1942 in Ventura, California [1] ) is an American master Islamic calligrapher and an American Muslim convert.
Mohamed Zakariya was born in 1942 in Ventura, California, the son of art director Emrich Nicholson and Amy Aplin. [2] [3] Later he moved to Los Angeles with his family. Zakariya saw Islamic calligraphy for the first time in the window of an Armenian carpet store in Los Angeles. [1] Zakariya traveled to Morocco in his late teens where he became fascinated with Islam and Islamic Calligraphy. [1] After returning from his trip to the United States he converted to Islam. [1]
Zakariya studied manuscripts in the British Museum. He then studied with the Egyptian calligrapher Abdussalam Ali-Nour. Afterward, in 1984, he traveled to Istanbul and became a student of the Turkish master calligrapher Hasan Celebi. He received his diploma from Celebi in 1988 at the Research Center of Islamic History, Art, and Culture in Istanbul. He is the first American to receive this honor. In 1997, he received his second diploma, in the ta'liq script, from the master calligrapher Ali Alparslan. [1]
From 2004 to 2012, Zakariya was a member of the Joint Advisory Board, Virginia Commonwealth University School of the Arts in Qatar. He was awarded an Honorary Doctorate of Humane Letters by the university in 2012. [4] [5]
Students worldwide travel to the United States to study under Zakariya. [1]
Zakariya's work is held in private collections and some public collections. He designed a postage stamp for the United States Postal Service to commemorate Eids (Eid al-Fitr and Eid al-Adha), which appeared in all editions issued to date. [6] [7] In 2009, US president Barack Obama commissioned Mohamed Zakariya to create a piece of calligraphy that was presented to the king of Saudi Arabia. [1]
Dervish Mehmed Zillî, known as Evliya Çelebi, was an Ottoman explorer who travelled through the territory of the Ottoman Empire and neighboring lands during the empire's cultural zenith. He travelled for over 40 years, recording his commentary in a travelogue called the Seyahatnâme. The name Çelebi is an honorific meaning "gentleman" or "man of God".
Arabic calligraphy is the artistic practice of handwriting and calligraphy based on the Arabic alphabet. It is known in Arabic as khatt, derived from the words 'line', 'design', or 'construction'. Kufic is the oldest form of the Arabic script.
Nastaliq, also romanized as Nastaʿlīq or Nastaleeq, is one of the main calligraphic hands used to write the Perso-Arabic script and it is used for some Indo-Iranian languages, predominantly Classical Persian, Kashmiri, Punjabi (Shahmukhi) and Urdu. It is often used also for Ottoman Turkish poetry, but rarely for Arabic. Nastaliq developed in Iran from naskh beginning in the 13th century and remains widely used in Iran, India, Afghanistan, Pakistan, and other countries for written poetry and as a form of art.
Islamic calligraphy is the artistic practice of handwriting and calligraphy, in the languages which use Arabic alphabet or the alphabets derived from it. It includes Arabic, Persian, Ottoman, and Urdu calligraphy. It is known in Arabic as khatt Arabi, which translates into Arabic line, design, or construction.
Hasan Çelebi, born 1937 in Erzurum, Turkey, is a Turkish master of Islamic calligraphy. He is a student of Hamid Aytaç.
Sheikh Hamdullah (1436–1520), born in Amasya, Ottoman Empire, was a master of Islamic calligraphy.
Hattat Aziz Efendi was an Ottoman calligrapher.
Holiday stamps are a type of postage stamp issued to commemorate a particular religious festival or holiday.
Uthman ibn Abduh ibn Husayn ibn Taha al-Halyabi is a Syrian-Saudi calligrapher of the Quran in the Arabic language renowned for hand-writing Mushaf al-Madinah issued by the King Fahd Complex for the Printing of the Holy Qur'an.
Hâfiz Osman (1642–1698) was an Ottoman calligrapher noted for improving the script and for developing a layout template for the hilye which became the classical approach to page design.
The term ḥilya denotes both a visual form in Ottoman art and a religious genre of Ottoman-Arabic literature each dealing with the physical description of Muhammad. Hilya means "ornament". They originate with the discipline of shama'il, the study of Muhammad's appearance and character, based on hadith accounts, most notably al-Tirmidhi's Shama'il al-Muhammadiyya "The Sublime Characteristics of Muhammad". In Ottoman-era folk Islam, there was a belief that reading and possessing Muhammad's description protects the person from trouble in this world and the next, it became customary to carry such descriptions, rendered in fine calligraphy and illuminated, as amulets. In 17th-century Ottoman Turkey, ḥilān developed into an art form with a standard layout, often framed and used as a wall decoration. Later ḥilān were written for the four Rashid caliphs, the Companions of the Prophet, Muhammad's grandchildren Hasan and Husayn, and walis or saints.
Ahmed Karahisari (1468–1566) was an Ottoman calligrapher.
Mehmed Shevki Efendi was a prominent Ottoman calligrapher. He is known for his Thuluth-Naskh works, and his style developed into the Shevki Mektebi school, which many contemporary calligraphers in the style take as a reference.
Soraya Syed Sanders is an English classically trained Islamic calligrapher and artist. She uses classical Arabic calligraphy with new technologies such as holography, placing a traditional art-form into contemporary context.
Emrich Nicholson (1913–2001) was an American art director for Paramount and Universal Studios and painter of murals, and designer of furniture and merchandise associated with the 1939 New York World's Fair. In 1948, he was nominated for an Academy Award for art direction for the film One Touch of Venus. He later was the national art director for the Loe Burnett Company advertising agency. Nicholson was the father of American calligrapher and stamp designer Mohamed Zakariya and three other children by his wife, Amy Aplin.
Hamid Aytaç was an Islamic calligrapher born during Ottoman times. In his later life, he was acknowledged as the Islamic world's leading calligrapher and was one of the last of the classical calligraphers.
Hashem Muhammad al-Baghdadi (1917–1973) was an Iraqi master calligrapher, noted for his lettering which exhibited a steadiness of hand and fluidity of movement. In his later life, he was acknowledged as the "imam of calligraphy" across the Arab world, and would be the last of the classical calligraphers. He also authored several important texts on the art of calligraphy.
Nuria Garcia Masip is a Spanish calligrapher of Arabic calligraphy. She started to learn Arabic calligraphy when she visited Morocco. In 2000, she learned Arabic calligraphy under the tutelage of calligrapher Mohamed Zakariya. Her interest in calligraphy took her to Istanbul, where she learned the various scripts and styles of Arabic calligraphy from Hasan Çelebi and Davut Bektaş. In 2007, she received a certificate in the Thuluth and Naskh scripts.
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