Old Norse religion, also known as Norse paganism, is a branch of Germanic religion which developed during the Proto-Norse period, when the North Germanic peoples separated into a distinct branch of the Germanic peoples. It was replaced by Christianity and forgotten during the Christianisation of Scandinavia. Scholars reconstruct aspects of North Germanic Religion by historical linguistics, archaeology, toponymy, and records left by North Germanic peoples, such as runic inscriptions in the Younger Futhark, a distinctly North Germanic extension of the runic alphabet. Numerous Old Norse works dated to the 13th-century record Norse mythology, a component of North Germanic religion.
Hainuwele, "The Coconut Girl", is a figure from the Wemale and Alune folklore of the island of Seram in the Maluku Islands, Indonesia. Her story is an origin myth.
Batak is a collective term used to identify a number of closely related Austronesian ethnic groups predominantly found in North Sumatra, Indonesia, who speak Batak languages. The term is used to include the Karo, Pakpak, Simalungun, Toba, Angkola, and Mandailing ethnic groups. Which are related groups with distinct languages and traditional customs (adat).
The Souls of Black Folk: Essays and Sketches is a 1903 work of American literature by W. E. B. Du Bois. It is a seminal work in the history of sociology and a cornerstone of African-American literature.
Black Reconstruction in America: An Essay Toward a History of the Part Which Black Folk Played in the Attempt to Reconstruct Democracy in America, 1860–1880 is a history of the Reconstruction era by W. E. B. Du Bois, first published in 1935. The book challenged the standard academic view of Reconstruction at the time, the Dunning School, which contended that the period was a failure and downplayed the contributions of African Americans. Du Bois instead emphasized the agency of Black people and freed slaves during the Civil War and Reconstruction and framing the period as one that held promise for a worker-ruled democracy to replace a slavery-based plantation economy.
Melanesian mythology refers to the folklore, myths, and religions of Melanesia, a region in Southwest Oceania that encompasses the archipelagos of New Guinea, the Torres Strait Islands, Solomon Islands, Vanuatu, New Caledonia and Fiji. The various mythologies consist primarily of the traditions of oral literature in the different populations of Melanesia. More recent aspects include the cargo cults born in the 20th century during the Pacific War.
The Dong Son culture or the Lạc Việt culture was a Bronze Age culture in ancient Vietnam centred at the Red River Valley of northern Vietnam from 1000 BC until the first century AD. Vietnamese historians attribute the culture to the states of Văn Lang and Âu Lạc. Its influence spread to other parts of Southeast Asia, including Maritime Southeast Asia, from about 1000 BC to 1 BC.
The Austronesian peoples, sometimes referred to as Austronesian-speaking peoples, are a large group of peoples in Taiwan, Malay Peninsula, parts of Mainland Southeast Asia, Maritime Southeast Asia, Micronesia, coastal New Guinea, Island Melanesia, Polynesia, and Madagascar that speak Austronesian languages. They also include indigenous ethnic minorities in Vietnam, Cambodia, Myanmar, Thailand, Hainan, the Comoros, and the Torres Strait Islands. The nations and territories predominantly populated by Austronesian-speaking peoples are sometimes known collectively as Austronesia.
Tongkonan is the traditional ancestral house, or rumah adat of the Torajan people, in South Sulawesi, Indonesia. Tongkonan have a distinguishing boat-shaped and oversized saddleback roof. Like most of Indonesia's Austronesian-based traditional architecture, tongkonan are built on piles. The construction of tongkonan is laborious work and it is usually built with the help of all family members or friends. In the original Toraja society, only nobles had the right to build tongkonan. Commoners live in smaller and less decorated homes called banua.
A Đông Sơn drum is a type of ancient bronze drum created by the Đông Sơn culture that existed in the Red River Delta. The drums were produced from about 600 BCE or earlier until the third century CE; they are one of the culture's most astounding examples of ancient metalworking. The drums, cast in bronze using the lost-wax casting method are up to a meter in height and weigh up to 100 kilograms (220 lb). Đông Sơn drums were apparently both musical instruments and objects of worship.
Cora Alice Du Bois was an American cultural anthropologist and a key figure in culture and personality studies and in psychological anthropology more generally. She was Samuel Zemurray Jr. and Doris Zemurray Stone-Radcliffe Professor at Radcliffe College from 1954. After retirement from Radcliffe, she was Professor-at-large at Cornell University (1971–1976) and for one term at the University of California, San Diego (1976).
Bronze drums are ancient artifacts found in various cultures in Southeast Asia and southern China. The drums were cast in bronze using the lost-wax casting method. The drums were both musical instruments and cult objects. They are decorated with geometric patterns, scenes of daily life and war, animals and birds, and boats.
Abui is a non-Austronesian language of the Alor Archipelago. It is spoken in the central part of Alor Island in Eastern Indonesia, East Nusa Tenggara (NTT) province by the Abui people. The native name in the Takalelang dialect is Abui tanga which literally translates as 'mountain language'.
The W.E.B. Du Bois Boyhood Homesite is a National Historic Landmark in Great Barrington, Massachusetts, commemorating an important location in the life of African American intellectual and civil rights activist W.E.B. Du Bois (1868–1963). The site contains foundational remnants of the home of Du Bois' grandfather, where Du Bois lived for the first five years of his life. Du Bois was given the house in 1928, and planned to renovate it, but was unable to do so. He sold it in 1954 and the house was torn down later that decade.
The mythology of Indonesia is very diverse, the Indonesian people consisting of hundreds of ethnic groups, each with their own myths and legends that explain the origin of their people, the tales of their ancestors and the demons or deities in their belief systems. The tendency to syncretize by overlying older traditions with newer foreign ideas has occurred. For example, the older ancestral mythology might be merged with foreign mythology, such as Hindu, Islam, or Christian biblical mythology.
BoBoiBoy: The Movie is a 2016 Malaysian Malay-language computer-animated superhero comedy film directed by Nizam Razak, who also co-wrote the screenplay with Anas Abdul Aziz. It is Animonsta Studios' first feature film, based on their animated TV series BoBoiBoy. The film follows BoBoiBoy and his friends on an adventure on a mysterious island to find Ochobot, who is kidnapped by a group of alien treasure hunters so that they could locate an ancient Power Sphere that predates Ochobot.
The Abui are an indigenous ethnic group residing on Alor Island, East Nusa Tenggara, Indonesia. Abui people are spread across the districts of South Alor, East Alor, and Northwest Alor in Alor Regency. Abui people speak the Abui language, which is a Papuan (non-Austronesian) language, as well as Indonesian, and a Malay-based creole known as Alor Malay.
Pejeng drum is a type of Bronze Age kettledrum which was produced across the archipelago of Indonesia between the 1st and 2nd century AD. They are one of Indonesia's finest example of metalworking. Examples of Bronze Age Pejeng drum, such as the ancient Moon of Pejeng, is the largest bronze drum in the world, indicating the advance of metal casting technique and the active trade in the archipelago in the first millennium AD.
The Indonesian ceremonial bronze axes were Bronze Age objects that were produced in the Indonesian archipelago between the 1st and 2nd century AD. Archaeological sites in Java, Bali, Sulawesi, the eastern islands, and around Lake Sentani in Papua have been uncovered, showing the bronze axes at the center of a bronze production or at burial sites. They are a testimony of the extensive trade network in the islands of the archipelago in the first millennium AD, thought to be connected to the Dong Son culture.
