Luc Tuymans is a Belgian visual artist best known for his paintings which explore people's relationship with history and confront their ability to ignore it. World War II is a recurring theme in his work. He is a key figure of the generation of European figurative painters who gained renown at a time when many believed the medium had lost its relevance due to the new digital age.
Anne-Mie Van Kerckhoven is a Belgian artist whose work involves painting, drawing, computer art and video art.
Roy Arden is an artist who is a member of the Vancouver School. He creates sculpture from found objects, oil paintings, graphite drawings and collage, and curates and writes on contemporary art.
The Stedelijk Museum voor Actuele Kunst is a relatively new museum located in Ghent, Belgium, and is renowned both for its permanent collection and for its provocative exhibitions.
The Zuid is a southern neighborhood in the city center of Antwerp, abutting the Scheldt River. The Zuid had a revival in the mid-1980s and is now composed of buildings in the Art Nouveau and Modern architecture styles. Zuid contains numerous cafés, restaurants and shops, as well as three museums, two art centres, and many commercial art galleries.
Mark Manders is a Dutch artist, currently living and working in Ronse, Belgium. His work consists mainly of installations, drawings and sculptures. He is probably best known for his large bronze figures that look like rough-hewn, wet or peeling clay. Typical of his work is also the arrangement of random objects, such as tables, chairs, light bulbs, blankets and dead animals.
The Vancouver School of conceptual or post-conceptual photography is a loose term applied to a grouping of artists from Vancouver starting in the 1980s. Critics and curators began writing about artists reacting to both older conceptual art practices and mass media by countering with "photographs of high intensity and complex content that probed, obliquely or directly, the social force of imagery." No formal "school" exists and the grouping remains both informal and often controversial even amongst the artists themselves, who often resist the term. Artists associated with the term include Vikky Alexander, Roy Arden, Ken Lum, Jeff Wall, Ian Wallace, Stan Douglas and Rodney Graham.
Hans Vandekerckhove is a Belgian painter, living and working in Ghent. From 1975 to 1997 Vandekerckhove studied Art History at University Ghent, where he wrote his graduation thesis on David Hockney.
Sue de Beer is a contemporary artist who lives and works in New York City. De Beer's work is located at the intersection of film, installation, sculpture, and photography, and she is primarily known for her large-scale film-installations.
Hans Op de Beeck is a Belgian visual artist who lives and works in Brussels. For over twenty years he has exhibiting internationally.
Katja Novitskova is an Estonian installation artist. She lives and works in Amsterdam and Berlin. Her work focuses on issues of technology, evolutionary processes, digital imagery and corporate aesthetics. Novitskova is interested in investigating how, "media actively redefines the world and culture, and everything" related to art, nature and commerce.
Walter Swennen is a Belgian artist who lives and works in Brussels.
Luc Piron is a Belgian artist. He is a painter and printmaker. He is also a photographer and experiments with the possibilities of computer art.
Bart Cassiman (1961), is an international freelance-curator, art critic and editor, is an art historian and studied press- and communication sciences at the Ghent University (1979-1984).
Carla Arocha is a Venezuelan artist renowned for her contributions to Minimalism, design, and geometric abstraction, particularly drawing inspiration from her native Venezuela. Currently based in Antwerp, she has gained international recognition for her work, which has been exhibited worldwide since the mid-1990s.
Carla Arocha and Stéphane Schraenen, also shortened to Arocha & Schraenen, are an artist duo that collaborates since 2006. Arocha & Schraenen work across media, producing paintings, drawings and prints. Large-scale mirrored and interactive sculptural installations are at the core of their collaborative project. Their abstract installations and sculptures stem from everyday objects. The artists strip such objects from functionality, thus reducing them to their basic essence and form. Engaging with the rich tradition of geometrical abstract and optical art, the artists’ works are often placed in a spatial context where light and reflection play a crucial role.
Philippe Vandenberg (1952–2009) was a Belgian painter.
Bernd Lohaus was a German sculptor, painter and draftsman.
