Moustafa Bayoumi | |
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| Born | 1966 (age 57–58) Zürich, Switzerland |
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| Nationality | American |
| Education | Columbia University (PhD) |
| Notable awards | American Book Award (2008) Arab American Book Award (2009) |
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| moustafabayoumi | |
Moustafa Bayoumi (born 1966) is an American writer, journalist, and professor. Of Egyptian descent, [1] Bayoumi is based in Brooklyn, New York. He is a professor of English at Brooklyn College, City University of New York. [2]
Moustafa Bayoumi was born in Zürich, Switzerland, and raised in Kingston, Ontario, Canada. Bayoumi completed his Ph.D. in English and Comparative Literature at Columbia University.[ when? ]
He is co-editor of The Edward Said Reader (Vintage, 2002), [3] editor of Midnight on the Mavi Marmara: The Attack on the Gaza Freedom Flotilla and How It Changed the Course of the Israeli/Palestine Conflict (first published by OR Books, trade edition by Haymarket Books, 2010) and has published academic essays in publications including Transition , Interventions, the Yale Journal of Criticism , [4] Amerasia , Arab Studies Quarterly , and the Journal of Asian American Studies .
His writings have also appeared in The Nation , [5] London Review of Books , [6] and The Village Voice . [7] His essay "Disco Inferno", originally published in The Nation, was included in the collection "Best Music Writing 2006". From 2003 to 2006, he served on the National Council of the American Studies Association, and he was also an editor for Middle East Report . Since 2015, he has also been a regular contributor to The Guardian newspaper, mainly contributing opinion pieces. [8]
Bayoumi's work, How Does It Feel to Be a Problem?: Being Young and Arab in America, traces the experiences of seven young Arab-Americans navigating life in a post–September 11 environment, where complicated public perceptions of the attacks gave birth to new brands of stereotypes, fueling widespread discrimination. It is the story of how young Arab and Muslim Americans are forging lives for themselves in a country that often mistakes them for the enemy. His title is a reference to the W.E.B. Du Bois' 1903 classic, The Souls of Black Folk . How Does It Feel to Be a Problem?: Being Young and Arab in America was awarded a 2008 American Book Award and the 2009 Arab American Book Award for Non-Fiction.
In This Muslim American Life: Dispatches from the War on Terror (NYU Press, 2015), Bayoumi reveals what the War on Terror looks like from the vantage point of Muslim Americans, highlighting the profound effect this surveillance has had on how they live their lives. The essays expose how contemporary politics, movies, novels, media experts and more have together produced a culture of fear and suspicion that not only willfully forgets the Muslim-American past, but also threatens all of our civil liberties in the present. [9] This Muslim American Life was awarded the 2016 Evelyn Shakir Non-Fiction Arab American Book Award. [10]
Nicholas Peter John Hornby is an English writer and lyricist. He is best known for his memoir Fever Pitch (1992) and novels High Fidelity and About a Boy, all of which were adapted into feature films. Hornby's work frequently touches upon music, sport, and the aimless and obsessive natures of his protagonists. His books have sold more than 5 million copies worldwide as of 2018. In a 2004 poll for the BBC, Hornby was named the 29th most influential person in British culture. He has received two Academy Award for Best Adapted Screenplay nominations for An Education (2009), and Brooklyn (2015).
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Zadie Smith FRSL is a British novelist, essayist, and short-story writer. Her debut novel, White Teeth (2000), immediately became a best-seller and won a number of awards. She became a tenured professor in the Creative Writing faculty of New York University in September 2010.
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The Siege is a 1998 American action thriller film directed by Edward Zwick. The film is about a fictional situation in which terrorist cells have made several attacks in New York City. The film stars Denzel Washington, Annette Bening, Tony Shalhoub, and Bruce Willis.
Orientalism is a 1978 book by Edward W. Said, in which the author establishes the term "Orientalism" as a critical concept to describe the West's commonly contemptuous depiction and portrayal of The East, i.e. the Orient. Societies and peoples of the Orient are those who inhabit the places of Asia, North Africa, and the Middle East. Said argues that Orientalism, in the sense of the Western scholarship about the Eastern World, is inextricably tied to the imperialist societies who produced it, which makes much Orientalist work inherently political and servile to power.
Benjamin S. Lerner is an American poet, novelist, essayist, critic and teacher. The recipient of fellowships from the Fulbright, Guggenheim, and MacArthur Foundations, Lerner has been a finalist for the National Book Award for Poetry and the Pulitzer Prize for Fiction. Lerner teaches at Brooklyn College, where he was named a Distinguished Professor of English in 2016.
Laila Lalami is a Moroccan-American novelist, essayist, and professor. After earning her licence ès lettres degree in Morocco, she received a fellowship to study in the United Kingdom (UK), where she earned an MA in linguistics.
Sadiq Jalal Al-Azm was a Professor Emeritus of Modern European Philosophy at the University of Damascus in Syria and was, until 2007, a visiting professor in the Department of Near Eastern Studies at Princeton University. His main area of specialization was the work of German philosopher Immanuel Kant, but he later placed a greater emphasis upon the Islamic world and its relationship to the West, evidenced by his contribution to the discourse of Orientalism. Al-Azm was also known as a human rights advocate and a champion of intellectual freedom and free speech.
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Edward Wadie Said was a Palestinian-American academic, literary critic, political activist, and musician. As a professor of literature at Columbia University, he was among the founders of post-colonial studies. As a cultural critic, Said is best known for his book Orientalism (1978), a foundational text which critiques the cultural representations that are the bases of Orientalism—how the Western world perceives the Orient. His model of textual analysis transformed the academic discourse of researchers in literary theory, literary criticism, and Middle Eastern studies.
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