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Molly Sweeney is a two-act play by Brian Friel. It tells the story of its title character, Molly, a woman blind since infancy who undergoes an operation to try to restore her sight. Like Friel's Faith Healer , the play tells Molly's story through monologues by three characters: Molly, her husband Frank, and her surgeon, Mr. Rice.
It enjoyed considerable success on the stage, but attracted little critical interest, perhaps because of its superficial similarities to Faith Healer (1979), another play composed of a series of monologues delivered on an empty stage by characters who have no interaction. This play is about a blind woman in Ballybeg who constructed for herself an independent life rich in friendships and sensual fulfillment, and her ill-fated encounter with two men who destroy it and cause her madness: Frank, the man she marries who becomes convinced that she can only be complete when her vision is restored, and Mr. Rice, a once-renowned eye surgeon who uses Molly to restore his career. In a note in the programme of the 1996 Broadway production, Friel says that the story was inspired in part by Oliver Sacks's essay "To See and Not See". [1]
Molly Sweeney received its first performance on August 9, 1994, at the Gate Theatre, Dublin. It was directed by Friel and featured Catherine Byrne as Molly, Mark Lambert as Frank Sweeney, and T. P. McKenna as Mr. Rice.
It received its American premiere in 1996 in an Off Broadway production at the Roundabout Theatre. Catherine Byrne again starred as Molly, Alfred Molina played her husband Frank, and Jason Robards played Mr. Rice. It won the Lucille Lortel Award for Outstanding Play of the 1996 season. [2]
The play was revived at the Print Room theatre in west London in 2013, with Dorothy Duffy starring as Molly.
The play was in large part inspired by the essay by neurologist Oliver Sacks, "To See and Not See", published in An Anthropologist on Mars .
Brian Patrick Friel was an Irish dramatist, short story writer and founder of the Field Day Theatre Company. He had been considered one of the greatest living English-language dramatists. He has been likened to an "Irish Chekhov" and described as "the universally accented voice of Ireland". His plays have been compared favourably to those of contemporaries such as Samuel Beckett, Arthur Miller, Harold Pinter and Tennessee Williams.
Irish literature is literature written in the Irish, Latin, English and Scots languages on the island of Ireland. The earliest recorded Irish writing dates from back in the 7th century and was produced by monks writing in both Latin and Early Irish, including religious texts, poetry and mythological tales. There is a large surviving body of Irish mythological writing, including tales such as The Táin and Mad King Sweeny.
Julia Anne Sweeney is an American actress and comedian. She gained fame as a cast member on the NBC sketch comedy series Saturday Night Live from 1990 to 1994. She played Mrs. Keeper in the film Stuart Little and voiced Brittany in Father of the Pride. She recently appeared in the Hulu series Shrill, the Showtime series Work in Progress, and the Starz series American Gods.
Translations is a three-act play by Irish playwright Brian Friel, written in 1980. It is set in Baile Beag (Ballybeg), a County Donegal village in 19th-century Ireland. Friel has said that Translations is "a play about language and only about language", but it deals with a wide range of issues, stretching from language and communication to Irish history and cultural imperialism. Friel said that his play "should have been written in Irish" but, despite this fact, he carefully crafted the verbal action in English, bringing the political questions of the play into focus. Baile Beag is a fictional village, created by Friel as a setting for several of his plays, although there are many real places called Ballybeg throughout Ireland.
Dancing at Lughnasa is a 1990 play by dramatist Brian Friel set in County Donegal, Ireland in August 1936 in the fictional town of Ballybeg. It is a memory play told from the point of view of the adult Michael Evans, the narrator. He recounts the summer in his aunts' cottage when he was seven years old.
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An Anthropologist on Mars: Seven Paradoxical Tales is a 1995 book by neurologist Oliver Sacks consisting of seven medical case histories of individuals with neurological conditions such as autism and Tourette syndrome. An Anthropologist on Mars follows up on many of the themes Sacks explored in his 1985 book, The Man Who Mistook His Wife for a Hat, but here the essays are significantly longer and Sacks has more of an opportunity to discuss each subject with more depth and to explore historical case studies of patients with similar symptoms. In addition, Sacks studies his patients outside the hospital, often traveling considerable distances to interact with his subjects in their own environments. Sacks concludes that "defects, disorders, [and] diseases... can play a paradoxical role, by bringing out latent powers, developments, evolutions, forms of life that might never be seen, or even be imaginable, in their absence".
Equus is a 1977 psychological drama film directed by Sidney Lumet and written by Peter Shaffer, based on his play of the same name. The film stars Richard Burton, Peter Firth, Colin Blakely, Joan Plowright, Eileen Atkins, and Jenny Agutter. The story concerns a psychiatrist treating a teenager who has blinded horses in a stable, attempting to find the root of his horse worship.
Lovers is a 1967 play written by Irish playwright Brian Friel. Lovers is a play broken into two parts, "Winners" and "Losers".
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Mrs. Lovett is a fictional character appearing in many adaptations of the story Sweeney Todd. Her first name is most commonly referred to as Nellie, although she has also been referred to as Amelia, Margery, Maggie, Sarah, Shirley, Wilhelmina, Mary and Claudetta. A baker from London, Mrs. Lovett is an accomplice and business partner of Sweeney Todd, a barber and serial killer from Fleet Street. She makes meat pies from Todd’s victims.
Clarissa Kaye was an Australian stage, film and television actress. She was the second wife (1971–1984) of the British actor James Mason. After her marriage, she was often known as Clarissa Kaye-Mason.
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