Moonlight and Honeysuckle | |
---|---|
Directed by | Joseph Henabery |
Written by | Barbara Kent (scenario) |
Based on | Moonlight and Honeysuckle by George Scarborough |
Starring | Mary Miles Minter Monte Blue |
Cinematography | Faxon M. Dean |
Distributed by | Paramount Pictures |
Release date |
|
Running time | 5 reels |
Country | United States |
Language | Silent (English intertitles) |
Moonlight and Honeysuckle is a 1921 American silent romantic comedy film directed by Joseph Henabery and starring Mary Miles Minter and Monte Blue. It was adapted by Barbara Kent from the 1919 stage play of the same name by George Scarborough. [1] As with many of Minter's features, it is thought to be a lost film. [2]
As described in various film magazine reviews, [3] [4] [5] [6] Judith Baldwin (Minter) lives on the Arizona ranch owned by her father (Louis). When her father is elected as senator and moves to Washington, Judith accompanies him, leaving behind ranch hand Tod Musgrove (Blue), who is in love with her.
In Washington Judith attracts the attention of two suitors; Congressman Hamill (Oliver) and Robert Courtney (Boyd). Her father is keen for her to make a choice so that he can pursue his own relationship with the widowed Mrs. Langley (Van Buren), who refuses to marry him until Judith is out of the picture. Unsure which man to choose, Judith comes up with the idea of a "trial marriage" for each man at her aunt's woodland cabin, chaperoned by her old nurse.
Judith soon decides that Congressman Hamill is terribly boring and not the man for her. However, a servant at the lodge has recognised him and reported his presence to the newspapers, claiming that he has eloped with Judith. When the news appears in the papers, Hamill is forced to travel to the village to telephone through a denial; however, the published news has brought Courtney to the lodge ahead of his allotted time, as well as Tod Musgrove, who is determined to win Judith.
In the meantime, Senator Baldwin has secretly wed Mrs. Langley, and they arrive at the lodge anticipating a quiet honeymoon. Instead they find their daughter, her two Washington suitors, the assembled press, and Tod, who is threatening to shoot both men. Rejected by Judith and threatened by Tod, Hamill and Courtney depart swiftly, leaving Judith to decide upon Tod as the only husband for her.
Mabel Van Buren was an American stage and screen actress.
The Trail of the Lonesome Pine is a 1923 American silent Western film directed by Charles Maigne and starring Mary Miles Minter. It was adapted by Will M. Ritchey from the play and novel of the same name by John Fox Jr. This was the second time that Maigne had directed Minter in an adaptation of a Fox novel, the first being 1920's A Cumberland Romance. This was Minter's final film; her contract with Paramount Pictures was not renewed, and she stated that she was "through" with films. As with many of Minter's features, The Trail of the Lonesome Pine is thought to be a lost film.
The Mate of the Sally Ann is a 1917 American silent comedy-drama film directed by Henry King and starring Mary Miles Minter. As with many of Minter's features, it is thought to be a lost film.
Judy of Rogue's Harbor is a 1920 American silent drama film directed by William Desmond Taylor and starring Mary Miles Minter. The film is based on the novel of the same name by Grace Miller White, with a scenario by Clara Beranger. It was produced by Famous Players–Lasky and distributed through Realart and Paramount Pictures.
The Cowboy and the Lady is a 1922 American silent Western film directed by Charles Maigne and starring Mary Miles Minter and Tom Moore. It was adapted by Julien Josephson from the 1908 play of the same name by Clyde Fitch, and was shot on location at Jackson Hole in Wyoming. As with many of Minter's features, it is thought to be a lost film.
All Souls' Eve is a 1921 American silent drama film directed by Chester M. Franklin and starring Mary Miles Minter. The film is based on the mystical 1920 Broadway play of the same name by Anne Crawford Flexner, with a story by Elmer Blaney Harris. Much was made of the film's use of double, triple and quadruple exposures to enable Minter to play two parts within the same scenes.
The Dawn of Understanding is a lost 1918 American silent Western comedy film produced by The Vitagraph Company of America and directed by David Smith. It stars Bessie Love in the first film of her nine-film contract with Vitagraph. It is based on the short story "The Judgement of Bolinas Plain" by 19th-century Western writer Bret Harte.
South of Suva is a 1922 American silent drama film starring Mary Miles Minter and directed by Frank Urson. It was adapted by Fred Myton from a story by Ewart Adamson. As with many of Minter's features, it is thought to be a lost film.
Nurse Marjorie is a 1920 American silent drama film directed by William Desmond Taylor and starring Mary Miles Minter. Based on a 1906 play, Nurse Marjorie, by Israel Zangwill, with a scenario by Julia Crawford Ivers, it is one of approximately a dozen of Minter's films know to survive today, and one of even fewer readily available for the general public to view.
Don't Call Me Little Girl is a 1921 American silent comedy film directed by Joseph Henabery and starring Mary Miles Minter. It was adapted by Edith Kennedy from the stage play "Jerry" by Catherine Chisholm Cushing. As with many of Minter's features, it is thought to be a lost film.
Her Winning Way is a silent comedy film directed by Joseph Henabery and starring Mary Miles Minter. The screenplay was written by Douglas Z. Doty, based upon the novel Ann Annington by Edgar Jepson and the play Ann by Lechmere Worrall. As with many of Minter's features, it is thought to be a lost film.
Tillie is a 1922 American silent drama film directed by Frank Urson and starring Mary Miles Minter. The scenario was written by Alice Eyton, based on the novel Tillie, the Mennonite Maid by Helen Reimensnyder Martin. Tillie reunited Minter with Allan Forrest, her most frequent leading man from her time at Mutual Film and the American Film Company, for the first time since their 1919 picture Yvonne from Paris. As with many of Minter's features, Tillie is thought to be a lost film.
Drums of Fate is a 1923 American silent drama film directed by Charles Maigne and starring Mary Miles Minter. It was adapted by Will M. Ritchey from the novel "Sacrifice" by Stephen French Whitman. It was also referred to as "Drums of Destiny" in some promotional material. As with many of Minter's features, it is thought to be a lost film.
Jenny Be Good is a 1920 American silent romance drama film directed by William Desmond Taylor and starring Mary Miles Minter, based on a novel by Wilbur Finley Fauley and adapted for the screen by Julia Crawford Ivers. It is the last of Minter's films to also feature her older sister Margaret Shelby in a supporting role. As with many of Minter's features, it is believed to be a lost film.
Eyes of the Heart is a 1920 American silent crime film directed by Paul Powell and starring Mary Miles Minter. It was adapted by Clara Genevieve Kennedy from the story "Blindness" by Dana Burnet, published in the Ladies Home Journal. As is the case with many of Minter's features, it is thought to be a lost film.
Sweet Lavender is a 1920 American silent drama film directed by Paul Powell and starring Mary Miles Minter. The scenario was adapted by Beulah Marie Dix from the 1888 play of the same name by Arthur Wing Pinero. Like many of Minter's features, it is thought to be a lost film.
The Little Clown is a 1921 American silent comedy film directed by Thomas N. Heffron and starring Mary Miles Minter, adapted by Eugene B. Lewis from a comedy play by Avery Hopwood. It is one of approximately a dozen of Minter's films which still survive today. A copy of the film was found in the Dawson Film Find in 1978 - although other copies survived in various holdings - and a few brief frames from this copy can be seen in 2016 documentary Dawson City: Frozen Time.
Extravagance is a lost 1921 American silent melodrama film, directed by Phil Rosen. It stars May Allison, Robert Edeson, and Theodore Von Eltz, and was released on March 7, 1921.
The Intrusion of Isabel is a 1919 American silent comedy film directed by Lloyd Ingraham and starring Mary Miles Minter, J. Parks Jones, Allan Forrest, and Lucretia Harris. As with many of Minter's features, it is thought to be a lost film.
The Ghost of Rosy Taylor is a 1918 American silent comedy-drama film starring Mary Miles Minter and directed by Edward Sloman. The film is based on a Saturday Evening Post story of the same name, written by Josephine Daskam Bacon. It is one of approximately a dozen Minter films which are known to have survived - a print was found in New Zealand in the 1990s which is in possession of the BFI National Archive - and one of even fewer readily available for the general public to view.