Related Research Articles
Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917 at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine, and the orchestra conducted by Ernest Ansermet.
Sir Frederick William Mallandaine Ashton was a British ballet dancer and choreographer. He also worked as a director and choreographer in opera, film and revue.
The Gnossiennes are several piano compositions written by the French composer Erik Satie in the late 19th century. The works are for the most part in free time and highly experimental with form, rhythm and chordal structure. The form as well as the term was invented by Satie.
Sir Anthony James Dowell is a retired British ballet dancer and a former artistic director of the Royal Ballet. He is widely recognized as one of the great danseurs nobles of the twentieth century.
Les biches is a one-act ballet to music by Francis Poulenc, choreographed by Bronislava Nijinska and premiered by the Ballets Russes on 6 January 1924 at the Salle Garnier in Monte Carlo. Nijinska danced the central role of the Hostess. The ballet has no story, and depicts the random interactions of a group of mainly young people in a house party on a summer afternoon.
"Méditation" is a symphonic intermezzo from the opera Thaïs by French composer Jules Massenet. The piece is written for solo violin and orchestra. The opera premiered at the Opéra Garnier in Paris on March 16, 1894.
Pas de légumes is a ballet created in 1982 with choreography by Frederick Ashton, to the music of Rossini arranged by John Dalby.
Les Rendezvous is a plotless one-act ballet created in 1933, with choreography by Frederick Ashton to the music of Daniel Auber arranged by Constant Lambert and with designs by William Chappell. It was the first major ballet created by Ashton for the Vic-Wells company.
Les Patineurs is a ballet choreographed by Frederick Ashton to music composed by Giacomo Meyerbeer and arranged by Constant Lambert. With scenery and costumes designed by William Chappell, it was first presented by the Vic-Wells Ballet at the Sadler's Wells Theatre, London, on 16 February 1937. It has been called "a paradigm of an Ashton ballet, perfectly crafted with a complex structure beneath the effervescent surface."
Jazz Calendar is a ballet created in 1968 by Frederick Ashton to the music of Richard Rodney Bennett. The ballet was first performed on 9 January 1968 by The Royal Ballet at the Royal Opera House, Covent Garden, with designs by Derek Jarman. The work was performed over 50 times up to 1979 by the Royal Ballet at Covent Garden but is not part of the current repertoire. It was also produced in October 1990 at the Birmingham Hippodrome by Birmingham Royal Ballet.
Symphonic Variations is a one-act ballet by Frederick Ashton set to the eponymous music of César Franck. The premiere, performed by the Sadler's Wells Ballet, took place at the Royal Opera House, Covent Garden, on 24 April 1946 in a triple bill; the other works were Ashton's Les Patineurs and Robert Helpmann's Adam Zero. The ballet was conducted by Constant Lambert and the set designed by Sophie Fedorovitch.
The Camargo Society was a London society which created and produced ballet between 1930 and 1933, giving opportunity to British musicians, choreographers, designers and dancers. Its influence was disproportionate to its short life. Dame Ninette de Valois, founder of The Royal Ballet, saw it as "having done much for the cause of English ballet", and Encyclopædia Britannica Online credits it with "keeping ballet alive in England during the early 1930s". The society was named after the eighteenth-century French dancer Marie Anne de Cupis de Camargo.
Vyvyan Lorrayne is a South African ballet dancer, now retired. Noted as a "softly classical stylist," she won acclaim as a principal dancer in England's Royal Ballet during the 1960s and 1970s.
Brian Shaw was a British ballet dancer and teacher. As a leading dancer with the Royal Ballet during the 1950s and 1960s, he was widely regarded as "one of the finest classical male dancers of his generation".
Les Masques, ou Changement de dames is a short ballet of 1933 choreographed by Frederick Ashton to music by Francis Poulenc. Ashton's biographer describes it as a miniature masterpiece, an inspired fusion of scenery, steps and music.
Tiresias is a ballet in a prelude and three acts choreographed by Frederick Ashton to an original score by Constant Lambert. With scenery and costumes designed by the composer's wife Isabel Lambert, it was first presented by the Royal Ballet at the Royal Opera House Covent Garden, London, on 9 July 1951.
The Pièces froides are two sets of piano pieces composed in March 1897 by Erik Satie. Unpublished until 1912, they marked Satie's break from the mystical-religious music of his "Rosicrucian" period (1891–95), and were a harbinger of his humoristic piano suites of the 1910s.
Trois morceaux en forme de poire is a 1903 suite for piano four hands by French composer Erik Satie. A lyrical compendium of his early music, it is one of Satie's most famous compositions, second in popular recognition only to the Gymnopédies (1888). The score was not published until 1911. In performance it lasts around 14 minutes.