"Moulty" | ||||
---|---|---|---|---|
Single by The Barbarians | ||||
B-side | "I'll Keep on Seeing You" | |||
Released | February 1966 | |||
Recorded | 1966 | |||
Length | 2:37 | |||
Label | Laurie | |||
Songwriter(s) | Doug Morris, Barbara Baer, Eliot Greenberg, Robert Schwartz | |||
Producer(s) | Doug Morris | |||
The Barbarians singles chronology | ||||
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"Moulty" is a song by the American band The Barbarians, and was released in 1966 on Laurie Records. It was written by Doug Morris, Barbara Baer, Eliot Greenberg, and Robert Schwartz, and was also produced by Morris. The lyrics refer to drummer Victor "Moulty" Moulton's loss of his left hand, and the feelings of estrangement that followed. The song was released as a single, and gave The Barbarians their second and final hit on the Billboard Hot 100. [1]
Victor "Moulty" Moulton, the subject of the song, was drummer of The Barbarians, despite the impairment of his left hand. Moulton critically damaged the hand when, at the age of 14, a homemade pipe bomb prematurely detonated while it was in Moulton's grip. The hand was amputated, and subsequently replaced with a metallic prosthetic device that Moulton could attach a drum stick to. [2] When Moulton formed the group in 1964, his disability added an unusual allure to the band's rebellious image that was, in part, responsible for their popularity after their appearance on The T.A.M.I. Show alongside The Rolling Stones, Lesley Gore, and The Supremes. [3]
Moulton commenced recording of the song in early 1966 in New York City while the rest of the band was situated in Boston. For the recording session, Moulton was backed by the Hawks, later known as The Band, who were currently working as Bob Dylan's support group. The lyrics were rearranged by Moulton to include the spoken intro section of the song. [4] The composition opens with Moulton melodramatically reflecting on the struggle of losing his left hand, while the backing vocalists encouraged "Moulty" to "Don't turn away". It continues with "Moulty" achieving his dream, and the song shifts into a ballad-esque structure in the third verse when "Moulty" realizes he is still lacking love. A chorus ensues and fades out, leaving the question of whether or not "Moulty" managed to find his love. [5] With the uncertain conclusion, a mystique remained around Moulton, which played a role in his enigmatic persona. [1]
Originally, the song was only intended to be released under the consent of Moulton, who was opposed to its distribution. However, Laurie Records released "Moulty" along with "I'll Keep On Seeing You" in February 1966 as a single. Upon discovering the distribution of the song, Moulton was infuriated with president of Laurie Records, Robert Schwartz, reportedly quarreling with him, and destroying some copies of the single. [6] Regardless, "Moulty" managed to peak at number 90 on the Billboard Hot 100, remaining on the charts for four weeks. [7] The song became somewhat of an inspiration to the band's younger followers, insisting them to "never give up no matter what the odds". However, The Barbarians were so disgruntled with management for releasing the song, despite Moulton's insistence against it, that the band soon ceased relations with the company. [6] "Moulty" was later immortalized in the compilation album, Nuggets: Original Artyfacts from the First Psychedelic Era, 1965-1968 , [8] and included as a bonus track in the 2000 Sundazed Records reissue of the group's debut album. [9]
The Music Machine was an American rock band formed in Los Angeles, California in 1966. Fronted by chief songwriter and lead vocalist Sean Bonniwell, the band cultivated a characteristically dark and rebellious image reflected in an untamed musical approach. Sometimes it made use of distorted guitar lines and hallucinogenic organ parts, punctuated by Bonniwell's distinctively throaty vocals. Although they managed to attain national chart success only briefly with two singles, the Music Machine is today considered by many critics to be one of the groundbreaking acts of the 1960s. Their style is now recognized as a pioneering force in proto-punk; yet within a relatively short period of time, they began to employ more complex lyrical and instrumental arrangements that went beyond the typical garage band format.
"(Get Your Kicks on) Route 66" is a popular rhythm and blues song, composed in 1946 by American songwriter Bobby Troup. The lyrics relate a westward roadtrip on U.S. Route 66, a highway which traversed the western two-thirds of the U.S. from Chicago, Illinois, to Los Angeles, California. The song became a standard, with several renditions appearing on the record charts.
The Barbarians were an American garage rock band formed in Cape Cod, Massachusetts that were active from 1964 to 1967. They were known for their song "Are You a Boy or Are You a Girl", and an album of the same name.
"I Put a Spell on You" is a 1956 song written and composed by Jalacy "Screamin' Jay" Hawkins, whose own recording of it was selected as one of the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. It was also included in Robert Christgau's "Basic Record Library" of 1950s and 1960s recordings—published in Christgau's Record Guide: Rock Albums of the Seventies (1981)—and ranked No. 313 on Rolling Stone magazine's list of The 500 Greatest Songs of All Time. The selection became a classic cult song covered by a variety of artists and was his greatest commercial success, reportedly surpassing a million copies in sales, even though it failed to make the Billboard pop or R&B charts.
Dyke and the Blazers was an American funk band led by Arlester Christian. The band was formed in 1965, and recorded up until Christian's death in 1971. Among their most successful records were the original version of "Funky Broadway" (1966) and "Let a Woman Be a Woman" (1969).
"Tuesday Afternoon" is a 1968 song written by Justin Hayward that was first released by English symphonic rock band the Moody Blues on their 1967 album Days of Future Passed and later released as a single.
"You Tell Me Why" is a song by American rock group The Beau Brummels, from the band's second album, The Beau Brummels, Volume 2. The song was written by guitarist Ron Elliott and produced by Sylvester Stewart, later known as Sly Stone. "You Tell Me Why" was released as the album's lead single, and peaked at number 38 on the Billboard Hot 100 in August 1965. The band revisited the song and included it on their 1975 eponymous album. The original version later appeared on the band's 1987 compilation album The Best of The Beau Brummels 1964–1968.
Triangle is the fourth studio album by American rock band The Beau Brummels. Produced by Lenny Waronker and released in July 1967, it was the band's first album to include songs that vocalist Sal Valentino and guitarist Ron Elliott composed together. The band incorporated fantasy elements and surreal characters into the album's song titles and lyrics, and worked with a variety of session musicians to create Triangle's psychedelic musical style. The Beau Brummels were reduced to a trio—Valentino, Elliott, and Ron Meagher—at the time Triangle was recorded, as former group members Don Irving (guitars) and John Petersen (drums) left the band following the release of the group's previous album, Beau Brummels '66.
"Just a Little" is a song by American rock group The Beau Brummels. The song is included on the band's debut album, Introducing the Beau Brummels, and was released as its second single, following "Laugh, Laugh". "Just a Little" became the band's highest-charting U.S. single, peaking at number eight on the Billboard Hot 100 in June 1965. It also reached the top 10 of the charts in Canada and Australia.
The Beau Brummels were an American rock band that formed in 1964 and originally consisted of singer Sal Valentino, lead guitarist Ron Elliott, bassist Ron Meagher, rhythm guitarist Declan Mulligan and drummer John Petersen. Local radio disc jockeys Tom Donahue and Bobby Mitchell discovered the band at a club near San Francisco. They signed the Beau Brummels to their fledgling Autumn Records label, and their house producer, Sylvester Stewart, later known as Sly Stone, recorded the band's early sessions.
"Good Time Music" is a song originally recorded by American pop rock band the Lovin' Spoonful in 1965. Written by John Sebastian, it appeared on the 1966 Elektra Records compilation What's Shakin'. The song has been described as "a sort of manifesto of the group's optimism in its jaunty rhythms and celebration of the return of good time music to the radio."
Not to be confused with Styx (band)
The Youngbloods is the debut self-titled studio album by the American rock band The Youngbloods, released in 1967. It was also reissued in 1971 under the title Get Together after the popular single from the album. The album peaked at number 131 on the Billboard 200 although two years later the single "Get Together" reached number five and sold more than a million copies.
"Talk Talk" is the debut single of American garage rock band The Music Machine. It was released in November 1966, and produced the band's only Top 20 hit on the Billboard Hot 100. The song was included on their debut album, (Turn On) The Music Machine.
"Are You a Boy or Are You a Girl" is a song written by Geoffry Morris for the American band The Barbarians. It was released as the group's second single, and was the first and most successful tune for the Barbarians to chart on the Billboard Hot 100 and Cashbox.
"The People in Me" is a song by the American garage rock band, The Music Machine, written by Sean Bonniwell, and was first released as a track on their debut album (Turn On) The Music Machine in December 1966 on Original Sound Records.
"Smell of Incense" is a song by the American psychedelic rock band the West Coast Pop Art Experimental Band, written by Ron Morgan and Bob Markley, and was released as a single on Reprise Records in 1968.
"It's Cold Outside" is a song by the American garage rock band the Choir, written by the Choir's drummer, Dan Klawon, and first released on Canadian-American Records in September 1966. It is considered a classic of the musical genre of garage rock, and became the group's only national hit. The song has since been featured on several compilation albums.
Anna King was an American soul and gospel singer who performed with both James Brown and Duke Ellington.
The Kit Kats, later called The New Hope, was an American pop rock band from Philadelphia, Pennsylvania.
the barbarians band.