The culture of Egypt has thousands of years of recorded history. Ancient Egypt was among the earliest civilizations in the world. For millennia, Egypt developed strikingly unique, complex and stable cultures that influenced other cultures of Europe, Africa and the Middle East.
Mahmoud Mukhtar was an Egyptian sculptor. He attended the College of Fine Arts in Cairo upon its opening in 1908 by Prince Yusuf Kamal, and was part of the original "Pioneers" of the Egyptian Art movement. Despite his early death, he greatly impacted the realization and formation of contemporary Egyptian art. His work is credited with signaling the beginning of the Egyptian modernist movement, and he is often referred to as the father of modern Egyptian sculpture.
Gazbia Sirry was an Egyptian painter.
Evelyn Ashamallah is an Egyptian Contemporary artist, best known for her vibrant and surrealistic works. Born to a Coptic Christian family in Desouk, Kafr el-Sheikh, Egypt in 1948 to Ashamallah Eskandar Hanna and Elaine Mikhail Hanna. Evelyn Ashamallah married an Egyptian Journalist, Mahmoud Yousry and they have two sons, Bassem Yoursi and Salam Yoursi. Evelyn Ashamallah also has three brothers. Evelyn Ashamallah is part of the 1970s Egyptian generation which was prompted after the defeat in the Arab-Israeli War of 1967 to adopt a different trend from the realistic art that dominated Egyptian visual art in the 1960s. In the 1980s she moved to Algeria for a few years.
Mohamed Nagy Museum is a photography and biographical art history museum located at 9 Mahmoud El Gendi Street, close to the Giza Plateau, in the Haram district of Giza, in the southwest of the Greater Cairo metropolis, Egypt. It was initially Mohamed Nagy's studio which he founded in 1952. Nagy was a pioneer of modern Egyptian photographic art and is considered in modern Egypt to be one the country's most renowned painters. After his death it was formally inaugurated as a museum on 13 July 1968 by Tharwat Okasha, the Egyptian Minister of Culture. In 1991 the museum was refurbished.
ʻAbd al-Hādī is a Muslim male given name, and in modern usage, surname. It is built from the Arabic words ʻabd and al-Hādī, one of the names of God in the Qur'an, which give rise to the Muslim theophoric names. It means "servant of the Guide".
Abdel Hadi Al Gazzar (1925–1966) was an Egyptian painter. He occupies a unique position among the artists of his generation. His membership in the Contemporary Art Group elevated his status as an artist through his utilization of social commentary in addition to the group's focus on traditional, Egyptian identity. This commentary is most widely recognized in his painting, The High Dam, in which he comments on the effects of modernization by the Egyptian government on society and their way of life. Since his death, his work has not ceased to challenge artists, intellectuals and critics both in Egypt and abroad.
Contemporary art in Egypt refers to visual art, including installations, videos, paintings, or sculptures, developed in the Egyptian art scene. While the contemporary art scene is mainly concentrated in Cairo and Alexandria, it is developing fast with the emergence of spaces for artists, and support from the public or from abroad. Many Egyptian artists use the Egyptian contemporary art scene as a ramp toward the international art scenes.
Saad Nadim was an Egyptian documentary film director, considered by many the pioneer of documentary cinema in Egypt and the Arab world.
Ahmed Morsi is an Egyptian artist, art critic and poet.
Ahmed Sabri, also spelled Ahmad Sabry was an Egyptian painter born in Cairo. He was one of the most prominent pioneers of modern portraiture art in Egypt.
Iraqi art is one of the richest art heritages in world and refers to all works of visual art originating from the geographical region of what is present day Iraq since ancient Mesopotamian periods. For centuries, the capital, Baghdad was the Medieval centre of the literary and artistic Arab world during the Abbasid Caliphate, in which Baghdad was the capital, but its artistic traditions suffered at the hands of the Mongol invaders in the 13th century. During other periods it has flourished, such as during the reign of Pir Budaq, or under Ottoman rule in the 16th century when Baghdad was known for its Ottoman miniature painting. In the 20th century, an art revival, which combined both tradition and modern techniques, produced many notable poets, painters and sculptors who contributed to the inventory of public artworks, especially in Baghdad. These artists are highly regarded in the Middle East, and some have earned international recognition. The Iraqi modern art movement had a profound influence on pan-Arab art generally.
The Hurufiyya movement (Arabic: حروفية ḥurufiyyah, adjectival form ḥurufī, 'letters' is an aesthetic movement that emerged in the second half of the twentieth century amongst Muslim artists, who used their understanding of traditional Islamic calligraphy within the precepts of modern art. By combining tradition and modernity, these artists worked towards developing a culture specific visual language, which instilled a sense of national identity in their respective nation states, at a time when many of these states where shaking off colonial rule and asserting their independence. They adopted the same name as the Hurufi, an approach of Sufism which emerged in the late 14th–early 15th century. Art historian Sandra Dagher has described Hurufiyya as the most important movement to emerge in Arabic art in the 20th century.
Zeinab Abd al-Hamid was an Egyptian artist known for her colour saturated paintings of Egyptian cities. Abd al-Hamid used an array of media, from watercolours to oils. While art historians struggled to place her works in a single art movement, the general consensus is that her paintings are part of the Egyptian modernist movement.
Gamal Kotb. He is an Egyptian visual artist who is famous for his drawings that associated to literary works by a number of Egyptian writers.
The visual arts of Sudan encompass the historical and contemporary production of objects made by the inhabitants of today's Republic of the Sudan and specific to their respective cultures. This encompasses objects from cultural traditions of the region in North-East Africa historically referred to as the Sudan, including the southern regions that became independent as South Sudan in 2011.
Myrna Ayad is a Dubai-based cultural strategist, art advisor and independent arts writer focusing on visual art and culture from the Arab world, Iran and Turkey. She was director of Art Dubai from 2016 to 2018 and prior to that, editor of Canvas magazine. In 2018, Ayad established her own consultancy focused on cultural strategy.
Badredin Mahmoud Aboughazi was the Egyptian Minister of Culture from November 1970 to May 1971. He supervised the issuance of the Comprehensive Social Survey of the Society (1952–1980), this was called the "Second Description of Egypt", and that was the last important work that was done by him.
