Mosaic Fragment with Man Leading a Giraffe, Byzantine, northern Syria or Lebanon | |
---|---|
Year | 5th century A.D. |
Dimensions | 170.8 x 167 x 6.35 cm (67 1/4 x 65 3/4 x 2 1/2 in.) |
Location | Art Institute of Chicago, Chicago |
Accession | 1993.345 |
The Mosaic Fragment with Man Leading a Giraffe is a mosaic from the 5th century CE, now held in the Art Institute of Chicago. The piece is Byzantine and originated in northern Syria or Lebanon. Mosaics of this type were commonly used to decorate wealthy family villas.
The fragment originated in either Syria or Lebanon. It was part of a much larger composition which covered the floor of a wealthy family villa. A related object from the same donor and region also specifies that the room within which the floor was located was likely semipublic, such as a reception or dining room. [1] The text suggests that this image was once among several other examples of exotic animals, which giraffes were considered to be at that time since they were non-native to the Mediterranean region and were often only seen while being paraded around at public events. [1] Giraffes were collected by Romans beginning with the first one being brought to Rome by Julius Caesar in 46 CE. [2] Since the region in which this object originated had experienced Roman control prior to the making of the piece, this is a likely influence and possible reason for this particular image's creation.
The fragment is located in Gallery 153, the Ancient and Byzantine Gallery, at the Institute. [3] It is still in some ways used in its original intended way, aesthetic representation, but it has lost its function as a structural element. The piece is near the back corner of its gallery with like objects. Gallery 153 is arranged chronologically and so this work “belongs” in this location according to its place in time, and has an interactive iPad beside its display case to entice visitors to stop.
The work was a gift in 1993 from a Mrs. Robert B. Mayer. [1] In 1989, just a few years before the accession of this particular piece, the donations of the Mayer family were discussed in an article in the Los Angeles Times. Robert B. Mayer was a founding member of the Chicago Museum of Contemporary Art and a member of the purchasing committee for the Art Institute. [4] He and his wife Beatrice “Buddy” Mayer travelled the world, collecting art. Mrs. Mayer worked with children in Israel, and this particular mosaic fragment may have come into the Mayers’ possession because they had fallen in love with mosaics from the Middle Eastern region. [5] Mr. Mayer died in 1974 and his collection of about 2,000 items was left to his wife . She established a program which actively loaned items from her private collection to colleges and museums, and she later sold several of the contemporary art pieces for millions of dollars. [4]
A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world.
The Israel Museum is an art and archaeology museum in Jerusalem. It was established in 1965 as Israel's largest and foremost cultural institution, and one of the world's leading encyclopaedic museums. It is situated on a hill in the Givat Ram neighborhood of Jerusalem, adjacent to the Bible Lands Museum, the National Campus for the Archaeology of Israel, the Knesset, the Israeli Supreme Court, and the Hebrew University of Jerusalem.
The Baltimore Museum of Art (BMA) in Baltimore, Maryland, is an art museum that was founded in 1914. The BMA's collection of 95,000 objects encompasses more than 1,000 works by Henri Matisse anchored by the Cone Collection of modern art, as well as one of the nation's finest holdings of prints, drawings, and photographs. The galleries currently showcase collections of art from Africa; works by established and emerging contemporary artists; European and American paintings, sculpture, and decorative arts; ancient Antioch mosaics; art from Asia, and textiles from around the world.
Roger Brown was an American artist and painter. Often associated with the Chicago Imagist groups, he was internationally known for his distinctive painting style and shrewd social commentaries on politics, religion, and art.
The National Museum of Damascus is a museum in the heart of Damascus, Syria. As the country's national museum as well as its largest, this museum covers the entire range of Syrian history over a span of over 11 millennia. It displays various important artifacts, relics and major finds most notably from Mari, Ebla and Ugarit, three of Syria's most important ancient archaeological sites. Established in 1919, during King Faisal's Arab Kingdom of Syria, the museum is the oldest cultural heritage institution in Syria.
The Art Institute of Chicago, founded in 1879, is one of the oldest and largest art museums in the United States. It is based in the Art Institute of Chicago Building in Chicago's Grant Park. Its collection, stewarded by 11 curatorial departments, includes works such as Georges Seurat's A Sunday on La Grande Jatte, Pablo Picasso's The Old Guitarist, Edward Hopper's Nighthawks, and Grant Wood's American Gothic. Its permanent collection of nearly 300,000 works of art is augmented by more than 30 special exhibitions mounted yearly that illuminate aspects of the collection and present curatorial and scientific research.
The National Museum of Beirut is the principal museum of archaeology in Lebanon. The collection begun after World War I, and the museum was officially opened in 1942. The museum has collections totaling about 100,000 objects, most of which are antiquities and medieval finds from excavations undertaken by the Directorate General of Antiquities.
The Lycurgus Cup is a Roman glass 4th-century cage cup made of a dichroic glass, which shows a different colour depending on whether or not light is passing through it: red when lit from behind and green when lit from in front. It is the only complete Roman glass object made from this type of glass, and the one exhibiting the most impressive change in colour; it has been described as "the most spectacular glass of the period, fittingly decorated, which we know to have existed".
The Museum of Byzantine Culture is a museum in Thessaloniki, Central Macedonia, Greece, which opened in 1994.
The Archaeological Museum of Ancient Corinth was constructed between 1931 and 1932, with intentions to display the numerous recent archaeological excavations. The museum is located within the archaeological site of Ancient Corinth, Greece, and lies under the jurisdiction of the 37th Ephoreia of the Greek Archaeological Service.
Early Byzantine mosaics in the Middle East are a group of Christian mosaics created between the 4th and the 8th centuries in ancient Syria, Palestine and Egypt when the area belonged to the Byzantine Empire. The eastern provinces of the Eastern Roman Empire and its continuation, the Byzantine Empire, inherited a strong artistic tradition from pagan Late Antiquity. The tradition of making mosaics was carried on in the Umayyad era until the end of the 8th century. The great majority of these works of art were later destroyed but archeological excavations unearthed many surviving examples.
Orpheus mosaics are found throughout the Roman Empire, normally in large Roman villas. The scene normally shown is Orpheus playing his lyre, and attracting birds and animals of many species to gather around him. Orpheus was a popular subject in classical art, and was also used in Early Christian art as a symbol for Christ.
The Nimrud ivories are a large group of small carved ivory plaques and figures dating from the 9th to the 7th centuries BC that were excavated from the Assyrian city of Nimrud during the 19th and 20th centuries. The ivories mostly originated outside Mesopotamia and are thought to have been made in the Levant and Egypt, and have frequently been attributed to the Phoenicians due to a number of the ivories containing Phoenician inscriptions. They are foundational artefacts in the study of Phoenician art, together with the Phoenician metal bowls, which were discovered at the same time but identified as Phoenician a few years earlier. However, both the bowls and the ivories pose a significant challenge as no examples of either – or any other artefacts with equivalent features – have been found in Phoenicia or other major colonies.
The Reliquary with the Tooth of Saint John the Baptist is a piece from the Guelph Treasure that is owned and displayed by the Art Institute of Chicago.
The Worcester Hunt Mosaic is a large Byzantine floor mosaic located at Worcester Art Museum in Worcester, Massachusetts. The mosaic was originally constructed for an upscale villa in Daphne, just outside of Antioch. The mosaic was discovered during an archeological expedition which lasted between 1932 and 1939. It is currently the largest Antioch mosaic located within the United States. It measures approximately 20.5 feet x 23.3 feet.
Byzantine glass objects resembled their earlier Hellenistic counterparts, during the fourth and early fifth centuries CE in both form and function. Over the course of the fifth century CE, Byzantine glass blowers, based mostly in the area of Syria and Palestine, developed a distinct Byzantine style. While glass vessels continued to serve as the primary vehicles for pouring and drinking liquid, glassware for lighting, currency and commodity weights, window panes, and glass tesserae for mosaics and enamels also surged in popularity.
The conservation and restoration of ancient Greek pottery is a sub-section of the broader topic of conservation and restoration of ceramic objects. Ancient Greek pottery is one of the most commonly found types of artifacts from the ancient Greek world. The information learned from vase paintings forms the foundation of modern knowledge of ancient Greek art and culture. Most ancient Greek pottery is terracotta, a type of earthenware ceramic, dating from the 11th century BCE through the 1st century CE. The objects are usually excavated from archaeological sites in broken pieces, or shards, and then reassembled. Some have been discovered intact in tombs. Professional conservator-restorers, often in collaboration with curators and conservation scientists, undertake the conservation-restoration of ancient Greek pottery.
The Kaper Koraon Treasure is a Byzantine silver treasure consisting of 56 individual silver items originating from Syria in the sixth and seventh centuries.
Arabic miniatures are small paintings on paper, usually book or manuscript illustrations but also sometimes separate artworks that occupy entire pages. The earliest example dates from around 690 AD, with a flourishing of the art from between 1000 and 1200 AD in the Abbasid caliphate. The art form went through several stages of evolution while witnessing the fall and rise of several Islamic caliphates. Arab miniaturists absorbed Chinese and Persian influences brought by the Mongol destructions, and at last, got totally assimilated and subsequently disappeared due to the Ottoman occupation of the Arab world. Nearly all forms of Islamic miniatures owe their existences to Arabic miniatures, as Arab patrons were the first to demand the production of illuminated manuscripts in the Caliphate, it wasn't until the 14th century that the artistic skill reached the non-Arab regions of the Caliphate.
Nabu Museum is an art museum located in El Heri near Chekka, Lebanon. Its collection primarily consists of Bronze and Iron Age artifacts representing Roman, Greek, Byzantine, Phoenician, Mesopotamian, and contemporary Lebanese cultures, as well as manuscripts and ethnographic material. The museum's collections also include local, regional, modern and contemporary art by Lebanese artists. The museum gets its name from the Mesopotamian Patron God of literacy, Nabu.