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Embroidery is the craft of decorating fabric or other materials using a needle to apply thread or yarn. Embroidery may also incorporate other materials such as pearls, beads, quills, and sequins. In modern days, embroidery is usually seen on caps, hats, coats, overlays, blankets, dress shirts, denim, dresses, stockings, scarfs, and golf shirts. Embroidery is available in a wide variety of thread or yarn colour. It is often used to personalize gifts or clothing items.
Canvas is an extremely durable plain-woven fabric used for making sails, tents, marquees, backpacks, shelters, as a support for oil painting and for other items for which sturdiness is required, as well as in such fashion objects as handbags, electronic device cases, and shoes. It is popularly used by artists as a painting surface, typically stretched across a wooden frame.
Blackwork, sometimes historically termed Spanish blackwork, is a form of embroidery generally worked in black thread, although other colours are also used on occasion, as in scarletwork, where the embroidery is worked in red thread. Originating in Tudor period England, blackwork typically, though not always, takes the form of a counted-thread embroidery, where the warp and weft yarns of a fabric are counted for the length of each stitch, producing uniform-length stitches and a precise pattern on an even-weave fabric. Blackwork may also take the form of free-stitch embroidery, where the yarns of a fabric are not counted while sewing.
Hardanger embroidery or "Hardangersøm" is a form of embroidery traditionally worked with white thread on white even-weave linen or cloth, using counted thread and drawn thread work techniques. It is sometimes called whitework embroidery.
Sewing is the craft of fastening or attaching objects using stitches made with a sewing needle and thread. Sewing is one of the oldest of the textile arts, arising in the Paleolithic era. Before the invention of spinning yarn or weaving fabric, archaeologists believe Stone Age people across Europe and Asia sewed fur and leather clothing using bone, antler or ivory sewing-needles and "thread" made of various animal body parts including sinew, catgut, and veins.
Needle lace is a type of lace created using a needle and thread to create hundreds of small stitches to form the lace itself.
Jean Toomer was an American poet and novelist commonly associated with the Harlem Renaissance, though he actively resisted the association, and with modernism. His reputation stems from his novel Cane (1923), which Toomer wrote during and after a stint as a school principal at a black school in rural Sparta, Georgia. The novel intertwines the stories of six women and includes an apparently autobiographical thread; sociologist Charles S. Johnson called it "the most astonishingly brilliant beginning of any Negro writer of his generation". He resisted being classified as a Negro writer, as he identified as "American". For more than a decade Toomer was an influential follower and representative of the pioneering spiritual teacher G.I. Gurdjieff. Later in life he took up Quakerism.
Tambour lace refers to a family of lace made by stretching a fine net over a frame and creating a chain stitch, known as tambour, using a fine, pointed hook to reach through the net and draw the working thread through.
Tenerife lace or "roseta canaria" is a needle lace from Canary Islands. The first name comes from the fact that the lace made on the islands was exported from that island. The origin of this lace is uncertain and it is not known on which island the technique was born.
Art needlework was a type of surface embroidery popular in the later nineteenth century under the influence of the Pre-Raphaelites and the Arts and Crafts Movement.
Chikankari is a traditional embroidery style from Lucknow, India. Translated, the word means embroidery, and it is one of Lucknow's best known textile decoration styles. The main market in Lucknow for Chikankari based products is Chowk. Production is mainly based in Lucknow and in the adjoining districts.
Whitework embroidery is any embroidery technique in which the stitching is the same color as the foundation fabric. Styles of whitework embroidery include most drawn thread work, broderie anglaise, Hardanger embroidery, Hedebo embroidery, Mountmellick embroidery, reticella and Schwalm. Whitework embroidery is one of the techniques employed in heirloom sewing for blouses, christening gowns, baby bonnets, and other small articles.
In sewing and embroidery, a satin stitch or damask stitch is a series of flat stitches that are used to completely cover a section of the background fabric. Narrow rows of satin stitch can be executed on a standard sewing machine using a zigzag stitch or a special satin stitch foot.
Goldwork is the art of embroidery using metal threads. It is particularly prized for the way light plays on it. The term "goldwork" is used even when the threads are imitation gold, silver, or copper. The metal wires used to make the threads have never been entirely gold; they have always been gold-coated silver or cheaper metals, and even then the "gold" often contains a very low percent of real gold. Most metal threads are available in silver and sometimes copper as well as gold; some are available in colors as well.
Cane is a 1923 novel by noted Harlem Renaissance author Jean Toomer. The novel is structured as a series of vignettes revolving around the origins and experiences of African Americans in the United States. The vignettes alternate in structure between narrative prose, poetry, and play-like passages of dialogue. As a result, the novel has been classified as a composite novel or as a short story cycle. Though some characters and situations recur between vignettes, the vignettes are mostly freestanding, tied to the other vignettes thematically and contextually more than through specific plot details.
Shisheh or abhla bharat embroidery, or mirror-work, is a type of embroidery which attaches small pieces of mirrors or reflective metal to fabric. Mirror embroidery is common throughout Asia, and today can be found in the traditional embroidery of the Indian subcontinent, Afghanistan, China, and Indonesia.
Palestinian traditional clothing are the types of clothing historically and sometimes still presently worn by Palestinians. Foreign travelers to Palestine in the 19th and early 20th centuries often commented on the rich variety of the costumes worn, particularly by the fellaheen or village women. Many of the handcrafted garments were richly embroidered and the creation and maintenance of these items played a significant role in the lives of the region's women.
Palestinian handicrafts are handicrafts produced by Palestinian people. A wide variety of handicrafts, many of which have been produced by Arabs in Palestine for hundreds of years, continue to be produced today. Palestinian handicrafts include embroidery work, pottery-making, soap-making, glass-making, weaving, and olive-wood and Mother of Pearl carvings, among others. Some Palestinian cities in the West Bank, particularly Bethlehem, Hebron and Nablus have gained renown for specializing in the production of a particular handicraft, with the sale and export of such items forming a key part of each cities' economy.
Sewed muslin was a fashion imported from Paris in the late 18th century. Related to tambour lace, it was worked on very fine muslin, and used a variety of stitches to create motifs, usually depicting flowers and plants.
Margaret Helen Swain was an English embroidery and textile historian. Trained as a nurse in London, she began a career as a historian after noticing no history about Ayrshire whitework embroidery in books following an exhibition at the Signet Library which she visited. Swain's research on the subject resulted in the publication of several books, she held two exhibitions, and wrote about embroidery, household textiles and tapestries in museum journals, magazines and newspapers. She was awarded an honorary Master of Arts degree from the University of Edinburgh in 1981. A pencil portrait of Swain was made by Elizabeth Blackadder and a collection of papers and objects related to her career are stored at National Museums Scotland.
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