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Andrea Gabrieli was an Italian composer and organist of the late Renaissance. The uncle of the somewhat more famous Giovanni Gabrieli, he was the first internationally renowned member of the Venetian School of composers, and was extremely influential in spreading the Venetian style in Italy as well as in Germany.
Adrian Willaert was a Flemish composer of High Renaissance music. Mainly active in Italy, he was the founder of the Venetian School. He was one of the most representative members of the generation of northern composers who moved to Italy and transplanted the polyphonic Franco-Flemish style there.
Cipriano de Rore was a Franco-Flemish composer of the Renaissance, active in Italy. Not only was he a central representative of the generation of Franco-Flemish composers after Josquin des Prez who went to live and work in Italy, but he was one of the most prominent composers of madrigals in the middle of the 16th century. His experimental, chromatic, and highly expressive style had a decisive influence on the subsequent development of that secular music form.
A madrigal is a form of secular vocal music most typical of the Renaissance and early Baroque (1600–1750) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the number of voices varies from two to eight, but usually features three to six voices, whilst the metre of the madrigal varies between two or three tercets, followed by one or two couplets. Unlike the verse-repeating strophic forms sung to the same music, most madrigals are through-composed, featuring different music for each stanza of lyrics, whereby the composer expresses the emotions contained in each line and in single words of the poem being sung.
In music, a villanella is a form of light Italian secular vocal music which originated in Italy just before the middle of the 16th century. It first appeared in Naples, and influenced the later canzonetta, and from there also influenced the madrigal.
Literally "song" in Italian, a canzone is an Italian or Provençal song or ballad. It is also used to describe a type of lyric which resembles a madrigal. Sometimes a composition which is simple and songlike is designated as a canzone, especially if it is by a non-Italian; a good example is the aria "Voi che sapete" from Mozart's Marriage of Figaro.
Sigismondo d'India was an Italian composer of the late Renaissance and early Baroque eras. He was one of the most accomplished contemporaries of Monteverdi, and wrote music in many of the same forms as the more famous composer.
The canzona is an Italian musical form derived from the Franco-Flemish and Parisian chansons, and during Giovanni Gabrieli's lifetime was frequently spelled canzona, though both earlier and later the singular was spelled either canzon or canzone with the plural canzoni. The use of canzone as the plural is sometimes found in Italian, but is not common. English uses the form canzona, with canzonas as the plural.
The year 1605 in music involved some significant events.
1550 in music involved some significant events.
The decade of the 1540s in music involved some significant events.
Antonino Barges was a Franco-Flemish composer of the Renaissance, active in Venice and Treviso. While known as a composer of light popular secular forms such as the villotta, he also wrote motets and a Requiem. He was a friend and probably a student of Adrian Willaert, the founder of the Venetian School, and was listed as a witness to Willaert's last will and testament.
Giovanni Domenico da Nola was an Italian composer and poet of the Renaissance.
Moresca (Italian), morisca (Spanish), mourisca (Portuguese) or moresque, mauresque (French), also known in French as the danse des bouffons, is a dance of exotic character encountered in Europe in the Renaissance period. This dance usually took form of medieval wars in Spain between Moors and Christians. Elements of moresca include blackening of the face, bells attached to the costumes and, in occasions, men disguised as women to portray fools. An example of the moresca can be seen in Franco Zeffirelli's 1968 production of Romeo and Juliet, which has a scene with both, Juliet and Romeo dancing the moresca in a circle.
Girolamo Conversi was an Italian composer of the late Renaissance. His music, which was popular from the 1570s through the 1590s, was noted for its combination of the light canzone alla napolitana with the literary and musical sophistication of the madrigal. He appears to have written only secular vocal music.
Oltremontani were those of the Franco-Flemish School of composers who dominated the musical landscape of Northern Italy during the middle of the sixteenth Century. The role of the oltremontani composers at the ducal courts of Italy was analogous to the dominance at the Spanish court of the Flemish chapel, and other composers of the Franco-Flemish School in Germany and France.
References
- ↑ Alfred Einstein, The Italian Madrigal Princeton, 1949
- ↑ Cardamone. D. The Canzone villanesca alla napolitana: Social, Cultural and Historical Contexts. Variorum Collected Studies Series
- ↑ Booklet essay in Greghesche - A Musical Treasure of the Venetian Renaissance. Label: EtCetera Records Catalog No: ETC 4028
- ↑ Donna Cardamone cited in introduction to Complete madrigals. 2. Madrigals a 4, greghesche a 4, 5, and 7, Volume 2 Andrea Gabrieli