Mount Olive Cathedral | |
---|---|
Religion | |
Affiliation | Christian Methodist Episcopal Church |
Status | Active |
Location | |
Location | Memphis, Tennessee, United States of America |
State | Tennessee |
Architecture | |
Architect(s) | R. H. Hunt |
Type | Cathedral |
Style | Beaux-Arts Classicism |
Completed | 1907 |
Mount Olive Cathedral is a Christian Methodist Episcopal church in Memphis, Tennessee, United States of America. It is located on the corners of Linden Avenue and Lauderdale Street. [1] The Reverend Dr. Stevey M. Wilburn is the current minister of the cathedral. [2]
Mt. Olive Cathedral originally started as a church in the Jug Factory on the corner of South Orleans and Georgia Avenue in Memphis, Tennessee. As the congregation grew, the church moved into a building they had rented, and from there a brick church was built on Georgia Avenue. In 1952, the church moved to its current place, and became a cathedral. This building was designed by R. H. Hunt for First Baptist Church in 1907. When the white Baptist congregation sold the building to the African American CME one, the cooperation of the segregated churches was reported in an article in the New York Times. [3] [4]
The Christian Methodist Episcopal (C.M.E.) Church is a historically black denomination that branched from earlier Methodist groups in the United States. It is considered to be a mainline denomination. The CME Church was organized on December 16, 1870, in Jackson, Tennessee, by 41 former enslaved congregants with the full support of their white sponsors in their former Methodist Episcopal Church, South who met to form an organization that would allow them to establish and maintain their own polity. They ordained their own bishops and ministers without their being officially endorsed or appointed by the white-dominated body. They called this fellowship the Colored Methodist Episcopal Church in America, which it remained until their successors adopted the current name in 1954. The Christian Methodist Episcopal today has a church membership of people from all racial backgrounds. It adheres to Wesleyan-Arminian theology.
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George Awsumb was a prominent Norwegian-American architect in the first half of the 20th century. Awsumb defined architecture as “frozen music” designed for the “man on the street.” He was influenced by his early life, European travels, and prevailing architectural trends of his time. His eclectic, progressive portfolio included neoclassical, Gothic Revival, Prairie School, and International Style designs. Several buildings that Awsumb designed have been in continuous use in the American Midwest and South for over 100 years. In particular, Awsumb began a family architectural legacy that contributed to the progress and development of Memphis, Tennessee.