Museum Accreditation in the UK is a process whereby a museum is recognised as meeting best standards in the field in terms of governance and management, collections care and management, and information and services provided to users.
The scheme emerged from the museum sector. The scheme was established in 1988 as the Registration Scheme. [1] [2] It was rebranded the Accreditation Standard in 2005. [3]
The Accreditation Standard and guidance for museums were reviewed and updated in 2018–19. [4] [5] [6] There was another review in 2023–24. [7]
During the COVID-19 pandemic, the Accreditation Scheme was paused from 1 April 2020 and accredited status extended. [8]
Three areas of standards must be met to become accredited: organisational health, collections, and users and their experiences. Within each area are more specific requirements.
Most museums are required to submit an initial eligibility questionnaire for assessment. A local team makes an initial assessment and submits recommendatons to the accreditation manager of the relevant national body (Arts Council England (ACE), Museums Galleries Scotland (MGS), Northern Ireland Museums Council, or the Welsh Government). If the body decide to grant approval, the museum is classed as "Working Towards Accreditation" and must submit a full application demonstrating compliance with the three required areas within three years. [13]
In Scotland, museums must either subscribe to MGS or pay a fee for accreditation. [14] Museums in Scotland but covered by the National Heritage (Scotland) Act 1985 receive accreditation from Arts Council England. [14]
Museums are accredited fully for five years and then must demonstrate that they continue to meet standards on a returns schedule. [7] [4]
The Accreditation Scheme is managed by the Arts Council England, Museums Galleries Scotland, Northern Ireland Museums Council, and the Welsh Government. [4]
From 2014, Hadrian Ellory-van Dekker was appointed chair of the committee. [15]
About 1800 of the around 2500 museums in the UK are accredited, up from 1304 in 2017. [16] [5] [17] 250 museums in Scotland are Accredited. [4]
Glasgow Women's Library is the only UK accredited museum dedicated to women's history. [18]
Museums may apply for accreditation to gain prestige, advice, access to funding or other resources. [3] Losing accreditation can lead to reputational harm and reduced access to funding and resources. [2]
Museums do not need to be accredited to apply for Museum and Gallery Exhibitions Tax Relief. [19] However, several funding schemes, including those from Art Fund, the Royal Society, and Arts Council England, do require museums to be accredited, in the process of becoming accredited, or to justify why not. [20] [21] [22] [23] [24]
Museums including the Museum of Croydon and Northampton Museum lost accredited status for selling parts of their collections to raise funds. This made them ineligible for some funding streams. [25]
Accredited museums are part of a UK network. When Bury Art Museum lost accreditation in 2005 due to the sale of a Lowry painting, it was excluded from British networks. After a successful international touring program, the museum was reaccredited in 2014. [26]
Accredited museums are able to apply to the Treasure Trove Unit to apply for ownership of significant archaeological finds. [27]
Museum accreditation can limit what can be done with collections in terms of engagement, in order to meet professional standards. [28]
Becoming accredited enables museums to host touring exhibitions. [29] British museums that are accredited may not be able to loan artefacts to museums that are not accredited. [30]
Jeffrey Abt has suggested that accreditation was part of a trend toward professionalisation and the emergence of the public museum. [3]
English Heritage is a charity that manages over 400 historic monuments, buildings and places. These include prehistoric sites, medieval castles, Roman forts, and country houses.
Arts Council England is an arm's length non-departmental public body of the Department for Culture, Media and Sport. It is also a registered charity. It was formed in 1994 when the Arts Council of Great Britain was divided into three separate bodies for England, Scotland and Wales. The arts funding system in England underwent considerable reorganisation in 2002 when all of the regional arts boards were subsumed into Arts Council England and became regional offices of the national organisation.
Kelvingrove Art Gallery and Museum is a museum and art gallery in Glasgow, Scotland, managed by Glasgow Museums. The building is located in Kelvingrove Park in the West End of the city, adjacent to Argyle Street. Kelvingrove Art Gallery and Museum is one of Scotland's most popular museums and free visitor attractions.
The Design Museum in Kensington, London, England, exhibits product, industrial, graphic, fashion, and architectural design. In 2018, the museum won the European Museum of the Year Award. The museum operates as a registered charity, and all funds generated by ticket sales aid the museum in curating new exhibitions.
The Museum of English Rural Life, also known as The MERL, is a museum, library and archive dedicated to recording the changing face of farming and the countryside in England. The museum is run by the University of Reading, and is situated in Redlands Road to the rear of the institution's London Road Campus near to the centre of Reading in southern England. The location was formerly known as East Thorpe House and then St Andrew's Hall. It is an accredited museum and accredited archive as recognised by Arts Council England and the National Archives.
The British Empire and Commonwealth Museum was a museum in Bristol, England, exploring the history of the British Empire and the effect of British colonial rule on the rest of the world. The museum opened in 2002 and entered voluntary liquidation in 2013.
The Museums Association (MA) is a professional membership organisation based in London for museum, gallery and heritage professionals and organisations of the United Kingdom. It also offers international membership.
The Institute of Conservation(Icon) is the professional charitable body, representing and supporting the practice and profession of conservation. It has around 2500 members worldwide, including professional conservators, scientists and teachers involved with the care of heritage objects and buildings.
The Lapworth Museum of Geology is a geological museum run by the University of Birmingham and located on the university's campus in Edgbaston, south Birmingham, England. The museum is named after the geologist Charles Lapworth, its origins dating back to 1880. It reopened in 2016 following a £2.7 million redevelopment project that created new galleries and displays, as well as modern visitor and educational facilities.
Watts Gallery – Artists' Village is an art gallery in the village of Compton, near Guildford in Surrey. It is dedicated to the work of the Victorian-era painter and sculptor George Frederic Watts.
The Collections Trust is an independent UK-based charity that works with museums, libraries, galleries and archives worldwide to improve the management and use of collections. It was established in February 1977 as the Museum Documentation Association (MDA) and re-launched as the Collections Trust in 2008. Its head office is in Shoreditch, London.
Museums Galleries Scotland (MGS), formerly the Scottish Museums Council, is the National Development Body for the museum sector in Scotland. It offers support to 400 museums and galleries, ranging from small local museums to larger regional and national museums. It is the Scottish partner in the UK Museum Accreditation Scheme.
Kingston Museum is an accredited museum in Kingston upon Thames, southwest London, England. The Scottish-American philanthropist Andrew Carnegie funded the building of the museum, which adjoins Kingston Library.
Acceptance in lieu (AiL) is a provision in British tax law under which inheritance tax debts can be written off in exchange for the acquisition of objects of national importance. It was originally established by Chancellor of the Exchequer David Lloyd George as a means for the wealthy to pay the increased estate taxes imposed by his People's Budget of 1909 but had its roots in similar schemes dating to the late 19th century. It has developed from the early years, when it was used mainly as a means for the aristocracy to dispose of country estates to the National Trust, to the modern day, when it is more associated with the transfer of works of art, antiquities and archive material to museums. The scheme is administered by Arts Council England, a non-departmental public body of the Department for Culture, Media and Sport. The scheme has brought many houses, works of art and other collections into publicly accessible institutions when they would otherwise have gone to auction. In April 2013 the Cultural Gifts Scheme was started which allows taxpayers to make a donation of art in return for a credit on income tax, capital gains tax or corporation tax. The Cultural Gifts Scheme is also administered by Arts Council England and is reported jointly with the Acceptance in Lieu scheme.
The SeaCity Museum is a museum in Southampton, England, which opened on 10 April 2012 to mark the centenary of RMS Titanic's departure from the city. It is housed within a part of the Grade II* listed civic centre building which previously housed the magistrates' court and police station. The museum contains two permanent exhibitions, one dedicated to Southampton's connection with RMS Titanic, and the other to the city's role as gateway to the world. A third space for temporary exhibitions is housed in a purpose-built pavilion extension to the civic centre. Further phases of development may yet add to the exhibition space.
York Museums Trust (YMT) is the charity responsible for operating some key museums and galleries in York, England. The trust was founded in 2002 to run York's museums on behalf of the City of York Council. It has seen an increase in annual footfall of 254,000 to the venues since its foundation. In both 2016 and 2017, it saw its annual visitors numbers reach 500,000 people.
The Northampton Sekhemka statue is an ancient Egyptian artefact, given by the Marquess of Northampton to Northampton Museum, in or around 1870. The statue dates from the 5th dynasty and depicts Sekhemka the scribe with his wife, Sitmerit. It was the subject of a controversial sale in July 2014, that raised questions of the museum's ownership and the ethics of selling artefacts. The statue was sold to an unidentified buyer for £15.76m, which broke the world record for Ancient Egyptian art at auction. On 1 August 2014, Northampton Museums had their accreditation removed by Arts Council England, which ruled that the sale did not meet the accredited standards for museums in managing their collections.
The City Art Centre is part of the Museums & Galleries Edinburgh, which sits under the Culture directorate of the City of Edinburgh Council. The City Art Centre has a collection which include historic and modern Scottish painting and photography, as well as contemporary art and craft. It is an exhibition based venue with no permanent displays.
Wrexham Museum is currently undergoing redevelopment for the addition of collections dedicated to Welsh association football. Proposals for a national football museum had been proposed by various politicians in both the Welsh Government and local councils. Wrexham County Borough Council emerged as the leading contender for the location of a museum due to Wrexham's football heritage. By 2026, the new museum dedicated to both Wrexham and Welsh football is set to open within the pre-existing County Buildings on Regent Street, in Wrexham's city centre, merging together with Wrexham County Borough Museum and Archives.