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Angela Isadora Duncan was an American dancer who performed to great acclaim throughout Europe. Born and raised in California, she lived and danced in Western Europe and the Soviet Union from the age of 22 until her death at age 50 when her scarf became entangled in the wheels and axle of the car in which she was travelling in Nice, France.
Sir Frederick William Mallandaine Ashton was a British ballet dancer and choreographer. He also worked as a director and choreographer in opera, film and revue.
The ballet, The Afternoon of a Faun, was choreographed by Vaslav Nijinsky for the Ballets Russes, and was first performed in the Théâtre du Châtelet in Paris on 29 May 1912. Nijinsky danced the main part himself. The music is Claude Debussy's symphonic poem Prélude à l'après-midi d'un faune. Both the music and the ballet were inspired by the poem L'Après-midi d'un faune by Stéphane Mallarmé. The costumes and sets were designed by the painter Léon Bakst.
Dame Marie Rambert, Mrs Dukes DBE was a Polish-born English dancer and pedagogue who exerted great influence on British ballet, both as a dancer and teacher.
The Royal Ballet is an internationally renowned classical ballet company, based at the Royal Opera House in Covent Garden, London, England. The largest of the five major ballet companies in Great Britain, the Royal Ballet was founded in 1931 by Dame Ninette de Valois, it became the resident ballet company of the Royal Opera House in 1946 and was granted a royal charter in 1956, becoming recognised as Britain's flagship ballet company.
The Joffrey Ballet, based in Chicago, Illinois, is a premier dance company. The Joffrey regularly performs both classical ballets, including Romeo & Juliet and The Nutcracker, and modern dance pieces. They are also noted for their 1987 performances of Stravinsky's The Rite of Spring, where they reconstructed the original choreography—which was long thought to be lost—from the 1913 premiere. Many choreographers have worked with the Joffrey, including Paul Taylor, Twyla Tharp, George Balanchine, and founders Gerald Arpino and Robert Joffrey. Founded as a touring company in 1956, it was based in New York City until 1995 when it moved to Chicago. The company's headquarters and dance academy are in Joffrey Tower, and it performs its October–May season at the Auditorium Theatre. In 2020 the company will move its performance venue to Chicago's Civic Opera House through an arrangement with the Lyric Opera of Chicago.
Sir Kenneth MacMillan was a British ballet dancer and choreographer who was artistic director of the Royal Ballet in London between 1970 and 1977, and its principal choreographer from 1977 until his death. Earlier he had served as director of ballet for the Deutsche Oper in Berlin. He was also associate director of the American Ballet Theatre from 1984 to 1989, and artistic associate of the Houston Ballet from 1989 to 1992.
La Péri is a 1912 ballet in one act by French composer Paul Dukas, originally choreographed by Ivan Clustine and first performed in Paris, about Iskender searching for immortality and his encounter with a mythological Peri.
Dame Merle Park is a British ballet dancer and teacher, now retired. As a prima ballerina with the Royal Ballet during the 1960s and 1970s, she was known for "brilliance of execution and virtuoso technique" as well as for her ebullience and charm. Also admired for her dramatic abilities, she was praised as an actress who "textured her vivacity with emotional details."
Lynn Seymour is a Canadian-born retired ballerina and choreographer.
Maryon Lane was a South African ballet dancer who became well known in Britain as a ballerina of the Sadler's Wells Theatre Ballet and as a soloist with the Royal Ballet.
Ivan Putrov is a Ukrainian-born ballet dancer and producer. He trained at The Kyiv State Choreographic Institute and at The Royal Ballet School. Upon graduation Sir Anthony Dowell invited him to join the Royal Ballet, which he did in September 1998. He has continued to dance with companies around the world, to organize dance events and to teach.
Tina LeBlanc is an American ballet dancer, teacher and ballet master. She joined the Joffrey Ballet in 1988. In 1992, she joined the San Francisco Ballet as a principal dancer. She retired in 2009, then joined the faculty of the San Francisco Ballet School, before returning to the San Francisco Ballet as a ballet master in 2019.
Molly Smolen is an American ballet dancer.
Rambert, is a leading British dance company. Formed at the start of the 20th century as a classical ballet company, it exerted a great deal of influence on the development of dance in the United Kingdom, and today, as a contemporary dance company, continues to be one of the world's most renowned dance companies. It has previously been known as the Ballet Club, and the Ballet Rambert.
Pearl Argyle was a South African ballet dancer and actress. Remembered today primarily for her extraordinary beauty, she appeared in leading roles with English ballet companies in the 1930s and later performed in stage musicals and in films.
Façade is a ballet by Frederick Ashton, to the music of William Walton; it is a balletic interpretation of items from Façade – an Entertainment (1923) by Walton and Edith Sitwell. The ballet was first given by the Camargo Society at the Cambridge Theatre, on 26 April 1931. It has been regularly revived and restaged all over the world.
Andrée Howard was a British ballet dancer and choreographer. She created over 30 ballets, of which almost nothing remains.
Frank Staff was a South African ballet dancer, choreographer, producer, and company director. He was a major figure in the history of European theatrical dance in South Africa.
Harold Turner was an English ballet dancer, teacher, and ballet master. Widely recognized as "modern British ballet's first male virtuoso," he had an illustrious career as a principal dancer, after which he continued to perform in character roles. He is acknowledged as a key figure in British dance history.
References
- 1 2 3 4 5 6 7 8 9 10 Kavanagh, Julie (1997). Secret Muses: The Life of Frederick Ashton. ISBN 978-0-679-44269-1.
- 1 2 3 Mackrell, Judy (21 February 2004). "Dance of a goddess". The Guardian.
- 1 2 Citron, Paula (12 June 2008). "Fournier's swan song 'a dance of experience'". The Globe and Mail.
- 1 2 3 4 5 Craine, Debra; Mackrell, Judith (19 August 2010). The Oxford Dictionary of Dance. p. 171. ISBN 978-0-19-956344-9.
- 1 2 "Five Brahms Waltzes in the Manner of Isadora Duncan". Rambert. Retrieved 18 May 2021.
- ↑ Mackrell, Judith (2 January 2005). "Dance review of the year". The Guardian.
- ↑ Dunning, Jennifer (22 October 1983). "Ballet: Joffrey Troupe". New York Times.
- ↑ O'Connor, John J. (22 June 1977). "TV: PBS Explores Deafness and Dance". New York Times.