My Beautiful England | ||||
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Studio album by | ||||
Released | 14 October 2022 | |||
Recorded | June 2021 | |||
Genre | Indie rock | |||
Length | 39:18 | |||
Language | English | |||
Label | Tiny Global Productions | |||
Producer | Des Lambert | |||
David Westlake chronology | ||||
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Singles from My Beautiful England | ||||
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Review scores | |
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Source | Rating |
Uncut | 8/10 [1] |
Louder Than War | [2] |
My Beautiful England is the third solo studio album by English singer/songwriter David Westlake, released through Tiny Global Productions on 14 October 2022.
My Beautiful England was produced by Des Lambert.
In his book Whatever Happened to the C86 Kids?, Nige Tassell notes that My Beautiful England is Westlake’s first all-new album since Play Dusty for Me twenty years ago, and that former Servants bandmate Luke Haines plays guitar on the recording. [3]
Writing for Uncut , Johnny Sharp rated the album eight-out-of-ten, calling it “a delight”. “Westlake retains great respect from [the C86 ] era’s cognoscenti”, he said, and My Beautiful England is “a Britpop concept album from a man who’d surely wince at either label”. [1]
In an in-depth review for Louder Than War , Neil Davenport gave the album a five-out-of-five rating, calling it “one of the most idiosyncratic, political and blazingly tuneful guitar pop albums [of 2022]”. “It’s an extraordinary record”, he says, “a contemporary update on George Orwell’s critiques of left intelligentsia found in ‘England Your England’.” “This is high level stuff”, says Davenport; “Not since Malcom Eden’s old band McCarthy (but in a completely different historical context) has there been an attempt to intelligently challenge received wisdom.” Musically, “My Beautiful England simply triumphs as a consistently great, 14-song guitar pop album. It’s packed with some of Westlake’s best songs.” [2]
Different shows on BBC Radio 6 Music and other BBC stations gave the album regular airplay for several months around its release. [4] [5] [6] [7]
Side one:
Side two:
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The Scream is the debut studio album by British rock band Siouxsie and the Banshees, released on 13 November 1978 by Polydor Records. The album is considered a landmark recording: its innovative combination of angular and serrated guitar with a bass-led rhythm and machine-like drums played mostly on toms, made it a pioneering work of the post-punk genre.
David Westlake is an English singer/songwriter. He led indie band The Servants from 1985 to 1991.
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Bogshed were an Indie band formed in Hebden Bridge, West Yorkshire, England, in 1985 by Phil Hartley (vocals), Mark McQuaid (guitar), Mike Bryson (bass) and Tristan King (drums). They released two albums, two EPs and two singles before splitting up in 1987.
"Hong Kong Garden" is the debut single of English rock band Siouxsie and the Banshees. It was released as a single on 18 August 1978 by Polydor Records, reaching number 7 on the UK Singles Chart.
The Servants were an indie band formed in 1985 in Hayes, Middlesex, England by singer-songwriter David Westlake. The band was the original home of Luke Haines.
T. Rex were an English rock band, formed in 1967 by singer-songwriter and guitarist Marc Bolan, who was their leader, frontman and only consistent member. Though initially associated with the psychedelic folk genre, Bolan began to change the band's style towards electric rock in 1969, and shortened their name to T. Rex the following year. This development culminated in 1970 with their first hit single "Ride a White Swan", and the group soon became pioneers of the glam rock movement.
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Westlake is the first album by English singer/songwriter David Westlake. Creation Records released the album in November 1987. Under the title D87, the album was reissued in expanded form in August 2023.
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Small Time is the second and final album by English indie band The Servants. It was recorded in 1991 but had to wait twenty-one years for release: a “lost second album that had been gathering dust for half a generation.”
Rebecca Hollweg is an English singer-songwriter. She has been described as "a talented songsmith" who "combines old-school craftsmanship with Joni Mitchell's perspectives on relationships and environment" and "a silky-voiced jazz-influenced songwriter" who "laces her low-key arrangements with exquisite vocals".
C86 is a cassette compilation released by the British music magazine NME in 1986, featuring new bands licensed from British independent record labels of the time. As a term, C86 quickly evolved into shorthand for a guitar-based music genre characterized by jangling guitars and melodic power pop song structures, although other musical styles were represented on the tape. In its time, it became a pejorative term for its associations with so-called "shambling" and underachievement. The C86 scene is now recognized as a pivotal moment for independent music in the UK, as was recognized in the subtitle of the compilation's 2006 CD issue: CD86: 48 Tracks from the Birth of Indie Pop. 2014 saw the original compilation reissued in a 3CD expanded edition from Cherry Red Records; the 2014 box-set came with an 11,500-word book of sleevenotes by one of the tape's original curators, former NME journalist Neil Taylor.
[12] David Westlake: Bethnal Green Museum Of Childhood
[28] David Westlake: The Modern Ruins Of Old London Town
[7] David Westlake: Bethnal Green Museum Of Childhood
[7] David Westlake: Mallory Kept Climbing The Mountain