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Kammermohr (or Hofmohr; pl. Kammermohren, lit. "chamber-black") was a German-language term since the 18th century for a court servant of black skin colour, which had by that time long been a common feature in European courts. [1]
People of black skin colour from the Orient, Africa and America had often been taken to Europe as valets during the time of colonialism. This became common in the 16th-century and continued to be fashionable until the early 19th-century. The term Kammermohr was first used as an official term in a court protocol in 1747 in Saxon.
The splendidly decorated Kammermohr, often in livery, served a ruler, church dignitaries or wealthy merchants as an exotic object of prestige and as a status symbol, showcasing their wealth and luxury lifestyle. Above all, however, the valets symbolized the worldwide relations of their employer.
'Kammer' is the German word for chamber, in particular the private rooms of a wealthy person. 'Mohr' is ultimately derived from the name for the Moors, a historic people in the western Mediterranean who originated from northern Africa during the Middle Ages.
Hence, 'Kammermohr' would translate to 'chamber Moor'.
Other similarly derived words include Blackamoor, Matamoros, Maure, Mohr im Hemd, Moresca, Moresche, Moresque, Moreška, Morianbron, Morisco, Moros y cristianos, and Morris dance.
Black is a racialized classification of people, usually a political and skin color-based category for specific populations with a mid- to dark brown complexion. Not all people considered "black" have dark skin; in certain countries, often in socially based systems of racial classification in the Western world, the term "black" is used to describe persons who are perceived as dark-skinned compared to other populations. It is most commonly used for people of sub-Saharan African ancestry, Indigenous Australians and Melanesians, though it has been applied in many contexts to other groups, and is no indicator of any close ancestral relationship whatsoever. Indigenous African societies do not use the term black as a racial identity outside of influences brought by Western cultures.
A homeland is a place where a cultural, national, or ethnic identity has formed. The definition can also mean simply one's country of birth. When used as a proper noun, the Homeland, as well as its equivalents in other languages, often has ethnic nationalist connotations. A homeland may also be referred to as a fatherland, a motherland, or a mother country, depending on the culture and language of the nationality in question.
Brown is a color. It can be considered a composite color, but it is mainly a darker shade of orange. In the CMYK color model used in printing and painting, brown is usually made by combining the colors orange and black. In the RGB color model used to project colors onto television screens and computer monitors, brown combines red and green.
Creole peoples may refer to different ethnic groups around the world. The term has been used with various meanings, often conflicting or varying from region to region.
Anton Wilhelm Amo or Anthony William Amo was a Nzema philosopher from Axim, Dutch Gold Coast. Amo was a professor at the universities of Halle and Jena in Germany after studying there. He was brought to Germany by the Dutch West India Company in 1707 and was presented as a gift to Dukes Augustus William and Ludwig Rudolf of Brunswick-Wolfenbüttel, being treated as a member of the family by their father Anthony Ulrich, Duke of Brunswick-Wolfenbüttel. In 2020, Oxford University Press published a translation of his Latin works from the early 1730s.
Identifying human races in terms of skin colour, at least as one among several physiological characteristics, has been common since antiquity. Such divisions appeared in rabbinical literature and in early modern scholarship, usually dividing humankind into four or five categories, with colour-based labels: red, yellow, black, white, and sometimes brown. It was long recognized that the number of categories is arbitrary and subjective, and different ethnic groups were placed in different categories at different points in time. François Bernier (1684) doubted the validity of using skin color as a racial characteristic, and Charles Darwin (1871) emphasized the gradual differences between categories. Today there is broad agreement among scientists that typological conceptions of race have no scientific basis.
African studies is the study of Africa, especially the continent's cultures and societies. The field includes the study of Africa's history, demography, culture, politics, economy, languages, and religion. A specialist in African studies is often referred to as an "africanist".
Plaçage was a recognized extralegal system in French and Spanish slave colonies of North America by which ethnic European men entered into civil unions with non-Europeans of African, Native American and mixed-race descent. The term comes from the French placer meaning "to place with". The women were not legally recognized as wives but were known as placées; their relationships were recognized among the free people of color as mariages de la main gauche or left-handed marriages. They became institutionalized with contracts or negotiations that settled property on the woman and her children and, in some cases, gave them freedom if they were enslaved. The system flourished throughout the French and Spanish colonial periods, reaching its zenith during the latter, between 1769 and 1803.
Blackamoor is a type of figure/visual trope in European decorative art, typically found in works from the Early Modern period, depicting a man of sub-Saharan African descent, usually in clothing that suggests high status. Common examples of items and objects decorated in the blackamoor style include sculpture, jewellery, and furniture. Typically the sculpted figures carried something, such as candles or a tray. They were thus an exotic and lightweight variant for the "atlas" in architecture and decorative arts, especially popular in the Rococo period.
Valet de chambre, or varlet de chambre, was a court appointment introduced in the late Middle Ages, common from the 14th century onwards. Royal households had many persons appointed at any time. While some valets simply waited on the patron, or looked after his clothes and other personal needs, itself potentially a powerful and lucrative position, others had more specialized functions. At the most prestigious level it could be akin to a monarch or ruler's personal secretary, as was the case of Anne de Montmorency at the court of Francis I of France. For noblemen pursuing a career as courtiers, like Étienne de Vesc, it was a common early step on the ladder to higher offices.
Mestiço is a Portuguese term that referred to persons born from a couple in which one was an aboriginal person and the other a European.
Moresca (Italian), morisca (Spanish), mourisca (Portuguese) or moresque, mauresque (French), also known in French as the danse des bouffons, is a dance of exotic character encountered in Europe in the Renaissance period. This dance usually took form of medieval wars in Spain between Moors and Christians. Elements of moresca include blackening of the face, bells attached to the costumes and, in occasions, men disguised as women to portray fools. An example of the moresca can be seen in Franco Zeffirelli's 1968 production of Romeo and Juliet, which has a scene with both Juliet and Romeo dancing the moresca in a circle.
Moresque is an obsolete alternative term to "Moorish" in English, and in the arts has some specific meanings. By itself, the word is used to describe the stylized plant-based forms of tendrils and leaves found in ornament and decoration in the applied arts in Renaissance Europe that are derived from the arabesque patterns of Islamic ornament. Like their Islamic ancestors, they differ from the typical European plant scroll in being many-branched and spreading rather than forming a line in one direction. The use of half-leaves with their longest side running along the stem is typical for both.
In the English language, the word negro is a term historically used to denote people considered to be of Black African heritage. The word negro means the color black in both Spanish and in Portuguese, where English took it from. The term can be construed as offensive, inoffensive, or completely neutral, largely depending on the region or country where it is used, as well as the context in which it is applied. It has various equivalents in other languages of Europe.
Angelo Soliman, born Mmadi Make, was an Austrian Freemason and courtier. He achieved prominence in Viennese society and Freemasonry.
Moresche is the plural of moresca, meaning Moorish thing, or Moorish girl in Italian. Both the singular and plural can refer to both a 15th~16th century dance genre or to a 15th~16th century song genre. This article concerns the genre of moresche, polyphonic "moorish" songs.
Murzyn is a common Polish word for a Black person. Since the 21st century it is often considered pejorative by some Black Polish people and Black people residing in Poland.
Mohrenstraße is a street in central Berlin. It runs from west to east between Wilhelmstraße and Hausvogteiplatz, and partially forming the southern edge of Gendarmenmarkt. The Berlin U-Bahn station Mohrenstraße is located at its western end, and is served by the U2. A number of buildings in the street date to the mid-19th century (Gründerzeit) or were reconstructed after World War II, and are protected historic buildings.
The colour blue has been important in culture, politics, art and fashion since ancient times. Blue was used in ancient Egypt for jewellery and ornament. In the Renaissance, blue pigments were prized for paintings and fine blue and white porcelain. in the Middle Ages, deep rich blues made with cobalt were used in stained glass windows. In the 19th century, the colour was often used for military uniforms and fashion.