In 2003, Wood participated in the Aboriginal Curatorial Residency at the Mendel Art Gallery in Saskatoon. During that time, she wrote Wildfire on the Plains: Contemporary Saskatchewan Art.[citation needed]
"Here and Now" was an exhibition at the Dunlop Art Gallery, in Regina in 1999 that brought together contemporary Aboriginal art work from the southern half of Saskatchewan.[3] Wood created "Exxxposed: Aesthetics of Aboriginal Erotic Art" with the MacKenzie Art Gallery, Regina in1999. [4]
Her art piece, "Hands Off My Genes" (1997), was on display at the MacKenzie Art Gallery. It is a sculpture made of a pair of found blue jeans in the surrealist and dadaist style. The jeans have been left open to resemble a woman's legs and abdomen, equipped with protruding porcupine quills in white and blue.[5] Wood referred to porcupine quills in another work titled "Love & Sex" (1995).[6]
↑ Odjig, Daphne; Wood, Morgan (2005). Daphne Odjig: four decades of prints. Kamloops, B.C.: Kamloops Art Gallery. ISBN1895497612. OCLC60369595.
↑ Wood, Morgan; Mendel Art Gallery (1 January 2003). Wild fire on the plains: contemporary Saskatchewan art: Anthony Deiter, David Garneau, Cheryl L'hirondelle-Waynohtêw, Neal McLeod. Saskatoon: Mendel Art Gallery. ISBN1896359426. OCLC52920470.
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