A muse is a person who provides creative inspiration to a person of the arts (such as a writer, artist, composer, and so on) or sometimes in the sciences. In the course of history, these have usually (but not necessarily) been women. The term is derived from the Muses, ancient Greek goddesses of inspiration.
Human muses are woven throughout history. In modern times, specific people are called muses; as a rule, these are close friends and sometimes lovers or spouses, who inspire or affect the works of an artist due to their disposition, charisma, wisdom, sophistication, eroticism, intimate friendship, or other traits. Sometimes muses directly provide models for specific paintings and sculptures and for characters in literary works, but sometimes not, rather providing inspiration for the artist's work as a whole.
Muses are distinct from persons who may organize, teach, befriend, marry or support artists without providing inspiration for their works. Persons who serve only as models for paintings or sculptures are not necessarily muses (although they may be).
Prose, Francine; Jakobeit, Brigitte; Höbel, Susanne (2004). Das Leben der Musen. Von Lou Andreas-Salomé bis Yoko Ono[The Lives of the Muses: From Lou Andreas-Salomé to Yoko Ono] (in German). Munich: Nagel & Kimche. ISBN3-312-00336-9.
Pablo Ruiz Picasso was a Spanish painter, sculptor, printmaker, ceramicist, and theatre designer who spent most of his adult life in France. One of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907) and the anti-war painting Guernica (1937), a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War.
Yoko Ono is a Japanese multimedia artist, singer, songwriter, and peace activist. Her work also encompasses performance art and filmmaking.
Elizabeth Eleanor Siddall, better known as Elizabeth Siddal, was an English artist, art model, and poet. Siddal was perhaps the most significant of the female models who posed for the Pre-Raphaelite Brotherhood. Their ideas of female beauty were fundamentally influenced and personified by her. Walter Deverell and William Holman Hunt painted Siddal, and she was the model for John Everett Millais's famous painting Ophelia (1852). Early in her relationship with Dante Gabriel Rossetti, Siddal became his muse and exclusive model, and he portrayed her in almost all his early artwork depicting women.
Lou Andreas-Salomé was a Russian-born psychoanalyst and a well-traveled author, narrator, and essayist from a French Huguenot-German family. Her diverse intellectual interests led to friendships with a broad array of distinguished thinkers, including Friedrich Nietzsche, Sigmund Freud, Paul Rée, and Rainer Maria Rilke.
The vast majority of surviving Tibetan art created before the mid-20th century is religious, with the main forms being thangka, paintings on cloth, mostly in a technique described as gouache or distemper, Tibetan Buddhist wall paintings, and small statues in bronze, or large ones in clay, stucco or wood. They were commissioned by religious establishments or by pious individuals for use within the practice of Tibetan Buddhism and were manufactured in large workshops by monks and lay artists, who are mostly unknown. Various types of religious objects, such as the phurba or ritual dagger, are finely made and lavishly decorated. Secular objects, in particular jewellery and textiles, were also made, with Chinese influences strong in the latter.
George Segal was an American painter and sculptor associated with the pop art movement. He was presented with the United States National Medal of Arts in 1999.
An art model poses, often nude, for visual artists as part of the creative process, providing a reference for the human body in a work of art. As an occupation, modeling requires the often strenuous 'physical work' of holding poses for the required length of time, the 'aesthetic work' of performing a variety of interesting poses, and the 'emotional work' of maintaining a socially ambiguous role. While the role of nude models is well-established as a necessary part of artistic practice, public nudity remains transgressive, and models may be vulnerable to stigmatization or exploitation. Artists may also have family and friends pose for them, in particular for works with costumed figures.
Henriette Theodora Markovitch, known as Dora Maar, was a French photographer, painter, and poet. A romantic partner of Pablo Picasso, Maar was depicted in a number of Picasso's paintings, including his Portrait of Dora Maar and Dora Maar au Chat.
Dora Maar au Chat is an oil-on-canvas painting by Pablo Picasso. It was painted in 1941 and depicts Dora Maar, the artist's lover, seated on a chair with a small cat perched on her shoulders. The painting is listed as one of the most expensive paintings, after achieving a price of $95 million at Sotheby's on 3 May 2006. It is currently the sixth-highest-selling painting by Picasso.
Mickalene Thomas is a contemporary African-American visual artist best known as a painter of complex works using rhinestones, acrylic, and enamel. Thomas's collage work is inspired from popular art histories and movements, including Impressionism, Cubism, Dada, the Harlem Renaissance, and selected works by the Afro-British painter Chris Ofili. Her work draws from Western art history, pop art, and visual culture to examine ideas around femininity, beauty, race, sexuality, and gender.
The Weeping Woman is a series of oil on canvas paintings by Pablo Picasso, the last of which was created in late 1937. The paintings depict Dora Maar, Picasso's mistress and muse. The Weeping Woman paintings were produced by Picasso in response to the bombing of Guernica in the Spanish Civil War and are closely associated with the iconography in his painting Guernica. Picasso was intrigued with the subject of the weeping woman, and revisited the theme numerous times that year. The last version, created on 26 October 1937, was the most elaborate of the series, and has been housed in the collection of the Tate Modern in London since 1987. Another Weeping Woman painting created on 18 October 1937 is housed at the National Gallery of Victoria and was involved in a high-profile political art theft.
Feminist art is a category of art associated with the late 1960s and 1970s feminist movement. Feminist art highlights the societal and political differences women experience in their lives. The goal of this art form is to bring a positive and understanding change to the world, leading to equality or liberation. Media used range from traditional art forms such as painting to more unorthodox methods such as performance art, conceptual art, body art, craftivism, video, film, and fiber art. Feminist art has served as an innovative driving force toward expanding the definition of art by incorporating new media and a new perspective.
In the visual arts, late modernism encompasses the overall production of most recent art made between the aftermath of World War II and the early years of the 21st century. The terminology often points to similarities between late modernism and post-modernism although there are differences. The predominant term for art produced since the 1950s is contemporary art. Not all art labelled as contemporary art is modernist or post-modern, and the broader term encompasses both artists who continue to work in modern and late modernist traditions, as well as artists who reject modernism for post-modernism or other reasons. Arthur Danto argues explicitly in After the End of Art that contemporaneity was the broader term, and that postmodern objects represent a subsector of the contemporary movement which replaced modernity and modernism, while other notable critics: Hilton Kramer, Robert C. Morgan, Kirk Varnedoe, Jean-François Lyotard and others have argued that postmodern objects are at best relative to modernist works.
Grapefruit is an artist's book written by Yoko Ono, originally published in 1964. It has become famous as an early example of conceptual art, containing a series of "event scores" that replace the physical work of art – the traditional stock-in-trade of artists – with instructions that an individual may, or may not, wish to enact.
Grapefruit is one of the monuments of conceptual art of the early 1960s. She has a lyrical, poetic dimension that sets her apart from the other conceptual artists. Her approach to art was only made acceptable when [people] like Kosuth and Weiner came in and did virtually the same thing as Yoko, but made them respectable and collectible.
Lev Alexandrovich Russov was a Soviet Russian painter, graphic artist, and sculptor, living and working in Leningrad, a member of the Leningrad Union of Artists and representative of the Leningrad school of painting, most known for his portrait painting.
Tête de femme is a plaster-modelled, bronze-cast sculpture by Pablo Picasso. Dora Maar, Picasso's lover at the time, was the subject of the work which was originally conceived in 1941. Four copies of the bust were cast in the 1950s, several years after the relationship ended.
The feminist art movement refers to the efforts and accomplishments of feminists internationally to produce art that reflects women's lives and experiences, as well as to change the foundation for the production and perception of contemporary art. It also seeks to bring more visibility to women within art history and art practice. The movement challenges the traditional hierarchy of arts over crafts, which views hard sculpture and painting as superior to the narrowly perceived 'women's work' of arts and crafts such as weaving, sewing, quilting and ceramics. Women artists have overturned the traditional view by, for example, using unconventional materials in soft sculptures, new techniques such as stuffing, hanging and draping, and for new purposes such as telling stories of their own life experiences. The objectives of the feminist art movement are thus to deconstruct the traditional hierarchies, represent women more fairly and to give more meaning to art. It helps construct a role for those who wish to challenge the mainstream narrative of the art world. Corresponding with general developments within feminism, and often including such self-organizing tactics as the consciousness-raising group, the movement began in the 1960s and flourished throughout the 1970s as an outgrowth of the so-called second wave of feminism. It has been called "the most influential international movement of any during the postwar period."
Apple is a 1966 conceptual artwork by the Japanese artist Yoko Ono. The work is classified as Temporary art.
Deborah Colton Gallery, located in the West University neighborhood in Houston, Texas, showcases established and emerging contemporary artists from around the world who work in traditional mediums such as painting, works on paper, sculpture, video, and photography, as well as emerging forms such as performance, conceptual future media, and public space installations. Since its inception in 2000, Deborah Colton Gallery has sponsored exhibitions featuring artists from Asia, the Middle East, Russian, Canada, Latin America, and Europe; the Gallery also promotes Texas artists, providing a visual forum to raise awareness of both local and international cultures and promote cross-cultural exchange of ideas. In addition to exhibiting the works of affiliated artists, Deborah Colton Gallery provides consultation services to individuals, corporations, and institutions, helping them to acquire specific works through a comprehensive program of collecting.
Femme au béret et à la robe quadrillée is an oil-on-canvas painting by Pablo Picasso, which he created in 1937. It is a portrait of Marie-Thérèse Walter, Picasso's lover and muse during this period and was created with elements of Cubism. The painting signifies a transition in their relationship by combining Walter's profile with that of Picasso's new lover, the Surrealist photographer Dora Maar, with whom he began a relationship in 1936. This portrait was produced in the same year as Guernica and The Weeping Woman, a significant phase in Picasso's artistic career. On 28 February 2018, it was sold at Sotheby's auction for £49.8 million, making it one of the most expensive paintings ever sold at an auction in Europe.
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