Moon on a Rainbow Shawl

Last updated
Moon on a Rainbow Shawl
Moon on a Rainbow Shawl.jpg
Poster of original production
Written byErrol John
Characters
  • Ephraim
  • Ketch
  • Ester Adams
  • Mavis
  • Sailor
  • Sophia Adams
  • Old Mack
  • Rosa
  • Janette
  • Policeman
  • Prince
  • Charlie Adams
  • Soldier
  • A best boy seungmin
  • Taxi Driver
Date premieredDecember 4, 1958 (1958-12-04)
Place premiered Royal Court Theatre London
Original languageEnglish
GenreTragedy
Setting Port of Spain, Trinidad

Moon on a Rainbow Shawl is a 1957 play written by Trinidadian actor-playwright Errol John. Described as "ground-breaking" [1] and "a breakthrough in Britain for black writing," the play has been produced and revived worldwide since its premiere at London's Royal Court Theatre. [2] It won the 1957 London Observer playwriting competition.

Contents

Plot summary

Set in Port of Spain, Trinidad, the play opens on a hot, late evening in the yard of two dilapidated buildings. Ephraim is just returning from his work as a trolleybus conductor, and converses with Esther Adams, left home alone with her newborn brother. Esther, a very intelligent and studious girl, discusses how her family cannot afford for her to go to high school. Ephraim, secretly envious of her youth and opportunity to make a better life for herself than he has, encourages her. Esther's mother, Sophia comes home. Later, while Ephraim is sleeping, Rosa, Ephraim's lover, returns to the yard with their landowner and her employer, Old Mack. She is wearing solid gold earrings and other things that Old Mack has given her. Old Mack forces himself on Rosa despite her protests and struggles. Sophia, overhearing all this, interrupts him, and he leaves. Sophia tells Rosa that because she is proudly wearing his gifts "he is right to seek his rights". [3] She then asks Rosa if she has "told" Ephraim yet, to which she responds that she has not. Rosa goes and wakes Ephraim. After kissing and her asking him if he would like to sleep with her, Ephraim rolls over and tells her to leave.

The next morning, policemen are investigating the café at which Rosa works. While Ephraim secretly listens, Rosa tells Sophia that it was robbed and that she also intends to "tell" Ephraim later that night. Rosa leaves with a policeman who makes her return to the café. Ephraim goes into the yard, and Sophia suspects that Ephraim is "up to something". [4] Charlie, Sophia's husband, comes home drunk. When Rosa returns and sees Charlie, she immediately goes to her room.

That evening, Rosa tries to seduce Ephraim, but he will not sleep with her. Rosa discloses that she found Charlie's hat at the café, so she knows that he robbed the café. Due to this and the police's questioning, she fears that they will arrest Charlie. Ephraim yells at her endangering the Adams family when the wealthy, stingy Old Mack "could well afford to lose" [5] the money stolen, and for accepting and wearing his expensive gifts. Ephraim tells her he is leaving for Liverpool the following day. Rosa reveals that she is pregnant with his child, which does not sway his decision to leave. Rosa, furious, leaves.

The next day, Charlie, fearful that Old Mack's employee, Stephen, is going to be arrested for his crime, confides to Sophia that he robbed the café, and then went drinking. As Sophia suggests that they have Rosa speak to Old Mack and return the remaining money, Ephraim, overhearing the conversation, and demands that Sophia give him the money so he return it without Charlie being implicated. At this moment, the police show up, and, seeing this exchange, arrest Charlie.

Later that afternoon, Esther returns to an empty home. Sophia, unable to pay bail, comes home and tells Esther what has occurred. Distraught, Esther blames her mother and runs off. Rosa informs Sophia that Old Mack said "the matter was out of his hands", [6] and that she has given up on Ephraim—despite knowing that he is the father because she has slept with no one else. In the evening, Ephraim is packing, and Sophia returns home after futilely searching for Esther. In spite of Sophia confronting him about abandoning a pregnant Rosa, Ephraim leaves the yard in a taxi. Sophia tries to comfort Rosa that she will be supported, but her words are interrupted by the sound of Old Mack calling from Rosa's room. The play ends with Esther's return, warmly calling for her mother.

Characters

Ephraim: A young man who feels trapped in a Trinidadian society where opportunity and upward mobility is scarce and the rich abuse the poor. He wants more out of life, and sees Charlie's life as a future parallel to his own—barely scraping by, poor, and with dreams that can never be fulfilled.

Sophia Adams: A spirited although physically and emotionally exhausted woman, who is wife to Charlie and mother to Esther and her newborn boy. She cares fiercely for Esther's future, wants her to have a life outside of the yard and not end up like Mavis, and practices tough love on Esther and Charlie as a result. She also looks after Rosa as if she was family, and even offers to help her take care of her child when it is born.

Rosa: A young woman who was orphaned and subsequently raised by Nuns. Ephraim was the first and only man she had sex with as he asked her as she did not know how to she sought assistance from sophia as thought she was her mother but as Ephraim telling her that he was leaving,

though she was pregnant thus she had to be with Old Mack so her child can have a father, is one of a loss and corruption of innocence.

Old Mack: A 65-year-old, wealthy man. He owns the shacks that the Adams’, Ephraim, Rosa, and Mavis live in, as well as the café where Rosa works. Sophia notes that "he is a man [she’s] never [known] to be generous," [3] showing that his gifts to Rosa are obvious signs of his affection. His miserly nature propels the conflict that occurs in the play.

Esther Adams: Sophia and Charlie Adams’ daughter. Young, bright and motivated, Esther represents a possibly positive future for Trinidad. The final stage directions note that Esther's call for her mother "should give the impression that the future could still be hers." [7]

Charlie Adams: A former cricket player, who had dreams of playing professionally but was unable to achieve them because of the institutional racism he experienced. He is extremely supportive of his daughter and her efforts and, shown by his actions in the play, wants a bright and prosperous future for Esther.

Mavis: A prostitute who lives in the yard and whom Sophia detests. In the play, Mavis and her boyfriend (later fiancé) Prince serve primarily as comic relief.

Prince: Mavis’ boyfriend and foil. He is not particularly fond of her profession, and proposes to her during the course of the play in an attempt to stop her from seeing Americans as clients and as an apology for striking her.

Stage productions

Original 1958 cast and revised 1962 cast

The play in its first incarnation was staged at the Royal Court Theatre, London, on December 4, 1958. The cast was as follows:

The revised version of the play was first staged on January 15, 1962, at the East 11th Street Theatre, New York. The cast was as follows:

Notable revivals

In 1988 the Almeida Theatre, London, revived the play, directed by Maya Angelou. [9] [10] March 2012 saw a revival at the National Theatre about which The Observer ′s Kate Kellaway wrote: "Michael Buffong's entertaining production is tender and true." [11]

Awards and nominations

AwardRecipientWon/Nominated
1957 Observer Award for Best New Playwright Errol John [12] WON
1962 Obie for Best Off-Broadway Actor James Earl Jones (Clandestine on the Morning Line, The Apple and Moon on a Rainbow Shawl) [13] [14] WON
1962 Obie for Distinguished Performance by an ActressVinnette Carroll (Sophia Adams) [15] WON
1988 Time Out Award for Best Performance by an Actress Claire Benedict (Sophia Adams) [16] WON
2012 Whatsonstage.com Award for Best Supporting Actress in a PlayJenny Jules (Mavis) [17]

Related Research Articles

Lionel Ngakane was a South African filmmaker and actor, who lived in exile in the United Kingdom from the 1950s until 1994, when he returned to South Africa after the end of apartheid. His 1965 film Jemima and Johnny, inspired by the 1958 "race riots" in Notting Hill, London, won awards at the Venice and Rimini film festivals. In the 1960s, Ngakane was a founding member of the Pan African Federation of Filmmakers (FEPACI) and Fespaco, the Panafrican Film and Television Festival of Ouagadougou (FESPACO).

<span class="mw-page-title-main">Vinnette Justine Carroll</span> American actress and playwright (1922–2002)

Vinnette Justine Carroll was an American playwright, actress, and theatre director. She was the first African-American woman to direct on Broadway, with her 1972 production of the musical Don't Bother Me, I Can't Cope. Until Liesl Tommy's 2016 nomination for Eclipsed, Carroll was the only African-American woman to have received a Tony Award nomination for direction.

Desire Under the Elms is a 1924 play written by Eugene O'Neill. Like Mourning Becomes Electra, Desire Under the Elms signifies an attempt by O'Neill to adapt plot elements and themes of Greek tragedy to a rural New England setting. It was inspired by the myth of Phaedra, Hippolytus, and Theseus. A film version was produced in 1958, and there is an operatic setting by Edward Thomas.

Earle Hyman was an American stage, television, and film actor. Hyman is known for his role on ThunderCats as the voice of Panthro and various other characters. He also appeared on The Cosby Show as Cliff's father, Russell Huxtable. Singer Phyllis Hyman was his cousin.

<i>Were Not Dressing</i> 1934 film by Benjamin Glazer, Norman Taurog

We're Not Dressing is a 1934 pre-Code screwball musical comedy film directed by Norman Taurog and starring Bing Crosby, Carole Lombard, George Burns, Gracie Allen and Ethel Merman. Based on the 1902 J. M. Barrie play The Admirable Crichton, the film is about a beautiful yacht owner (Lombard) who becomes stranded on an island with her socialite friends, a wacky husband-and-wife research team and a singing sailor (Crosby). The supporting cast features Leon Errol and Ray Milland.

Barbara Assoon was a Trinidad and Tobago actress, journalist, and broadcaster.

<span class="mw-page-title-main">Robert Adams (actor)</span> Guyanese actor

Robert Adams was a British Guyanese actor of stage and screen. He was the founder and director of the Negro Repertory Arts Theatre, one of the first professional black theatre companies in Britain, and became the world's first black television actor when he appeared in Theatre Parade: Scenes From Hassan on BBC TV in 1937. He was also the first Black actor to play a Shakespearian role on television, in 1947.

<i>Desire Under the Elms</i> (film) 1958 film by Delbert Mann

Desire Under the Elms is a 1958 American film version of the 1924 play Desire Under the Elms written by Eugene O'Neill. The film was directed by Delbert Mann from a screenplay by O'Neill and Irwin Shaw. The cast included Sophia Loren as Abbie, Anthony Perkins as Eben, Burl Ives as Ephraim, Frank Overton as Simeon, and Pernell Roberts as Peter. The film was nominated for Best Black and White Cinematography at the Academy Awards and Laurel Awards in 1959. It was also entered into the 1958 Cannes Film Festival.

The Shawl is a four-act play by David Mamet. It premiered at the Goodman Theatre New Theatre Company in Chicago in 1985. The play concerns two men, John and Charles, who plan on defrauding Miss A out of her inheritance. The play scams and deceives to the very end, while emphasising the truth repeatedly.

Jenny Jules is an English actress. She started her acting career as a member of the youth theatre programme at the Tricycle Theatre in Kilburn, London. Her career has been closely linked with the Tricycle Theatre where she has acted numerous times; her credits there include two plays by August Wilson, both directed by Paulette Randall: Two Trains Running and Gem of the Ocean, Walk Hard by Abram Hill, Wine in the Wilderness by Alice Childress, the dramatic reconstruction of the inquiry into the murder of Stephen Lawrence, The Colour of Justice, and Lynn Nottage's Fabulation, directed by Indhu Rubasingham. In 1992, she won a Time Out Award for her portrayal of Mediyah in Pecong at the Tricycle Theatre. That same year, she appeared with Helen Mirren on the second installment of Prime Suspect for Granada Television/ITV.

<span class="mw-page-title-main">Errol John</span> Trinidad and Tobago actor and playwright (1924–1988)

Errol John was a Trinidad and Tobago actor and playwright who emigrated to the United Kingdom in 1951.

<i>Lilacs in the Spring</i> 1954 film

Lilacs in the Spring is a 1954 British musical film directed by Herbert Wilcox and starring Anna Neagle, Errol Flynn and David Farrar. The film was made at Elstree Studios with sets designed by the art director William C. Andrews. Shot in Trucolor it was distributed in Britain by Republic Pictures. It was the first of two films Neagle and Flynn made together, the other being King's Rhapsody. It was released in the United States as Let's Make Up.

Danny Sapani is a British actor who works in British, American and Indian films. He is best known for appearing in Little Britain, Misfits, Doctor Who, Penny Dreadful, The Crown, Star Wars: The Last Jedi and Black Panther.

Claire Benedict is a British actress known for her work in classical productions on the British stage, but best known for portraying the principal character Mma Ramotswe in the continuing radio adaptations of The No 1 Ladies' Detective Agency. She won a Time Out Award for Best Performance for her portrayal of Sophia Adams in Errol John's Moon on a Rainbow Shawl, directed by Maya Angelou. She lives in Todmorden in the Pennines.

<span class="mw-page-title-main">Tahirah Sharif</span> British actress

Tahirah Amandla Sharif is a British actress noted mainly for her roles as student Carrie Norton in Waterloo Road in 2015, Rebecca Jessel in the Netflix horror anthology series The Haunting of Bly Manor in 2020, and PC Lizzie Adama in The Tower in 2021 for which she received a Supporting Actress BAFTA nomination.

Burt Caesar is a British actor, broadcaster and director for stage and television, who was born in St Kitts and migrated to England with his family as a child. His career has encompassed acting in Bond films, stage performances including in Shakespearian roles, and many plays for BBC Radio 4. Caesar regularly works as a director and is an artistic advisor at the Royal Academy of Dramatic Art (RADA). He is also a commentator on theatre and literature.

Michael Buffong is an English theatre director and the Artistic Director of Talawa Theatre Company. His work is characterised by reworking stage classics delivered to high degree of detail. Buffong has been described as "one of the most influential directors of classic plays over the last two decades", in addition to being named one of Creative Review's 50 Creative Leaders. In Spring 2019, Buffong was one of the judges of the Susan Smith Blackburn Prize.

Martina Laird is a Trinidadian British actress, director and acting teacher.

References

  1. "Hoping For a Better Life". Bristol Evening Post. February 27, 2003. Retrieved 12 April 2013.
  2. Chambers, Colin (2002). The Continuum Companion to Twentieth Century Theatre. London: Continuum. p. 407. ISBN   0-8264-4959-X.
  3. 1 2 John, Errol (2012). Moon on a Rainbow Shawl. London: Faber and Faber Limited. p. 18. ISBN   978-0-571-29010-9.
  4. John, Errol (2012). Moon on a Rainbow Shawl. p. 29.
  5. John, Errol (2012). Moon on a Rainbow Shawl. p. 51.
  6. John, Errol (2012). Moon on a Rainbow Shawl. p. 84.
  7. John, Errol (2012). Moon on a Rainbow Shawl. p. 94.
  8. John, Errol (2012). Moon on a Rainbow Shawl. pp. vii–viii.
  9. Wolf, Matt (March 20, 2012). "The National Theatre's Global Flair". The New York Times. Retrieved February 1, 2014.
  10. Wardle, Irving (May 6, 1988). "Arts (Theatre): Avoiding dreams of defeat / Review of 'Moon on a Rainbow Shawl' at the Almeida". The Times. Retrieved April 12, 2013.
  11. Kellaway, Kate (March 18, 2012). "Moon on a Rainbow Shawl; Can We Talk about This?; Shivered – review". The Observer. Retrieved February 1, 2014.
  12. "Errol John; Voice of West Indian theatre; Obituary". The Times. July 16, 1988. Retrieved April 12, 2013.
  13. "1961-1962 Obie Awards". Pearson Education, at Infoplease. Retrieved April 12, 2013.
  14. Gilliam, Dorothy (December 4, 1977). "James Earl Jones, Nearly Content; It's Time, He Says, for Children - and For the 'Tragedy' of Paul Robeson". The Washington Post. Retrieved April 12, 2013.
  15. McKinley, Jesse (November 7, 2002). "Vinnette Carroll, Playwright And Director, Is Dead at 80". The New York Times. Retrieved April 12, 2013.
  16. Williams, Roy (22 January 2014). The Gift. ISBN   9781408148341 . Retrieved April 8, 2017.
  17. "Full List: Winners Announced of the 2013 Whatsonstage.com Awards". Archived from the original on February 21, 2013. Retrieved April 12, 2013.