Museum van Deinze en de Leiestreek (Dutch for 'Museum of Deinze and the Leie region'), also known as mudel, is a museum of fine arts and folklore located in the city of Deinze, Belgium. The permanent exhibition displays exclusively artworks produced by artists who worked or lived in the region from about 1879 to today as well as folkloristic objects. [1]
The museum collection goes back to the objects collected by the Deinze Art and Archaeological Circle, which was founded in 1928. The Circle acquired archaeological objects and documents as well as works of art. At the same time, the city of Deinze had acquired through the years a fairly large collection of works, partly through donations and partly through purchase by the city government out of a budget set aside for the acquisition of artworks.
In 1941 a proposal was launched to establish a city museum in Deinze solely to show the work of artists from the Leie region, with an emphasis on the work of artists working in the village of Sint-Martens-Latem (often shortened to ‘Latem’). The donation of the masterwork 'Beet harvest' of Emile Claus by the artist's widow to the town was a decisive factor in the finalisation of the plan.
The Museum was officially established on 7 March 1942. The Belgian state provided support by offering to provide loans from its collection of art works. The Deinze Art and Archaeological Circle also gave several works from its collection on loan to the museum, but it retained its archaeological objects and archival material.
The collection of the town of Deinze and the collection of the Deinze Art and Archaeological Circle were originally displayed in a neo-Gothic building near the church of Deinze. As the art collection grew through purchases and donations it became necessary to build a new museum. On 28 November 1981 the new museum was inaugurated. The new building is located near the center of the city and along the river Leie. It was the first building built in Belgium solely for the purpose of serving as a museum after World War II. [2]
The museum still retains the original distinction between fine arts and folklore. [2]
In accordance with the original objective of the museum, the fine arts collection exclusively holds works created by artists who lived or worked in the Leie region. The collection is presented chronologically. Romantic realism, impressionism, symbolism, expressionism, surrealism, figurative and abstract movements are all represented. The collection’s works include paintings, sculptures and prints by leading artists such as Emile Claus, Albert Servaes, Constant Permeke, Gustave Van de Woestijne, Valerius de Saedeleer, Frits Van den Berghe, Jules De Bruycker, Roger Raveel, Anna De Weert and Raoul De Keyser. [1]
The second section of the museum contains objects on folklore, handicraft and history from the region. The Leie region was an important production area with a rich and very distinct industrial past. The two industries that were particularly important to Deinze in the 19th century and the first half of the 20th century - the silk industry and the production of prams and toys - are represented extensively in the collection. [1]
Deinze is a city and a municipality in the Belgian province of East Flanders. It comprises the city of Deinze, and the towns of Astene, Bachte-Maria-Leerne, Gottem, Grammene, Hansbeke, Landegem, Meigem, Merendree, Nevele, Petegem-aan-de-Leie, Poesele, Sint-Martens-Leerne, Vinkt, Vosselare, Wontergem, and Zeveren. On 1 January 2020, Deinze had a population of 43,580. The municipality's total area is 127.43 km2 (49 sq mi), giving a population density of 342 inhabitants per km².
The Lys or Leie is a river in France and Belgium, and a left-bank tributary of the Scheldt. Its source is in Pas-de-Calais, France, and it flows into the river Scheldt in Ghent, Belgium. Its total length is 202 kilometres (126 mi).
Raoul De Keyser was a Belgian painter who lived and worked in Deinze, Belgium.
Emile Claus was a Belgian painter.
Gustave Franciscus De Smet was a Belgian painter. Together with Constant Permeke and Frits Van den Berghe, he was one of the founders of Flemish Expressionism. His younger brother, Léon De Smet, also became a painter.
Roger Henri Kamiel, Knight Raveel was a Belgian painter, whose work is often associated with pop art because of its depiction of everyday objects. Raveel's style evolved throughout his career, from abstract to figurative.
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The Museum of Fine Arts in Ghent, Belgium, is situated at the East side of the Citadelpark.
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Évariste Carpentier was a Belgian painter of genre scenes and animated landscapes. Over the years, his painting evolved from academic art to impressionism. Alongside Emile Claus, he is one of the earliest representatives of luminism in Belgium.
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Valerius de Saedeleer or Valerius De Saedeleer was a Belgian landscape painter, whose works are informed by a Symbolist and mystic-religious sensitivity and the traditions of 16th-century Flemish landscape painting. He was one of the main figures in the so-called first School of Latem which in the first decade of the 20th century introduced modernist trends in Belgian painting and sculpture.
Jeanne (Jenny) Montigny was a Belgian painter.
Modest Huys was a Flemish impressionist and luminist painter, who is regarded as one of the greatest Belgian painters of the 20th century.
Jules De Bruycker was a Belgian graphic artist, etcher, painter and draughtsman. He is considered one of the foremost Belgian graphic artists after James Ensor and achieved a high level of technical virtuosity. He is best known for his scenes of his home town Ghent, architectural views of cathedrals, war prints and book illustrations.
Jozef Cantré was a Belgian sculptor and illustrator. He was one of the main artists in the development of the Flemish Expressionism style.
Flemish Expressionism, also referred to as Belgian Expressionism, was one of the dominant art styles in Flanders during the interbellum. Influenced by artists like James Ensor and the early works of Vincent van Gogh, it was a distinct contemporary of German Expressionism. Contrary to the more rebellious and erotic nature of many German Expressionist works, the Flemish art of the School of Latem was more oriented towards the farming life, and was expressed in earthy colours and vigorous brushwork. It was also in general more oriented towards France and Brussels than to Germany, and incorporated elements of Fauvism and Cubism, for example the interest in "primitive" art, of both the ethnic and folk traditions. Flemish Expressionists like Spilliaert were more influenced by Ensor and Symbolism, or like Wouters were closer to the vibrant colours used by the Fauvists. The main proponents were Gust De Smet, Constant Permeke and Frits Van den Berghe.
The Phoebus Foundation is an art foundation established in Jersey in 2011. It is based on Anglo-Saxon law with philanthropic objectives. The foundation acquires works of art, guarantees a professional framework of conservation and management, and looks after the conservation and restoration of the objects. In doing so, it focuses on scientific research. It shares the results of this all with the widest possible audience, through exhibitions, cultural expeditions, symposiums and publications.
The Musée L or Musée universitaire de Louvain, French for: Louvain University Museum, is a Belgian university museum of the University of Louvain (UCLouvain) located in Louvain-la-Neuve, Walloon Brabant, Belgium.
Ernest Welvaert was a Belgian painter.
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