Music to Raise the Dead | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1974 | |||
Recorded | 1974 | |||
Studio | Gary Rotta's basement, Chicago, Illinois | |||
Genre | Christian rock, Jesus music [1] | |||
Label | Independent | |||
Producer | Resurrection Band | |||
Resurrection Band chronology | ||||
|
Music to Raise the Dead is the first independent cassette from American Christian rock band Resurrection Band, released in 1974. [1] Although technically the band's first release, the album Awaiting Your Reply four years later is considered by most to be the band's official debut. [2]
The cassette, featuring the kind of hard rock for which Resurrection Band would eventually become known, was recorded not long after the Jesus People USA community had moved from Minneapolis to Chicago, but before they found a permanent home in Uptown. [1] The record was created in the basement of friend Gary Rotta entirely on headphones, so as not to wake Rotta's wife, who was asleep when the band recorded. However, the mixing board had been used many years previously to record one of Elvis Presley's number-one hits.
The tape was recorded in the same period than All Your Life , both of which were given away at their concerts. [3] [1] All your life was an independent set of acoustic numbers, a reflection of folk-oriented sets that were played at conservative venues, like nursing homes and churches, whose audiences would otherwise be unreceptive to the borderline heavy metal that Resurrection Band otherwise played [1] and which were contained in the rock set Music To Raise the Dead. [3] The cassette was re-released in a limited number of copies by the band's own label, Grrr Records, in 1992. It is considered a collector's item and is extremely hard to find. [2]
The song "Quite Enough" was re-recorded in a live version on the 1984 album Live Bootleg .
|
|
Live ?!*@ Like a Suicide is a four-track EP by American hard rock band Guns N' Roses, released on December 16, 1986, on the UZI Suicide record label. When referred to by band members, they have simply called the EP Live Like a Suicide. The record itself was reportedly limited to only 10,000 copies, released only in vinyl and cassette formats.
Streets: A Rock Opera is the sixth studio album by the American heavy metal band Savatage and is a rock opera dealing with the rise and fall of the fictional musician DT Jesus. It was originally released in October 1991 on Atlantic Records. The album took almost a year to record, with pre-production beginning in October 1990. It was also Jon Oliva's last album as lead vocalist until 1995's Dead Winter Dead and 1997's The Wake of Magellan, where he shared lead vocal duties with Zak Stevens. He resumed lead vocal duties exclusively on 2001's Poets and Madmen.
Resurrection Band, also known as Rez Band or REZ, was a Christian rock band formed in 1972. They were part of the Jesus People USA Christian community in Chicago and most of its members have continued in that community to this day. Known for their blend of blues-rock and hard rock, Resurrection Band is credited as one of the forerunners of the Christian metal genre. Christianity Today called them "the most influential band in Christian music history." Following their debut in 1978, the band's greatest popularity was during the early 1980s, but later in the decade they received some crossover success when they had two music videos featured on MTV.
Caedmon's Call is a contemporary Christian band which fused traditional folk with world music and alternative rock. They were composed of Cliff Young, Derek Webb, Danielle Young (vocals), Garett Buell (percussion), Jeff Miller, Todd Bragg (drums), and Josh Moore.
Hear 'n Aid was a charity record recorded by a large ensemble of 40 heavy metal musicians and released in 1986. The project was organized by Ronnie James Dio, Jimmy Bain, and Vivian Campbell, all from the band Dio. Proceeds from the album were used to raise over $3 million for famine relief in Africa.
Awaiting Your Reply is the debut album by American Christian rock band Resurrection Band, released in 1978.
One from the Vault is a live album by the Grateful Dead, recorded on August 13, 1975, at the Great American Music Hall in San Francisco, California, for a small audience of radio programmers. Three weeks later, the concert was broadcast nationwide on FM radio through Metromedia, after which the radio show was widely traded by fans on cassettes, and sold in bootleg LP versions under various titles including Make Believe Ballroom, becoming the most widely circulated Grateful Dead bootleg.
Barnabas was a Christian hard rock band that was active from 1977 through 1986. The name of the band was in honor of the New Testament disciple Barnabas. Originating out of the Jesus movement of the 1970s, they are considered one of the pioneers of Christian hard rock and heavy metal, along with Agape, Daniel Band, Jerusalem, and Resurrection Band.
Mommy Don't Love Daddy Anymore is the fourth album by American Christian rock band Resurrection Band, released in 1981.
Live Bootleg is the first live album by American Christian rock band Resurrection Band, released in 1984. It was the band's first release for Sparrow Records, and also their first under the shortened moniker "Rez Band." Live Bootleg was the group's biggest selling album.
Hostage is the sixth studio album, from American Christian rock band Resurrection Band, released in late 1984.
XX Years Live is the 14th release, and second live album, from American Christian rock band Resurrection Band, released in 1992.
Lament is the twelfth and last studio album of original material, from American Christian rock band Resurrection Band, released in 1995. The band also reverted to their original moniker with this album.
History of the Grateful Dead, Volume One is a live album by the Grateful Dead. It is their fourth live album and their ninth album overall. Released in July 1973 on Warner Bros. Records, it offers concert highlights recorded February 13 and 14, 1970 at the Fillmore East in New York City. Often known simply as Bear's Choice, the title references band soundman Owsley "Bear" Stanley. It was originally intended to be the first volume of a series.
Ultraelectromagneticpop! is the debut studio album of the Filipino rock band, Eraserheads. It was released by BMG Records (Pilipinas) Inc. in July 1993. Ultraelectromagneticpop! spawned hit songs such as "Ligaya", "Toyang", and "Pare Ko". The album is often credited for revitalizing the alternative rock genre in the Philippines during the 1990s.
Weed Forestin is an album by the American indie rock band Sebadoh. It was originally self-released by Barlow on cassette in 1987, under the Sentridoh name, the solo home-recording project of American rock musician and Sebadoh member Lou Barlow, and sold at record stores in his native Massachusetts in an approximate run of 100.
The Angry Samoans is an American punk rock band from the first wave of American punk, formed in August 1978 in Los Angeles, California, by early 1970s rock writer "Metal" Mike Saunders, his sibling lead guitarist Bonze Blayk and Gregg Turner, along with original recruits Todd Homer (bass) and Bill Vockeroth (drums).
The Manson Family Album is the first studio recording by American rock band Marilyn Manson and a precursor to their debut studio album, 1994's Portrait of an American Family. It was produced by Roli Mosimann and is composed of original takes and mixes of songs which were later found on their debut album. However, the band and its eponymous vocalist were unhappy with Mosimann's production, claiming it to be poorly representative of their established sound and calling it too "smoothed and polished". The majority of songs on The Manson Family Album were later re-recorded or remixed by Nine Inch Nails personnel Trent Reznor, Sean Beaven and Alan Moulder at the Record Plant in Los Angeles. The album's title is a double entendre; it also relates to the commune of cult leader Charles Manson.
Lost on the River: The New Basement Tapes is an album produced by T Bone Burnett featuring a collective of musicians recording under the moniker The New Basement Tapes—Elvis Costello, Rhiannon Giddens, Taylor Goldsmith, Jim James and Marcus Mumford.