 First edition cover | |
| Author | Stephen R. Donaldson |
|---|---|
| Country | United States |
| Language | English |
| Series | Mordant's Need |
| Genre | Fantasy |
| Publisher | Del Rey |
Publication date | 1986 |
| Media type | Print (Hardback & Paperback) |
| Pages | 626 (first edition, hardback) |
| Followed by | A Man Rides Through |
Mordant's Need is a fantasy two-part book series by American writer Stephen R. Donaldson, comprising the novels The Mirror of Her Dreams (1986) and A Man Rides Through (1987).
It tells the story of a woman named Terisa who travels from our modern world to a medieval setting through a mirror, where political and military struggles are entwined with the power of Imagery, a form of magic based on mirrors. The Mirror of Her Dreams, the first volume, was published in 1986 and A Man Rides Through, the second volume, was published in 1987. The books deal with themes of reality, power, inaction and love in the context of a fantasy adventure. This series is much lighter in tone than Donaldson's The Chronicles of Thomas Covenant, the Unbeliever or The Gap Cycle .
Terisa Morgan opens the series living a vacant life, supported by her father from afar and volunteering at a mission for lack of anything more purposeful to do with her time. She fills her apartment with mirrors so as to see her reflection, and thus be constantly reassured of her existence. Geraden, an apprentice Imager (magician) from a land called Mordant appears in her apartment, searching for aid against a powerful enemy who has been plaguing Mordant with monsters translated from other worlds. As mirrors are inextricably linked with magic in Mordant, Terisa's home decor convinces him that he has stumbled into the lair of a powerful sorceress. He persuades her to accompany him back to the snowbound castle of Orison, where she finds herself embroiled in a morass of intrigue and danger from both the political plotting of a corrupt court and from the frightening magical creatures that appear without warning and can't seem to be defended against. As she soon finds out, the mirrors of this world show anything but what is in front of them; in fact, mirrors are gateways to other worlds (or to a different point in the same world) and could be manipulated in a variety of ways to effect what amounts to magic.
Terisa is suddenly the center of attention, a position that she has never before held, which is not easy because Geraden is held in little regard at the castle; so court opinion naturally is divided on whether she should be taken seriously as a potentially powerful ally, threat, or treated as an object of ridicule and proof of Geraden's perceived incompetence. She must deal with the ever-earnest Geraden, the (seemingly) senile King Joyse and his headstrong daughters, the mad Adept Havelock, the inimical Castellan Lebbick, Geraden's mostly-well-meaning brothers, the lascivious Master Eremis and the rest of the disorganized group of Imager masters Geraden belongs to known collectively as the Congery.
Unsurprisingly, the story twists and turns, very little is as it seems in Orison and various groups plot to depose King Joyse and take over Mordant. The mysterious rogue Imager is still sending magical creatures to cause destruction seemingly without rhyme or reason; the High King's Monomach, the best swordsmen in the land, appears in Orison by seemingly impossible translations; and Geraden remains firmly convinced that he has not made a mistake and that Terisa definitely is to be Mordant's champion and salvation despite her own doubts, protests, and debilitating passivity.
The story deals deeply with themes of what reality is, and how we can know what is real. Terisa is a troubled young woman who doubts the reality of her own existence, even before she is summoned to Mordant, where the prevailing belief among Imagers is that the things they summon from their magic mirrors (such as Terisa) do not actually exist before Imagery brings them into the world of Mordant.
There is a similarity between the handling of this theme in Mordant's Need and in Donaldson's Thomas Covenant series, where Thomas Covenant, the Unbeliever, commits at least one reprehensible act because he refuses to believe that the world he perceives around him could be real. Mordant's Need can be read as a reflection, or mirror image, of the Covenant story, where the reality questioned is not the fantasy world and the reality of those around the male protagonist, but the original world and the female protagonist's own reality.
The dynamic between the aged King Joyse and his daughters strongly echoes Shakespeare's King Lear .
The author has written in an interview: [1]
[T]he castle of Gormenghast was an "unconscious influence" on both Orison and Revelstone. "What a minute," you protest. "If it's 'unconscious,' how do you know it exists at all?" Well, because I read Peake's trilogy before I ever imagined the first "Covenant" books. And by the time I wrote "Mordant's Need," I had read Peake's trilogy twice. I wasn't *thinking* of Gormenghast when I created my own Big Castles (to my mind, Gormenghast is entirely different). Nevertheless Peake's writing must have influenced me *somehow*, if for no other reason than because I liked it so much.
Mervyn Laurence Peake was an English writer, artist, poet, and illustrator. He is best known for what are usually referred to as the Gormenghast books. The four works were part of what Peake conceived as a lengthy cycle, the completion of which was prevented by his death. They are sometimes compared to the work of his older contemporary J. R. R. Tolkien, but Peake's surreal fiction was influenced by his early love for Charles Dickens and Robert Louis Stevenson rather than Tolkien's studies of mythology and philology.
Stephen Reeder Donaldson is an American fantasy, science fiction and mystery novelist, most famous for The Chronicles of Thomas Covenant, his ten-novel fantasy series. His work is characterized by psychological complexity, conceptual abstractness, moral bleakness, and the use of an arcane vocabulary, and has attracted critical praise for its "imagination, vivid characterizations, and fast pace". Donaldson earned his bachelor's degree from The College of Wooster and a Master's degree from Kent State University. He currently resides in Albuquerque, New Mexico.
Gormenghast is a fantasy series by British author Mervyn Peake, about the inhabitants of Castle Gormenghast, a sprawling, decaying, Gothic structure. Originally conceived as a single on-going novel, the series was ended by Peake's death and comprises three novels: Titus Groan (1946), Gormenghast (1950) and Titus Alone (1959); and a novella, Boy in Darkness (1956), whose canonical status is debated. Peake was writing a fourth novel, Titus Awakes, at the time of his death in 1968. The book was completed by Peake's widow Maeve Gilmore in the 1970s, but was not published until 2011 after it was discovered by their family.
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Gormenghast is a fantasy novel by British writer Mervyn Peake, the second in his Gormenghast series. It is the story of Titus Groan, 77th Earl of Groan and Lord of Gormenghast Castle, from age 7 to 17. As the story opens, Titus dreads the pre-ordained life of ritual that stretches before him. To Titus, Master of Ritual Barquentine and his apprentice Steerpike are the embodiment of all he wants to rebel against. An important sub-plot involves Titus at school, where he encounters the professors, especially Bellgrove, who becomes Headmaster of Gormenghast school.
Titus Alone is a novel written by Mervyn Peake and first published in 1959. It is the third work in the Gormenghast trilogy. The other works are Titus Groan, and Gormenghast. With the trilogy, a fourth work, the novella Boy in Darkness, and a fifth, the fragment Titus Awakes, are often considered part of a larger "Gormenghast series". It was re-edited by Langdon Jones in 1970 using the original manuscript.
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