 | This article relies largely or entirely on a single source .(March 2016) |
Mother Reader: Essential Writings on Motherhood is an anthology of writings on motherhood edited by Canadian artist Moyra Davey.
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| Author | Moyra Davey (editor) |
|---|---|
| Language | English |
| Published | 2001 |
| Publisher | Seven Stories Press. |
| ISBN | 9781583220726 |
Davey wrote that she read many of the works in the anthology after the birth of her son, “to break the isolation, for inspiration to keep going and do better, for the gratification of seeing my own experience so vividly mirrored…and for the unsurpassed enjoyment of extraordinary literature.” [1]
Contributors to Mother Reader are Margaret Atwood, Susan Bee, Rosellen Brown, Myrel Chernick, Lydia Davis, Buchi Emecheta, Annie Ernaux, Mary Gaitskill, Susan Griffin, Nancy Huston, Mary Kelly, Jane Lazarre, Ursula Le Guin, Doris Lessing, Ellen McMahon, Margaret Mead, Vivian Montgomery, Toni Morrison, Tillie Olsen, Alicia Ostrker, Grace Paley, Sylvia Plath, Adrienne Rich, Sara Ruddick, Lynda Schor, Mira Schor, Dena Schottenkirk, Mona Simpson, Elizabeth Smart, Joan Snyder, Elke Solomon, Susan Rubin Suleiman, Alice Walker, Joy Williams, Martha Wilson, Barbara Zucker.
"Republican Motherhood" is an 18th-century term for an attitude toward women's roles present in the emerging United States before, during, and after the American Revolution. It centered on the belief that the patriots' daughters should be raised to uphold the ideals of republicanism, in order to pass on republican values to the next generation. In this way, the "Republican Mother" was considered a custodian of civic virtue responsible for upholding the morality of her husband and children. Although it is an anachronism, the period of Republican Motherhood is hard to categorize in the history of feminism. On the one hand, it reinforced the idea of a domestic women's sphere separate from the public world of men. On the other hand, it encouraged the education of women and invested their "traditional" sphere with a dignity and importance that had been missing from previous conceptions of women's work.
Mathilda, or Matilda, is the second long work of fiction of Mary Shelley, written between August 1819 and February 1820 and first published posthumously in 1959. It deals with the common Romantic themes of incest and suicide.
Susan Cheever is an American author and a prize-winning best-selling writer well known for her memoir, her writing about alcoholism, and her intimate understanding of American history. She is a recipient of the PEN New England Award. She currently teaches in the MFA program at The New School in New York City.
Florence Nwanzuruahu Nkiru Nwapa, was a Nigerian author who has been called the mother of modern African Literature. She was the forerunner to a generation of African women writers, and the first African woman novelist to be published in the English language in Britain. She achieved international recognition with her first novel Efuru, published in 1966 by Heinemann Educational Books. While never considering herself a feminist, she was best known for recreating life and traditions from an Igbo woman's viewpoint.
Mary, Lady Chudleigh was an English poet who belonged to an intellectual circle that included Mary Astell, Elizabeth Thomas, Judith Drake, Elizabeth Elstob, Lady Mary Wortley Montagu, and John Norris. In her later years she published a volume of poetry and two volumes of essays, all dealing with feminist themes. Two of her books were published in four editions during the last ten years of her life. Her poetry on the subject of human relationships and reactions has appeared in several anthologies. Her feminist essays are still in print.
The academic discipline of women's writing is a discrete area of literary studies which is based on the notion that the experience of women, historically, has been shaped by their sex, and so women writers by definition are a group worthy of separate study: "Their texts emerge from and intervene in conditions usually very different from those which produced most writing by men." It is not a question of the subject matter or political stance of a particular author, but of her sex, i.e. her position as a woman within the literary world.
Proserpine is a verse drama written for children by the English Romantic writers Mary Shelley and her husband Percy Bysshe Shelley. Mary wrote the blank verse drama and Percy contributed two lyric poems. Composed in 1820 while the Shelleys were living in Italy, it is often considered a partner to the Shelleys' play Midas. Proserpine was first published in the London periodical The Winter's Wreath in 1832. Whether the drama was ever intended to be staged is a point of debate among scholars.
Margaret Elizabeth Sangster was an American poet, author, and editor. Her poetry was inspired by family and church themes, and included hymns and sacred texts. She worked in several fields including book reviewing, story writing, and verse making. For a quarter of a century, Sangster was known by the public as a writer, beginning as a writer of verse, and combining later the practical work of a critic and journalist. Much of her writing did not include her name.
Literary Mama (LiteraryMama.com) is a U.S.-based online literary magazine focused on publishing writing about motherhood in a variety of genres. The writings found in Literary Mama challenge all types of media to rethink its narrow focus of what mothers think and do. Updated monthly, the departments include columns, creative nonfiction, fiction, Literary Reflections, poetry, Profiles and Reviews, OpEd, and a blog. Literary Mama reaches 40,000 readers monthly.
Mira Schor is an American artist, writer, editor, and educator, known for her contributions to critical discourse on the status of painting in contemporary art and culture as well as to feminist art history and criticism.
Naomi Schor was an American literary critic and theorist. A pioneer of feminist theory for her generation, she is regarded as one of the foremost scholars of French literature and critical theory of her time. Naomi's younger sister is the artist and writer Mira Schor.
Esther Waters is a 1948 British drama film directed by Ian Dalrymple and Peter Proud and starring Kathleen Ryan, Dirk Bogarde, and Cyril Cusack. It is an adaptation of the 1894 novel Esther Waters by George Moore.
M/E/A/N/I/N/G was an art publication for dissenting viewpoints. Founded in 1986 by Susan Bee and Mira Schor as a magazine for and by artists, it was first published in New York in December, 1986.
Erica Hunt is a U.S. poet, essayist, teacher, mother, and organizer from New York City. She is often associated with the group of Language poets from her days living in San Francisco in the late 1970s and early 1980s, but her work is also considered central to the avant garde black aesthetic developing after the Civil Rights Movement and Black Arts Movement. Through the 1990s and 2000s, Hunt worked with several non-profits that encourage black philanthropy for black communities and causes. From 1999 to 2010, she was executive director of the 21st Century Foundation located in Harlem. Currently, she is writing and teaching at Wesleyan University.
Heterodoxy was the name adopted by a feminist debating group in Greenwich Village, New York City, in the early 20th century. It was notable for providing a forum for the development of more radical conceptions of feminism than the suffrage and women's club movements of the time. The heterodoxy club was also known to be a space filled with people living remarkably diverse personal lives, allowing for women to congregate and talk about their experiences with one another in what was considered to be a safe space for conversation and change. The group was considered important in the origins of American feminism.
Moyra Davey is an artist based in New York City. Davey works across photography, video, and writing.
Daughters of Africa: An International Anthology of Words and Writings by Women of African Descent from the Ancient Egyptian to the Present is a compilation of orature and literature by more than 200 women from Africa and the African diaspora, edited and introduced by Margaret Busby, who compared the process of assembling the volume to "trying to catch a flowing river in a calabash".
Elke Solomon was an American artist, curator, educator and community worker. She was known for her interdisciplinary practice that combines painting, drawing, object-making, performance and installation. Solomon exhibited widely in the United States and abroad.