| Mutatis Mutandis | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 1991 | |||
| Studio | The Annex Studios, Menlo Park, California | |||
| Genre | ||||
| Length | 41:03 | |||
| Label | I.R.S. | |||
| Producer | Ronnie Montrose | |||
| Ronnie Montrose chronology | ||||
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Mutatis Mutandis is an album of instrumental rock music by Ronnie Montrose.
All tracks written by Ronnie Montrose
Mutatis mutandis is a Medieval Latin phrase meaning "with things changed that should be changed" or "once the necessary changes have been made". It continues to be seen as a foreign-origin phrase in English and is therefore usually italicized in writing. It is used in many countries to acknowledge that a comparison being made requires certain obvious alterations, which are left unstated. It is not to be confused with the similar ceteris paribus, which excludes any changes other than those explicitly mentioned. Mutatis mutandis is still used in law, economics, mathematics, linguistics and philosophy. In particular, in logic, it is encountered when discussing counterfactuals, as a shorthand for all the initial and derived changes which have been previously discussed.
Ronald Douglas Montrose was an American musician and guitarist who founded and led the rock bands Montrose and Gamma. He also performed and did session work with a variety of musicians, including Van Morrison, Herbie Hancock, Beaver & Krause, Boz Scaggs, Edgar Winter, Gary Wright, The Beau Brummels, Dan Hartman, Tony Williams, The Neville Brothers, Marc Bonilla and Sammy Hagar.
Gamma was an American hard rock band formed by guitarist Ronnie Montrose and singer Davey Pattison in San Francisco in 1979. They released four albums: Gamma 1 (1979), Gamma 2 (1980), Gamma 3 (1982) and Gamma 4 (2000). Their biggest hit was 1982's "Right the First Time", which was a minor chart entry in the US, but a top 40 hit in Canada. Some of their other best known songs include "Fight to the Finish" from their first album, and "Meanstreak" and "Voyager" from the second album.
The Speed of Sound is a 1988 all-instrumental album by American rock guitarist Ronnie Montrose, who led the bands Montrose and Gamma and also performed and did session work with a variety of musicians, including Van Morrison (1971–72), Herbie Hancock (1971), Beaver & Krause (1971), Boz Scaggs (1971), Edgar Winter, Gary Wright (1975), The Beau Brummels (1975), Dan Hartman (1976), Tony Williams (1978), The Neville Brothers (1987), Marc Bonilla, Sammy Hagar (1997), and Johnny Winter. In 1997, Ronnie stated that this album was his favorite instrumental record he had done so far. The track titles are words and phrases referencing aviation themes.
They Only Come Out at Night is the debut studio album by American rock band The Edgar Winter Group, released in November 1972 by Epic Records. A commercial success, the album reached #3 on the US Billboard 200 chart and features the band's signature songs, "Frankenstein" and "Free Ride". The album was certified gold on April 30, 1973, and platinum on November 21, 1986, by the RIAA. The single "Frankenstein" was certified gold June 19, 1973, by the RIAA. In Canada, the album reached #4 on 2 separate occasions - May 5 and June 16, totaling 14 weeks in the top 10. The third single, "Hangin' Around", reached #39 in the singles chart.
Gamma 4 is Gamma's fourth and final album and was originally released on Ronnie Montrose's own label, RoMoCo, in 2000. In 2005, it was re-released by Wounded Bird Records. It was the last full album in Montrose's lifetime to feature contributions from him.
Transmutation (Mutatis Mutandis) is the first album by Bill Laswell's ever-changing "supergroup" Praxis. The album was released in 1992 and features Buckethead on guitar, Bootsy Collins on bass and vocals, Brain on drums, Bernie Worrell on keyboards and DJ AF Next Man Flip on turntables.
Warszawa is a live album by experimental rock band Praxis, released in 1999 by the label Innerhythmic.
Tennessee 2004 is a live album by the experimental rock band Praxis, released in 2007 but recorded at the Bonnaroo Music and Arts Festival near Manchester, Tennessee during the early morning hours of June 12, 2004.
Axiom Collection series of albums are compilations from the Axiom record label released between 1991 and 1996.
Open Fire is the debut studio album by American musician, guitarist and session musician Ronnie Montrose, released in 1978. The album contains jazz, rock and acoustic music concepts similar to those of Blow by Blow (1975) by Jeff Beck.
EE Ticket is the first studio album by guitarist Marc Bonilla, released in June 1991 through Reprise Records.
American Matador is the second studio album by guitarist Marc Bonilla, released in 1993 through Reprise Records.
Images is Dan Hartman's second full-length release but his first album of new material. It features an interesting mix of players to assist the multi-instrumentalist continue his pop rock themes featured in his tenure with the Edgar Winter Group and fittingly has Edgar Winter, Rick Derringer and Ronnie Montrose as guests. Montrose appears on two songs which was in exchange for the two Hartman written songs, "What are You Waiting For?" and "Rich Man", that appeared on Jump On It, the same year. Drummer John Wilcox and bassist John Siegler, both of Utopia, were the principal rhythm section.
Music from Here is an album of instrumental rock music by Ronnie Montrose.
The Very Best of Montrose is the only compilation album by American hard rock band Montrose. It was released in 2000 by Rhino Records. The album contains songs from the group's five albums, the first four in consecutive years in the mid-seventies and another from 1987.
The Joy of Flying is a jazz fusion album by Tony Williams. It was recorded at the end of the Tony Williams Lifetime years, and is considered his first solo album since 1966. It included three duets, two with Mahavishnu Orchestra keyboardist Jan Hammer, and one with free jazz pianist Cecil Taylor, and three different quartets: the first featured Hammer along with guitarist George Benson and bassist Paul Jackson, the second featured pianist Herbie Hancock, bassist Stanley Clarke and Tom Scott on Lyricon, and the third featured guitarist Ronnie Montrose, keyboardist Brian Auger, and bass guitarist Mario Cipollina. "Hip Skip" also featured a five piece horn section.
Sammy Hagar & Friends is the sixteenth studio album by American hard rock musician Sammy Hagar, released on September 24, 2013, by Frontiers Records.
Mutatis mutandis is a Medieval Latin phrase meaning "the necessary changes having been made" or "once the necessary changes have been made".
10x10 is a posthumous solo album by Ronnie Montrose. Ronnie had been touring with bassist Ricky Phillips and Eric Singer (Kiss) in the early 2000s. Over three days in 2003 at Doug Messenger's studio in North Hollywood, the sessions produced 10 strong tracks of rhythm guitar, bass and drums with the intention to get a singer for the vocals. Eventually Ronnie decided on the 10x10 concept, 10 tracks and 10 different singers. Early on, he was able to secure contributions from close friends and collaborators like Sammy Hagar, Edgar Winter and Davey Pattison. In the intervening years Ronnie battled prostate cancer and, at one point, hadn't touched a guitar for 2 years. Conflicts in scheduling led to the record remaining unfinished for years up until Montrose's passing in 2012. Along with completion of the vocals, the songs also needed lead guitar as well. Rickey Phillips, with the blessing of Ronnie's wife Leighsa and assistance of Eric Singer, picked up the reigns and completed the album. "After he passed, I had to carry on with what Ronnie wanted, because he was such a purist. The songs were cut to 2-inch tape and then transferred to digital, but I really needed it to be a cohesive record. I've done enough records to know how easily the levels of 10 different singers can sound disjointed if you don't stay on top of the production." As per Singer, "I have to give a lot of credit to Ricky Phillips. Ricky really wanted to see this thing through. It was more for Ronnie than just for himself, or for ourselves. We really believed what we had originally captured had a certain vibe and a certain magic to the people in that room when it was created. We felt like, 'Hey, this thing needs to get done. We need to see this thing through, for every good reason.'"
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