Monk's cloth

Last updated

Monk's cloth is a loosely woven cotton or linen fabric made of coarser yarns that drape well. [1] [2]

Contents

Basketweave

The Monk's cloth was woven with basketweave, usually with 2×2 or 4×4. Basketweave is a plain weave, with the difference that it allows two or more filling yarn to pass over and under two or more warp yarns and forms a check pattern. [1] [3] [2]

Characteristics

This cloth has a loose over and under four strand weave. These strands are called floats and are used to weave the threads through. The cloth is 100% cotton and can be purchased in a variety of colors at craft and fabric stores. The cotton will shrink when washed, so should be pre-washed before so as to achieve the correct sizing before stitching.

Use

In the 1940s monk's cloth was used to decorate borders on towels, throws, baby blankets, pillows, wall hanging, pictures, linens and clothing. Swedish dresses were decorated for traditional outfits with a variety of threads. Today, cotton Floss and yarns are used on the fabric to create beautifully decorated items. [4]

See also

Related Research Articles

<span class="mw-page-title-main">Weaving</span> Technology for the production of textiles

Weaving is a method of textile production in which two distinct sets of yarns or threads are interlaced at right angles to form a fabric or cloth. Other methods are knitting, crocheting, felting, and braiding or plaiting. The longitudinal threads are called the warp and the lateral threads are the weft, woof, or filling. The method in which these threads are interwoven affects the characteristics of the cloth. Cloth is usually woven on a loom, a device that holds the warp threads in place while filling threads are woven through them. A fabric band that meets this definition of cloth can also be made using other methods, including tablet weaving, back strap loom, or other techniques that can be done without looms.

<span class="mw-page-title-main">Yarn</span> Long continuous length of interlocked fibres

Yarn is a long continuous length of interlocked fibres, used in sewing, crocheting, knitting, weaving, embroidery, ropemaking, and the production of textiles. Thread is a type of yarn intended for sewing by hand or machine. Modern manufactured sewing threads may be finished with wax or other lubricants to withstand the stresses involved in sewing. Embroidery threads are yarns specifically designed for needlework. Yarn can be made of a number of natural or synthetic materials, and comes in a variety of colors and thicknesses. Although yarn may be dyed different colours, most yarns are solid coloured with a uniform hue.

<span class="mw-page-title-main">Linen</span> Textile made from spun flax fibre

Linen is a textile made from the fibers of the flax plant.

<span class="mw-page-title-main">Textile arts</span> Form of arts and crafts using fibers

Textile arts are arts and crafts that use plant, animal, or synthetic fibers to construct practical or decorative objects.

Ikat is a dyeing technique from Indonesia used to pattern textiles that employs resist dyeing on the yarns prior to dyeing and weaving the fabric. The term is also used to refer to related and unrelated traditions in other cultures. In Southeast Asia, where it is the most widespread, ikat weaving traditions can be divided into two general clades. The first is found among Daic-speaking peoples. The second, larger group is found among the Austronesian peoples and spread via the Austronesian expansion. Similar dyeing and weaving techniques that developed independently are also present in other regions of the world, including India, Central Asia, Japan, Africa, and the Americas.

<span class="mw-page-title-main">Double cloth</span> Woven textile type

Double cloth or double weave is a kind of woven textile in which two or more sets of warps and one or more sets of weft or filling yarns are interconnected to form a two-layered cloth. The movement of threads between the layers allows complex patterns and surface textures to be created.

<span class="mw-page-title-main">Dimity</span> Type of sheer textile, usually made of cotton

Dimity is a collective term for figured cloths of harness loom decorated with designs and patterns. It is a strong cotton cloth with various stripes and illustrations. It is bleached or washed after looming, less often dyed, unlike fustian, which is usually dyed.

<span class="mw-page-title-main">Sailcloth</span> Strong fabric of the type used to make ships sails

Sailcloth is cloth used to make sails. It can be made of a variety of materials, including natural fibers such as flax, hemp, or cotton in various forms of sail canvas, and synthetic fibers such as nylon, polyester, aramids, and carbon fibers in various woven, spun, and molded textiles.

<span class="mw-page-title-main">Pile weave</span>

Pile weave is a form of textile created by weaving. This type of fabric is characterized by a pile—a looped or tufted surface that extends above the initial foundation, or 'ground' weave. The pile is formed by supplemental yarn running in the direction of the length of the fabric or the width of the fabric. Pile weaves include velvet and corduroy fabrics and machine-woven Berber carpets.

<i>Kasuri</i> Japanese textile technique

Kasuri (絣) is the Japanese term for fabric that has been woven with fibers dyed specifically to create patterns and images in the fabric, typically referring to fabrics produced within Japan using this technique. It is a form of ikat dyeing, traditionally resulting in patterns characterized by their blurred or brushed appearance.

<span class="mw-page-title-main">Plain weave</span> Method of weaving cloth in which each warp and weft thread crosses over/under every other thread

Plain weave is the most basic of three fundamental types of textile weaves. It is strong and hard-wearing, and is used for fashion and furnishing fabrics. Fabrics with a plain weave are generally strong, durable, and have a smooth surface. They are often used for a variety of applications, including clothing, home textiles, and industrial fabrics.

The manufacture of textiles is one of the oldest of human technologies. To make textiles, the first requirement is a source of fiber from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving, which turns yarn into cloth. The machine used for weaving is the loom. For decoration, the process of colouring yarn or the finished material is dyeing. For more information of the various steps, see textile manufacturing.

<span class="mw-page-title-main">Units of textile measurement</span> Systems for measuring textiles

Textile fibers, threads, yarns and fabrics are measured in a multiplicity of units.

<span class="mw-page-title-main">Basketweave (weaving)</span> Textile weaving technique

Basketweave or Panama weave is a simple type of textile weave.

<span class="mw-page-title-main">Novelty yarns</span> Any yarn with special effects introduced in spinning or plying

Novelty yarns include a wide variety of yarns made with unusual features, structure or fiber composition such as slubs, inclusions, metallic or synthetic fibers, laddering and varying thickness introduced during production. Some linens, wools to be woven into tweed, and the uneven filaments of some types of silk are allowed to retain their normal irregularities, producing the characteristic uneven surface of the finished fabric. Man-made fibres, which can be modified during production, are especially adaptable for special effects such as crimping and texturizing.

<span class="mw-page-title-main">Finishing (textiles)</span> Manufacturing process

In textile manufacturing, finishing refers to the processes that convert the woven or knitted cloth into a usable material and more specifically to any process performed after dyeing the yarn or fabric to improve the look, performance, or "hand" (feel) of the finish textile or clothing. The precise meaning depends on context.

Textile manufacturing is one of the oldest human activities. The oldest known textiles date back to about 5000 B.C. In order to make textiles, the first requirement is a source of fibre from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving to create cloth. The machine used for weaving is the loom. Cloth is finished by what are described as wet process to become fabric. The fabric may be dyed, printed or decorated by embroidering with coloured yarns.

<span class="mw-page-title-main">String (structure)</span> Flexible structure made from fibers twisted together

String is a long flexible structure made from fibers twisted together into a single strand, or from multiple such strands which are in turn twisted together. String is used to tie, bind, or hang other objects. It is also used as a material to make things, such as textiles, and in arts and crafts. String is a simple tool, and its use by humans is known to have been developed tens of thousands of years ago. In Mesoamerica, for example, string was invented some 20,000 to 30,000 years ago, and was made by twisting plant fibers together. String may also be a component in other tools, and in devices as diverse as weapons, musical instruments, and toys.

Huckaback fabric or Huck is a type of toweling cloth with a bird's eye or honeycomb pattern. It is a loosely woven fabric made of cotton or linen with Huckaback weave.

<i>Tanmono</i> Traditional bolt of narrow-loom Japanese cloth

A tanmono is a bolt of traditional Japanese narrow-loomed cloth. It is used to make traditional Japanese clothes, textile room dividers, sails, and other traditional cloth items.

References

  1. 1 2 Pizzuto, Joseph James; D'Alessandro, P. L. (1952). 101 Fabrics: Analyses and Textile Dictionary. Textile Press.
  2. 1 2 American Fabrics Magazine (1960). AF encyclopedia of textiles. Internet Archive. Englewood Cliffs, N.J., Prentice-Hall. p. 92.
  3. Oelsner, G. (2020-12-01). A Handbook Of Weaves. Read Books Ltd. p. 188. ISBN   978-1-5287-6169-7.
  4. Tams, Jeanne; Duffin, Nan (1998). Avery Hill's 33 contemporary Swedish weaving patterns for monk's cloth. Internet Archive. Layton, Utah : Avery Hill. p. 7. ISBN   978-1-929582-00-6.