Edgar Degas was a French artist famous for his paintings, sculptures, prints, and drawings. He is especially identified with the subject of dance; more than half of his works depict dancers. Regarded as one of the founders of Impressionism, he rejected the term, preferring to be called a realist. He was a superb draftsman, and particularly masterly in depicting movement, as can be seen in his rendition of dancers, racecourse subjects and female nudes. His portraits are notable for their psychological complexity and for their portrayal of human isolation.
Yousuf Karsh, was an Armenian-Canadian photographer known for his portraits of notable individuals. He has been described as one of the greatest portrait photographers of the 20th century.
Harrison Charles Williams (1873–1953) was an American entrepreneur, investor and multi-millionaire.
Émilie Charmy was an artist in France's early avant-garde. She worked closely with Fauve artists like Henri Matisse, and was active in exhibiting her artworks in Paris, particularly with Berthe Weill.
Sarah Tyson Hallowell or Sara Tyson Hallowell (1846–1924) was an American art curator in the years between the Civil War and World War I. She curated a number of major exhibitions in Chicago, arranged the loan exhibition of French Art at the World's Columbian Exposition in Chicago, and worked with Bertha Palmer (1849–1918) to organize the murals for the women's pavilion for the fair. She then moved to Paris, where she served as agent for the Art Institute of Chicago. During World War I she and her niece Harriet Hallowell (1873–1943) volunteered at a small hospital. She lived in France until her death in 1924.
Virginia Oldoini, Countess of Castiglione, better known as La Castiglione, was born to an aristocratic family from La Spezia. She was a 19th-century Italian aristocrat who achieved notoriety as a mistress of Emperor Napoleon III of France. She was also a significant figure in the early history of photography.
Nancy Mowll Mathews is a Czech-American art historian, curator, and author. She was the Eugénie Prendergast Senior Curator of 19th and 20th Century Art at the Williams College Museum of Art, from 1988 to 2010. She is currently an independent scholar, curator, professor, and host of the television show, "Art World with Nancy Mathews."
The Terra Foundation for American Art is a privately operated nonprofit organization dedicated to the support of American art exhibitions, projects, academic research, and publications worldwide. Its goal is to promote a greater understanding and appreciation of the cultural and artistic heritage of the United States through the acquisition, study, and display of works of American art. The Foundation was established by Daniel J. Terra in 1978 along with the Terra Museum of American Art, which opened in 1980. Terra was a businessman and art collector who used his own collection of influential American art to realize the goals of the Foundation. The Foundation is headquartered in Chicago, Illinois.
Little Girl in a Blue Armchair is an 1878 oil painting by the American painter, printmaker, pastelist, and connoisseur Mary Cassatt. It is in the collection of the National Gallery of Art, Washington D.C. Edgar Degas made some changes in the painting.
Mona Kuhn is a contemporary photographer best known for her large-scale photographs of the human form. Her approach is unusual in that she develops close relationships with her subjects, resulting in images of remarkable intimacy. Mona Kuhn recently expanded her interests from direct representation of the form to abstractions of the form. Her work often references classical themes, has been exhibited internationally, and is held in several collections including the J. Paul Getty Museum, The Los Angeles County Museum of Art, the Hammer Museum and the Pérez Art Museum Miami.
Lilacs in a Window is a painting by the American painter, printmaker, pastelist, and connoisseur Mary Cassatt which is in the collection of the Metropolitan Museum of Art in New York.
Gardner (Cassatt) Held by His Mother is a drypoint print dated circa 1889 by the American painter, printmaker, pastelist, and connoisseur Mary Cassatt. The example illustrated is in the collection of the Cooper-Hewitt Museum and is a gift of Samuel Putnam Avery.
Lisa Anne Auerbach is an American textile artist, Zine writer, photographer, best known for her knitting works with humorous political commentary.
Woman with a Pearl Necklace in a Loge is an 1879 painting by American artist Mary Cassatt. The Philadelphia Museum of Art acquired the painting in 1978 from the bequest of Charlotte Dorrance Wright. The style in which it was painted and the depiction of shifting light and color was influenced by Impressionism. This painting shows a view of the modern woman and is similar in style to Degas.
Mary Lee Bendolph is an American quilt maker of the Gee's Bend Collective from Gee's Bend (Boykin), Alabama. Her work has been influential on subsequent quilters and artists and her quilts have been exhibited in museums and galleries around the country. Mary Lee uses fabric from used clothing for quilting in appreciation of the "love and spirit" with old cloth. Mary has spent her life in Gee's Bend and has had work featured in the Philadelphia Museum of Art as well as the Minneapolis Institute of Art in Minnesota.
Cecelia Tapplette Pedescleaux, also known as Cely, is an African-American quilter of traditional and art quilts, inspired by historians, other African-American quilters, and quilt designs used during the Underground Railroad to communicate messages to slaves seeking freedom. Her quilts have been shown in China, France, Washington, D.C., New Orleans, and in other locations in the United States. A solo show of 75 of her quilts were shown at the Le Musée de Free People of Color in New Orleans (2013–2014).
The Boating Party is an 1893 oil painting by American artist Mary Cassatt. It has been in the collection of the National Gallery of Art since 1963.
Lydia Crocheting in the Garden at Marly is an oil on canvas painting by Mary Cassatt created in 1880. It is in the collection of the Metropolitan Museum of Art.
