Morrison Heckscher | |
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Born | Morrison Harris Heckscher December 12, 1940 Pennsylvania, US |
Other names | Morrison H. Heckscher |
Education | Wesleyan University (BA 1962) University of Delaware (MA 1966) Columbia University (PhD 1986) |
Occupation(s) | Curator, art historian |
Employer | Metropolitan Museum of Art |
Morrison Harris Heckscher (born December 12, 1940) is an American retired curator and art historian who served as the Lawrence A. Fleischman Chair of the American Wing at the Metropolitan Museum of Art from 2001 to 2014. He had worked in various curatorial roles at the Met since 1966. As chair, he oversaw a complete renovation of the interior and exhibits. He is a recipient of the Antique Dealers' Association Award of Merit and the Winterthur Museum's Henry Francis du Pont Award.
Heckscher was born and raised west of Philadelphia and educated at the Episcopal Academy. His grandfather, Morris Harris, made furniture as a hobby and inspired his grandson's youthful dream of moving to rural Vermont to become a cabinetmaker. Heckscher received his BA degree in American history from Wesleyan University in 1962, his MA from the Winterthur Program in Early American Culture at the University of Delaware in 1964, and his PhD in art history from Columbia University (ABD 1968; PhD 1986). His dissertation focused on English architect and interior designer William Kent. Mentors included Samuel M. Green at Wesleyan, Charles F. Montgomery at Winterthur, and Rudolf Wittkower at Columbia. He developed special interests in 18th-century American furniture and 19th- and 20th-century American architecture. [1] [2]
Heckscher arrived at the Metropolitan Museum of Art in 1966 under a Chester Dale Fellowship to work with English architectural drawings in the prints department. His career in the American Wing began in 1968, when he became assistant curator of American decorative arts. He put his dissertation on hold to accept the full-time role and ultimately received his PhD in 1986. He gained promotions to Curator of American Decorative Arts in 1978, to Anthony W. and Lulu C. Wang Curator of American Decorative Arts in 1998, and to Lawrence A. Fleischman Chair of the American Wing at the Metropolitan Museum of Art in 2001. As chair, he envisioned and oversaw the decade-long renovation and reinstallation of the entire American Wing, culminating in galleries of American paintings and sculpture that opened to acclaim in 2012. Heckscher retired in 2014 and now serves as curator emeritus of the American Wing. Sylvia Yount, former chief curator at the Virginia Museum of Fine Arts, succeeded him as chair. [1] [2] [3]
Heckscher mounted numerous Met exhibitions with accompanying catalogs: In Quest of Comfort: The Easy Chair in America (1971), An Architect and His Client: Frank Lloyd Wright and Francis W. Little (1973), The Architecture of Richard Morris Hunt (1986), American Rococo: Elegance in Ornament, 1750–1775 (with Leslie Greene Bowman, 1992), American Furniture and the Art of Connoisseurship (1998); John Townsend: Newport Cabinetmaker (2005); The Metropolitan Museum of Art: An Architectural History, 1870–1995 (1995); and Creating Central Park (2008). His monograph American Furniture in The Metropolitan Museum of Art: The Late Colonial Period, Vol. II: Queen Anne and Chippendale Styles (1985) won the Charles F. Montgomery Award of the Decorative Arts Society. Heckscher has served in leadership roles at the New York Chapter of the Society of Architectural Historians, the Society of Winterthur Fellows, the Winterthur Museum, Locust Grove Estate, Scenic Hudson, and Strawbery Banke. [1] [4]
Heckscher married Fenella Greig in 1974. [1] She is a British-born retired pediatric endocrinologist who attended the University of Oxford. [6] The couple owns a rustic summer home on Louds Island in Maine and a Gothic Revival house near Newburgh in upstate New York, in addition to an apartment on the West Side of Manhattan. [6]
Winterthur Museum, Garden and Library is an American estate and museum in Winterthur, Delaware. Winterthur houses one of the richest collections of Americana in the United States. The museum and estate were the home of Henry Francis du Pont (1880–1969), Winterthur's founder and a prominent antiques collector and horticulturist.
Duncan Phyfe was one of nineteenth-century America's leading cabinetmakers.
The firm of Herter Brothers,, was founded by German immigrants Gustave (1830–1898) and Christian Herter (1839–1883) in New York City. It began as a furniture and upholstery shop/warehouse, but after the Civil War became one of the first American firms to provide complete interior decoration services. With their own design office and cabinet-making and upholstery workshops, Herter Brothers could provide every aspect of interior furnishing—including decorative paneling, mantels, wall and ceiling decoration, patterned floors, carpets and draperies.
Henry Francis du Pont was an American horticulturist, collector of early American furniture and decorative arts, breeder of Holstein Friesian cattle, and scion of the powerful du Pont family. Converted into a museum in 1951, his estate of Winterthur in Delaware is the world's premier museum of American furniture and decorative arts.
Thomas Affleck (1740–1795) was an 18th-century American cabinetmaker, who specialized in furniture in the Philadelphia Chippendale style.
Charles-Honoré Lannuier, French cabinetmaker (1779–1819), lived and worked in New York City. In Lannuier's time, the style of his furniture was described as "French Antique." Today, his work is classified primarily as Federal furniture, Neoclassical, or American Empire.
Daniel Pabst was a German-born American cabinetmaker of the Victorian Era. He is credited with some of the most extraordinary custom interiors and hand-crafted furniture in the United States. Sometimes working in collaboration with architect Frank Furness (1839–1912), he made pieces in the Renaissance Revival, Neo-Grec, Modern Gothic, and Colonial Revival styles. Examples of his work are in the collections of the Metropolitan Museum of Art, the Philadelphia Museum of Art, the Art Institute of Chicago, and the Victoria and Albert Museum in London.
Jonathan Leo Fairbanks is an American artist and expert of American arts and antiques. Fairbanks created the American Decorative Arts and Sculpture department at the Museum of Fine Arts, Boston, and served as Curator of the department from 1970 to 1999.
Ralph Emerson Carpenter Jr. was a conservationist, Colonial furniture expert and author. A descendant of the noted Carpenter founding family of colonial Rhode Island, for more than a half century, he was actively involved in the restoration of some of Newport, Rhode Island's defining structures.
Kimbel & Cabus was a Victorian-era furniture and decorative arts firm based in New York City. The partnership was formed in 1862 between German-born cabinetmaker Anthony Kimbel and French-born cabinetmaker Joseph Cabus (1824–1894). The company was noted for its Modern Gothic and Anglo-Japanese style furniture, which it popularized at the 1876 Centennial Exposition.
Benjamin Randolph (1721—1791) was an 18th-century American cabinetmaker who made furniture in the Queen Anne and Philadelphia Chippendale styles. He made the lap desk on which Thomas Jefferson drafted the Declaration of Independence.
A. H. Davenport and Company was a late 19th-century, early 20th-century American furniture manufacturer, cabinetmaker, and interior decoration firm. Based in Cambridge, Massachusetts, it sold luxury items at its showrooms in Boston and New York City, and produced furniture and interiors for many notable buildings, including The White House. The word "davenport," meaning a boxy sofa or sleeper-sofa, comes from the company.
Charles Franklin Montgomery, was an American curator, art historian, scholar, educator, and museum director. He served as the first director of the Henry Francis du Pont Winterthur Museum, from 1954 to 1961. After continuing to work at the museum as a senior research fellow, he was a curator and art historian at Yale University from 1970 until his death.
Modern Gothic exhibition cabinet is a piece of Modern Gothic furniture now in the collection of the Metropolitan Museum of Art. Although its design was once attributed to Philadelphia architect Frank Furness and furniture maker Daniel Pabst, MMA now credits its design and manufacture to Pabst alone. At 8 feet (2.4 m) tall, it is an unusually large and polychromatic American example of the rare style.
Daniel Trotter (1747-1800) was an American furniture maker.
Joseph Downs was an American museum curator and scholar of American decorative arts. After 17 years at the Metropolitan Museum of Art, Downs became founding curator of the Winterthur Museum, Garden and Library from 1949 to 1954. His assistant, Charles F. Montgomery, became Winterthur's first director after Downs' death.
Leslie Greene Bowman is an American museum administrator and decorative arts historian who has served as president of the Thomas Jefferson Foundation, which owns and runs Monticello, since 2008. She previously worked in progressively responsible curatorial roles at the Los Angeles County Museum of Art (1980–1997) and served as director of the National Museum of Wildlife Art (1997–1999) and Winterthur Museum, Garden and Library (1999–2008).
Israel Sack was a Lithuanian American antiques dealer specializing in early American furniture. Sack was instrumental in developing the private collections of Henry Ford, Henry Francis du Pont, Ima Hogg, and other leading collectors and supplying the Americana collections of "virtually every major museum in the country" per The New York Times. According to The Washington Post, Sack's firm was "reputed to have invented the American antique market."
John A. H. Sweeney was an American curator, scholar, and writer specializing in the American decorative arts. He spent his career in curatorial and leadership positions at the Winterthur Museum, Garden and Library.
Martha Lou Gandy Fales was an American art historian, museum curator, and author specializing in historic American silversmithing and jewelry. She worked as a curator and keeper of the silver at the Winterthur Museum, Garden and Library during the late 1950s and worked mostly as an independent historian and consultant after that. Her seminal book Jewelry in America (1995) received the Charles F. Montgomery Prize from the Decorative Arts Society.