My Castle on the Nile is an American song with lyrics by Bob Cole and James Weldon Johnson and music by J. Rosamond Johnson. Arthur Collins was recorded on a Columbia Records wax cylinder performing the song in 1902. [1] Various artists have recorded it since.
The New York Public Library has a musical score for it as "Sung By The Great Comedian Bert Williams." [2] The University of Maine Library also has a score for it published by Jos. W. Stern & Co. in 1901. [3] It is also held by other libraries. [4] [5]
Bert Williams recorded the song on Victor. [6] It was recorded by the Wonder State Harmonists on Vocalion records in 1929. [7] The War Department recorded The Camp Hill Male Quartet performing it and "Little Liza I Love You" on a 1945 album. [8]
Christopher M. Smith was an American composer and popular vaudeville performer.
Isham Edgar Jones was an American bandleader, saxophonist, bassist and songwriter.
"It's a Long Way to Tipperary" is an English music hall song first performed in 1912 by Jack Judge, and written by Judge and Harry Williams, though authorship of the song has long been disputed.
For Real is an American R&B and soul quartet, that formed in 1990. In the latter part of that decade they were nominated for a Billboard Music Award and a Soul Train Music Award. The ladies have now reunited and are touring.
John Rosamond Johnson was an American composer and singer during the Harlem Renaissance. Born in Jacksonville, Florida, he had much of his career in New York City. Johnson is noted as the composer of the tune for the hymn "Lift Every Voice and Sing”. It was first performed live by 500 Black American students from the segregated Florida Baptist Academy, Jacksonville, Florida, in 1900. The song was published by Joseph W. Stern & Co., Manhattan, New York.
Arthur Francis Collins was an American baritone who was one of the pioneer recording artists, regarded in his day as "King of the Ragtime Singers".
John Jacob Niles was an American composer, singer and collector of traditional ballads. Called the "Dean of American Balladeers," Niles was an important influence on the American folk music revival of the 1950s and 1960s, with Odetta, Joan Baez, Burl Ives, Peter, Paul and Mary and Bob Dylan, among others, recording his songs.
"Hesitation Blues" is a popular song adapted from a traditional tune. One version was published by Billy Smythe, Scott Middleton, and Art Gillham. Another was published by W.C. Handy as "Hesitating Blues". Because the tune is traditional, many artists have taken credit as writer, frequently adapting the lyrics of one of the two published versions. Adaptations of the lyrics vary widely, though typically the refrain is recognizably consistent. The song is a jug band standard and is also played as blues and sometimes as Western swing. It is cataloged as Roud Folk Song Index No. 11765. Composer William Grant Still arranged a version of the song in 1916 while working with Handy.
"When You Were Sweet Sixteen" is a popular song, written by James Thornton and published in 1898. Inspired and sung by the composer's wife, the ballad quickly became a hit song in vaudeville. It has a long recording history that includes numerous popular singers, has been heard on film, and is considered a standard for barbershop quartets.
"Geordie" is an English language folk song concerning the trial of the eponymous hero whose lover pleads for his life. It is listed as Child ballad 209 and Number 90 in the Roud Folk Song Index. The ballad was traditionally sung across the English speaking world, particularly in England, Scotland and North America, and was performed with many different melodies and lyrics. In recent times, popular versions have been performed and recorded by numerous artists and groups in different languages, mostly inspired by Joan Baez's 1962 recording based on a traditional version from Somerset, England.
"By The Light of the Silvery Moon" or "By the Light of the Silv'ry Moon" is a popular love song. The music was written by Gus Edwards, and the lyrics by Edward Madden. The song was published in 1909 and first performed on stage by Lillian Lorraine in the Ziegfeld Follies of 1909. It was one of a series of moon-related Tin Pan Alley songs of the era. The song was also used in the short-lived Broadway show Miss Innocence when it was sung by Frances Farr.
The Revelers were an American quintet popular in the late 1920s and early 1930s. The Revelers' recordings of "Dinah", "Old Man River", "Valencia", "Baby Face", "Blue Room", "The Birth of the Blues", "When Yuba Plays the Rhumba on the Tuba", and many more, became popular in the United States and then Europe in the late 1920s. They also produced the first known recording of "I've Been Working on the Railroad" in 1923. In August 1929, they appeared in the Netherlands with Richard Tauber at the Kurhaus, Scheveningen and the Concertgebouw, Amsterdam.
"I Should Care" is a popular song with music by Axel Stordahl and Paul Weston and lyrics by Sammy Cahn, published in 1944. Cahn said that the title came to him by the time they played the first 4 bars. It first appeared in the MGM film Thrill of a Romance. The original recording by Ralph Flanagan and His Orchestra, with vocalists: Harry Prime and The Singing Winds was made at Manhattan Center, New York City, on July 18, 1952. It was released by RCA Victor Records as catalog number 20-4885 and by EMI on the His Master's Voice labels as catalog number B 10389.
"Laura" is a 1945 popular song. The music, composed by David Raksin for the 1944 movie Laura, which starred Gene Tierney and Dana Andrews, is heard frequently in the movie. The film's director, Otto Preminger, had originally wanted to use Duke Ellington's "Sophisticated Lady" as the theme, but Raksin was not convinced that it was suitable. Angered, Preminger gave Raksin one weekend to compose an alternative melody. Raksin later said, and maintained for the rest of his days, that when, over that weekend, his wife sent him a "Dear John" letter, the haunting theme seemed to write itself.
Albert Charles Campbell was an American popular music singer who recorded between the late 1890s and the 1920s. He was best known for his many duo recordings with Henry Burr, and as a member of the Peerless Quartet and other vocal groups, but also recorded successfully as a solo singer both under his own name and under various pseudonyms including Frank Howard.
Coon, Coon, Coon is a "coon song" from 1900. The words were written by Gene Jefferson and the music by Leo Friedman. The lyrics are about an African American concerned with his appearance including his skin color and hair type while not being accepted by a woman. He makes efforts to acquire Caucasian characteristics but fails and is called out. Songsheet cover for the music include caricatured African American faces and a photograph of minstrel performers of the song inset.
Gasoline Gus is a character that was popular in cartoon strips, a record single, and films. The comic strip was written by O.P. Williams and was syndicated by the Philadelphia North American between 1913 and 1914. The character Gasoline Gus was a taxi driver and car fanatic who constantly wrecked his early automobile. Billy Murray and the American Quartet recorded the song "Gasoline Gus and his Jitney Bus" in 1915. It was recorded on Edison Record phonograph cylinder. It was one of several songs about jitneys in the U.S. as they became popular in the lead up to World War I.
Joseph Natus was an American minstrel performer and recording artist who was prominent during the early 20th century. He was a tenor.
Tom Lemonier was an actor and composer of popular music during the ragtime era, particularly active in Black Vaudeville. His work featured in various musicals. Some of his work was published by the Gotham-Attucks Music Publishing Company. Numerous recordings of his songs were made including on Victor Records and Columbia Records. In 1909 he joined the staff of music publisher Rose & Snyder.
"The Phrenologist Coon" is a 1901 song written by African-American entertainer Ernest Hogan with music by Will Accooe. Bert Williams recorded it on Victor Records and sheet music was published for it. It was produced by Williams and Walker Co. and published by Jos. W. Stern & Co. in New York City.