Kecak, alternate spellings: kechak and ketjak), known in Indonesian as tari kecak, is a form of Balinese Hindu dance and music drama that was developed in the 1930s. Since its creation, it has been performed primarily by men, with the first women's kecak group having started in 2006. The dance is based on the story of the Ramayana and is traditionally performed in temples and villages across Bali, Indonesia.
The Tsonga people are a Bantu ethnic group primarily native to Southern Mozambique and South Africa. They speak Xitsonga, a Southern Bantu language. A very small number of Tsonga people are also found in Zimbabwe and Northern Eswatini. The Tsonga people of South Africa share some history with the Tsonga people of Southern Mozambique, and have similar cultural practices, but differ in the dialects spoken.
The Schuhplattler is a traditional style of folk dance popular in the Eastern Alps, specifically originating in Upper Bavaria, Tyrol, and Salzburg. In this dance, the performers stomp, clap, and strike the soles of their shoes (Schuhe), thighs, and knees with their hands held flat (platt). The more than 150 basic Schuhplattlers, as well as marches and acrobatic feats, are often interspersed with the basic dance in performance. They may be seen today in Europe and in German-immigrant communities around the world. While the Schuhplattler is still largely performed by adults, it has become increasingly popular with youngsters, who love its colorful costumes and its bouncing, leaping, kicking, and choreographed horseplay.
African dance refers to the various dance styles of sub-Saharan Africa. These dances are closely connected with the traditional rhythms and music traditions of the region. Music and dancing is an integral part of many traditional African societies. Songs and dances facilitate teaching and promoting social values, celebrating special events and major life milestones, performing oral history and other recitations, and spiritual experiences. African dance uses the concepts of polyrhythm and total body articulation. African dances are a collective activity performed in large groups, with significant interaction between dancers and onlookers in the majority of styles.
The Shona people are a Bantu ethnic group native to Southern Africa, primarily living in Zimbabwe where they form the majority of the population, as well as Mozambique, South Africa, and a worldwide diaspora. There are five major Shona language/dialect clusters: Manyika, Karanga, Zezuru, Korekore, and Ndau.
The stomp dance is performed by various Eastern Woodland tribes and Native American communities in the United States, including the Muscogee, Yuchi, Cherokee, Chickasaw, Choctaw, Delaware, Miami, Caddo, Tuscarora, Ottawa, Quapaw, Peoria, Shawnee, Seminole, Natchez, and Seneca-Cayuga tribes. Stomp dance communities are active in Georgia, North Carolina, Oklahoma, Alabama, Mississippi, and Florida.
Stepping or step-dancing is a form of percussive dance in African-American culture. The performer's entire body is used as an instrument to produce complex rhythms and sounds through a mixture of footsteps, spoken word, and hand claps. Though stepping may be performed by an individual, it is generally performed by groups of three or more, often in arrangements that resemble military formations.
Soshangana Ka Gasa Zikode, born Soshangana Nxumalo, was the Founder and the Monarch of the Gaza Empire, which at the height of its power stretched from the Limpopo river in southern Mozambique up to the Zambezi river in the north. Soshangana ruled over the Gaza state from 1825 until his death in 1858. Soshangana was also known by the name of Manukosi.
Chisumbanje is an area located in the province of Manicaland in Zimbabwe. Chisumbanje is situated in Chipinge District, one of seven districts in the province. It is located in the Dowoyo communal land on the eastern bank of the Save River, about 95 km (59 mi) south of Birchenough Bridge.
Punjabi dances are an array of folk and religious dances of the Punjabi people indigenous to the Punjab region, straddling the border of India and Pakistan. The style of Punjabi dances ranges from very high energy to slow and reserved, and there are specific styles for men and women.
Dancing in Zimbabwe is an important aspect of the Zimbabwean culture, tradition, spirituality and history. There are many dances that reflect the culture of the people, although the dances may have changed throughout the years. Ethnic diversity is also a key factor in influencing the dances of the Zimbabwean culture. These dances are self-reflective, for the entire community because all music and dance are communal events. Dance to Zimbabweans is a very spiritual, powerful tool that carries on traditions, and chronicles the important events of their history and culture.
The traditional dances of Himachal Pradesh are very complicated. These dances are a vital part of tribal life. It reflects the culture and the tradition of Himachal. Hardly any festivity there is celebrated without dancing. Dance forms such as Nati are performed all over the region.
Dance in Burma can be divided into dramatic, folk and village, and nat dances, each having distinct characteristics. Although Burmese dance resemble the traditional dancing style of its neighbors, in particular [Dance in Cambodia ], it retains unique qualities that distinguish it from other regional styles, including angular, fast-paced and energetic movements and emphasis on pose, not movement.
Yamurikuma is a female spirit who represents the ancestral women of the indigenous Wauja people. The Wauja people are located at South America, in the Upper Xingu River, Brazil. Wauja people have celebrated Yamurikuma in rituals, ceremonies, and traditions for centuries. Shamans in Xingu villages call women specifically to perform sing and song rituals for the female spirit Yamurikuma and the deceased or terminally ill Xingu people. It is one of the only exceptions made for the women in these communities to lead a ritual. Yamurikuma is also celebrated in a festival named after the spirit herself. This festival is organized by the Xingu Tribes, and throughout this specific festival, the Xingu women take on the male roles of the tribe for a week.
El Tamborito, literally translated to "the Little Drum", is a genre of Panamanian folkloric music and dance dating back as early as the 17th century. Likewise, it is the typical genre of the north coast of the Colombian Pacific, in the area of Chocó Department. The Tamborito is the national song and dance of Panama. The dance is a romantic, couple's dance, often involving a small percussion ensemble, and in all versions; a female chorus. The Tamborito is performed in formal costumes in front of large, interactive crowds that form a large circle around the performers. The members of such crowds often participate in the percussion of the song as well as the actual dance itself. The Tamborito is most commonly performed during Panamanian festivals, and in particular, the Panama Carnival.
Métis fiddle is the style that the Métis of Canada and Métis in the northern United States have developed to play the violin, solo and in folk ensembles. It is marked by the percussive use of the bow and percussive accompaniment. The Métis people are a poly-ethnic post-contact Indigenous peoples. Fiddles were "introduced in this area by Scottish and French-Canadian fur traders in the early 1800s", where the Metis community adopted the instrument into their culture.
A fakanau is a traditional Tuvaluan male dance, accompanied by singing and rhythmic clapping.
Russian folk dance is an important part of Russian culture. Some of the unique characteristics suggest that many elements were developed by the early Russian population.
Oleg, or also known by its conventional long name Oleg Tamulilingan or Oleg Tambulilingan) is a form of traditional Balinese dance originated from the Indonesian island of Bali which featured unique dance movements that symbolizes the wild life of bumblebees, thus sometimes it is also colloquially known as 'Balinese bumblebee dance'.
Mbende Jerusarema dance is a prominent dance style among the Zezuru Shona of eastern Zimbabwe, particularly in the Murewa and Uzumba-Maramba-Pfungwe districts. Traditional dances and performances, such as Jerusarema, are still vital living traditions in Zimbabwe, performed in a variety of settings and respected by local communities. Traditional dances are done for a variety of reasons, including entertainment, ritual, festivals, and memorial and celebration. The Shona used Jerusarema as a battle dance and a diversionary technique during military encounters, according to popular belief. Weddings, festivities, recreational competitions, funerals, and political meetings are all occasions for Jerusarema to be performed.
