Mother is a 1910 play which was the first successful play by Jules Eckert Goodman. [1]
The play was first performed on March 7, 1910 in Plainfield, New Jersey. [2] Produced by William A. Brady, it debuted on Broadway on September 7, 1910 at the Hackett Theatre. [3] [4] It played at the Hackett through December 3, 1910, and then moved to the Circle(?) Theatre, where it opened on December 5 and ran through December 31, [5] for a total run of 133 performances. [6]
The play was adapted to the screen in a 1914 silent film of the same name.
James Keteltas Hackett was an American actor and manager.
Mary Mannering was an English actress. She studied for the stage under Hermann Vezin. She made her debut at Manchester in 1892 under her own name of Florence Friend.
Emily Stevens was a stage and screen actress in Broadway plays in the first three decades of the 20th century and later in silent films.
Teresa Maxwell-Conover was an American actress in Broadway productions in the early 20th century. She was in motion pictures until the early 1940s, and was sometimes credited as Theresa Maxwell Conover. She was from Louisville, Kentucky.
Herbert Yost was an American actor who in a career that spanned nearly half a century performed predominantly on stage in stock companies and in numerous Broadway productions. Yost also acted in motion pictures, mostly in one-reel silent shorts released by the Biograph Company and Edison Studios between November 1908 and July 1915. By the time he began working in the film industry, Yost already had more than a decade of stage experience in hundreds of dramatic and comedic roles and was widely regarded in the theatre community "as one of the country's finest stock actors". Reportedly, to reduce the risk of tarnishing his reputation as a professional actor by being identified as a screen performer, Yost often billed himself as "Barry O'Moore" while working in films. He was ultimately cast in scores of motion pictures in the early silent era, although with the exceptions of appearing in three more films in the sound era, Yost spent the remaining decades of his career acting in major theatre productions, almost exclusively on Broadway.
Emma Dunn was an English actress. After starting her acting career on stage in London, she became known for her works in numerous films and Broadway productions.
Carrie Reynolds was an American stage actress in Broadway shows from the mid-1880s until the early 20th century. She was described as "a graceful and strking blonde" and "a dainty and winsome actress." She was trained in light opera. Her married name was Carrie Reynolds Ross.
Emma Carus was an American contralto singer from New York City who was in the cast of the original Ziegfeld Follies in 1907.
Conway Tearle was an American stage actor who went on to perform in silent and early sound films.
William Graham Moffat was a Scottish actor, director, playwright and spiritualist. Moffat formed a Men's League for Women's Suffrage in Glasgow in 1907 after his wife Maggie Moffat was arrested at a protest in London and imprisoned for refusing to pay the fine. He is known for his 1910 comedy Bunty Pulls the Strings which was a hit on Broadway.
Arthur Donaldson, was a Swedish-American actor and opera singer. He appeared in 71 films between 1910 and 1934.
Truly Shattuck was a soubrette star of vaudeville, music halls, and Broadway whose career began in tragedy and ended in relative obscurity.
The Garden Theatre was a major theater on Madison Avenue and 27th Street in Manhattan, New York City. The theatre opened on September 27, 1890, and closed in 1925. Part of the second Madison Square Garden complex, the theatre presented Broadway plays for two decades and then, as high-end theatres moved uptown to the Times Square area, became a facility for German and Yiddish theatre, motion pictures, lectures, and meetings of trade and political groups.
Jules Eckert Goodman was an American playwright and author. He was best known for his plays Treasure Island (1915), The Man Who Came Back (1916), The Silent Voice (1914), Chains (1923), and a series of plays featuring Potash and Permutter written with Montague Glass.
The Anco Cinema was a former Broadway theatre turned cinema at 254 West 42nd Street, between 7th and 8th Avenues in Manhattan, New York City. It opened in 1904 and was originally named the Lew Fields Theatre. It continued to operate as a playhouse under various names until it was converted into a movie theatre in 1930. Its block was famous for its concentration of Broadway theatres turned cinemas. After World War II, the street declined and the Anco Cinema eventually became a pornography venue. It closed as a cinema in 1988 and was gutted for retail use. The building was demolished in 1997.
Sara Biala was a Polish-born American actress active on Broadway.
Lotta Linthicum was an American actress on Broadway.
Lucia Moore was an American stage and silent film actress. She appeared in plays on Broadway from 1900 through 1932; often in works written by women playwrights, such as Rachel Crothers, Anita Loos, Clare Kummer, Jean Webster, and Rida Johnson Young. She also appeared in original plays by Maxwell Anderson, Barry Conners, George Scarborough, and Edgar Selwyn.
Alfred Romaine Callender, more commonly referred to as Romaine Callender and also known professionally as A. Romaine Callendar and Alfred Callender was an English born American actor of stage and screen. He should not be confused with several other men in his family also known publicly as Romaine Callendar, including his father, the stage actor Edwin Romaine Callendar (1845-1922), and his uncle, the music educator, conductor, composer, organ builder, and book author William Romaine Callendar (1859-1930).
Treasure Island is a play in four acts and ten scenes by Jules Eckert Goodman that is based on Robert Louis Stevenson's 1883 novel of the same name. It was first published in 1915 by Samuel French, Inc., and was later included in the children's play anthology Another Treasury of Plays for Children which was edited by Montrose Jonas Moses. While not the first stage adaptation of Stevenson's novel, it was the first adaptation to achieve critical and commercial success; bringing both "fame and fortune" to its author.