Antonio Stradivari was an Italian luthier and a craftsman of string instruments such as violins, cellos, guitars, violas and harps. The Latinized form of his surname, Stradivarius, as well as the colloquial Strad are terms often used to refer to his instruments. It is estimated that Stradivari produced 1,116 instruments, of which 960 were violins. Around 650 instruments survive, including 450 to 512 violins. His instruments are considered some of the finest ever made, and are extremely valuable collector's items.
A Stradivarius is one of the violins, violas, cellos and other string instruments built by members of the Italian family Stradivari, particularly Antonio Stradivari, during the 17th and 18th centuries. They are considered some of the finest instruments ever made, and are extremely valuable collector's items.
The Soil Stradivarius of 1714 is an antique violin made by Italian luthier Antonio Stradivari of Cremona (1644–1737). It is one of 700 known existent Stradivari instruments. The instrument was made during Stradivari's "golden period" and is named after the Belgian industrialist Amédée Soil. The current owner of the violin is violinist Itzhak Perlman.
Carlo Bergonzi was an Italian luthier and is the first and most prominent member of the Bergonzi family, a distinguished group of luthiers from Cremona, Italy, a city with a rich tradition of stringed instrument makers. Today his instruments are highly valued for their workmanship and tone. Although he was historically assumed to have first apprenticed with Hieronymus Amati or Antonio Stradivari, he is now known to have been the student of Vincenzo Rugeri.
The Viotti; ex-Bruce Stradivarius of 1709 is an antique violin constructed by luthier Antonio Stradivari of Cremona (1644–1737). It is one of only 700 known extant Stradivari instruments.
The Messiah - Salabue Stradivarius of 1716 is a violin made by the Italian luthier Antonio Stradivari of Cremona. It is considered to be the only Stradivarius in existence in as new state. It is in the collection of the Ashmolean Museum in Oxford, England.
The Betts Stradivarius is a violin made in 1704 by the Italian luthier Antonio Stradivari of Cremona. It is one of around 650 known extant Stradivari instruments.
Bartolomeo Giuseppe "del Gesù" Guarneri was an Italian luthier from the Guarneri family of Cremona. He rivals Antonio Stradivari (1644–1737) with regard to the respect and reverence accorded his instruments, and for many prominent players and collectors his instruments are the most coveted of all. Instruments made by Guarneri are often referred to as Del Gesùs.
Francesco Rugeri, also known as Ruger, Rugier, Rugeri, Ruggeri, Ruggieri, Ruggerius, was the first of an important family of luthiers, the Casa Rugeri in Cremona, Italy. His instruments are masterfully constructed. His violins are inspired by Nicolò Amati's "Grand Amati" pattern. Francesco was the first to develop a smaller cello design, which has become the standard for modern cello dimensions. Today, Rugeri's instruments are nearly as renowned as Nicolò Amati's instruments.
Giuseppe Fiorini (1861–1934) was an Italian luthier and is considered one of the most important Italian violin makers. He built his first instrument at the age of 16 while working in Bologna. He established Rieger and Fiorini in Germany from 1888, then lived in Zurich during World War 1 and Rome from 1923.
The Lauterbach Stradivarius of 1719 is an antique violin fabricated by Italian luthier, Antonio Stradivari of Cremona (1644–1737). The instrument derives its name from previous owner, German virtuoso, Johann Christoph Lauterbach.
The Hellier Stradivarius of c. 1679 is a violin made by Antonio Stradivari of Cremona, Italy. It derives its name from the Hellier family, who might well have bought it directly from the luthier himself.
The Nippon Music Foundation (NMF) is an organisation under the supervision of the Arts and Culture Promotion Division, Agency for Cultural Affairs, a special body of the Japanese Ministry of Education. Established 3 March 1972, its stated purpose is to develop international networks of music and foster public interest in music.
Hottinger Collection – formed in New York City by Henry Hottinger.
Rembert Wurlitzer Co. was a distinguished firm in New York City that specialized in fine musical instruments and bows.
Nicola Amati, Nicolò Amati or Nicolao Amati was an Italian master luthier from Cremona, Italy. Amati is one of the most well-known luthiers from the Casa Amati. He was the teacher of illustrious Cremonese School luthiers such as Andrea Guarneri and Giovanni Battista Rogeri. While no clear documentation exists for their being apprentices in his shop, Amati may also have apprenticed Antonio Stradivari, Francesco Rugeri, and Jacob Stainer, as their work is heavily influenced by Amati.
Count Ignazio Alessandro Cozio di Salabue (1755–1840) was an Italian nobleman who was known as the first great connoisseur and collector of violins. A trove of correspondence and memoirs on the history of violinmaking known as the Carteggio forms the basis of his biography. Cozio's meticulous notes on nearly every instrument that passed through his hands contributed enormously to the body of knowledge surrounding Italian violinmaking.
The Traditional violin craftsmanship in Cremona was declared an intangible cultural heritage by UNESCO in 2012, during the 7th session of the Intergovernmental Committee in Paris. The Cremona's traditional violin making is an ancient form of handicraft typical of Cremona, where bowed string instruments like violins, violas, cellos and double basses have been made since the 16th century.
Vincenzo Rugeri, was an Italian luthier of string instruments such as violins, cellos, and, violas in Cremona, Italy. His instruments are noted for their craftsmanship and tone quality. Vincenzo came from a distinguished family of luthiers, the first of whom was his father, Francesco Rugeri. Despite the local tradition of artisan families laboring together through generations, Vincenzo left the family shop and set up a successful shop of his own in the center of Cremona. Vincenzo was the third son of luthier Francesco Rugeri. Vincenzo's work, like Francesco's, is influenced by Nicolò Amati's Grand Pattern model, however Vincenzo's work was distinguished from his father's by utilizing a lower arch inspired by Antonio Stradivari. An analysis of the body of his work reveals that the quality of Vincenzo's instruments is remarkable, perhaps even more so than his father's. Vincenzo's instruments, though less numerous, are valued at least equal to those of his father. A violin by Vincenzo Rugeri realized $502,320 on October 3, 2011 at Brompton's Auctions in London. Carlo Bergonzi was a distinguished apprentice of Vincenzo Rugeri.
