"My Friend Dario" | |
---|---|
Single by Vitalic | |
from the album OK Cowboy | |
Released | March 29, 2005 |
Genre | Electronica, electroclash |
Label | Different/Pias |
Songwriter(s) | Pascal Arbez-Nicolas [1] |
Music video | |
"Vitalic - My friend Dario" at YouTube |
"My Friend Dario" is the first single from Vitalic's debut album, OK Cowboy . It is the first single from Vitalic to use "Brigitte", a vocal synthesis program. [2] "No Fun", which is another track on OK Cowboy, also uses Brigitte.
The music video for "My Friend Dario" features a band mimicking instrumentation; the guitarists play air guitar and the drummer air drums. The lack of band instruments in the video reflect a statement made on Vitalic's website; that the instruments on his album OK Cowboy are entirely synthesized and that "the only thing he can't fake is the emotion that galvanizes his music."
The maxi-CD version of the single includes a live cover of Daniel Miller's "Warm Leatherette", performed on BBC Radio 1. [3] The cover was later included in a collector's edition of OK Cowboy.
In an interview with Pascal Arbez in CMJ New Music Monthly, Arbez dialogued: [4]
The song appears in the EA video games FIFA 06 and Need for Speed: Carbon (plays only when driving a tuner car). It also features in Riders Republic , developed by Ubisoft Annecy.
It was also used as a catwalk soundtrack for both Versace and Chanel’s Fall/Winter 2005 show.
Vincent John Martin, known professionally as Vince Clarke, is an English synth-pop musician and songwriter. Clarke has been the main composer and musician of the band Erasure since its inception in 1985, and was previously the main songwriter for several groups, including Depeche Mode, Yazoo, and the Assembly. In Erasure, he is known for his deadpan and low-key onstage demeanour, often remaining motionless over his keyboard, in sharp contrast to lead vocalist Andy Bell's animated and hyperactive frontman antics.
Grace Beverly Jones is a Jamaican singer, songwriter, model and actress. Born in Jamaica, she and her family moved to Syracuse, New York, when she was a teenager. Jones began her modelling career in New York state, then in Paris, working for fashion houses such as Yves St. Laurent and Kenzo, and appearing on the covers of Elle and Vogue. She notably worked with photographers such as Jean-Paul Goude, Helmut Newton, Guy Bourdin, and Hans Feurer, and became known for her distinctive androgynous appearance and bold features.
Rabies is the fifth studio album by Skinny Puppy. It was released on November 21, 1989 through Nettwerk. The album notably features Ministry frontman Al Jourgensen who performed electric guitar and vocals on several songs. The album spawned two singles, "Tin Omen" and "Worlock", the latter of which becoming one of the band's most recognizable songs. The cover art was made by longtime Skinny Puppy collaborator Steven R. Gilmore. In 1993 the CD edition was reissued by Nettwerk to correct mastering errors in the original release.
The Normal is the recording artist name used by English music producer Daniel Miller, a film editor at the time, who is best known as the founder of the record label Mute Records.
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The Organ was a Canadian post-punk band formed in Vancouver in 2001. They officially broke up in 2006 due to illness and personal conflicts in the band.
"Warm Leatherette" is a song by Daniel Miller's project the Normal, released in 1978.
Pascal Arbez-Nicolas, better known by his stage name Vitalic, is a French electronic music producer.
OK Cowboy is the debut album of Vitalic, first released in 2005. After a year, the album was re-released featuring a second, enhanced CD.
"Friend or Foe" is a song by Russian recording duo t.A.T.u., taken from the group's second English language studio album Dangerous and Moving (2005). The song was written by Dave Stewart and Martin Kierszenbaum, while production was handled by Kierszenbaum and Robert Orton. The song was released by Interscope in 2005 as the album's second single. Musically, the song is a pop rock and electropop inspired song, with dance music influences. The song features ambiguous lyrics; it is unclear who exactly the words are directed at.
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Island Life is the first greatest hits album by Jamaican singer and songwriter Grace Jones, released in December 1985, summing up the first nine years of her musical career. The album sits among Jones' best-selling works.
Warm Leatherette is the fourth studio album by Jamaican singer and songwriter Grace Jones, released on 9 May 1980 by Island Records. The album features contributions from the reggae production duo Sly and Robbie and is a departure from Jones's earlier disco sound, moving towards a new wave-reggae direction.
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Doom is the debut EP and release by American death metal band Job for a Cowboy, released in December 2005 by King of the Monsters, an independent record label. Doom was later reissued by Metal Blade Records in 2006. The EP is noted for being their only deathcore release, as the band would later abandon the genre in favor of a modern death metal sound. Doom is also the only release to feature guitarist Andrew Arcurio.
"Breakdown" is the first single from Tom Petty and the Heartbreakers' self-titled debut album. It became a Top 40 hit in the United States and Canada.
"Pull Up to the Bumper" is a 1981 song by Jamaican singer Grace Jones, released as the third single from her fifth album, Nightclubbing (1981). Sonically, it is an uptempo electro-disco, post-punk, dance-pop and reggae-disco song with dub production, "pulsing drums and chic new-wave licks", as well as elements of funk and R&B music. Its lyrics were written by Jones alone, while she, along with Kookoo Baya and Dana Manno, are credited as its composers. The song's instrumental part was originally recorded in 1980 during the Warm Leatherette sessions; however, it did not make the album as Chris Blackwell found its sound not fitting in the rest of the material. It was completed for the 1981 critically acclaimed Nightclubbing album and became its third single in June 1981. The song peaked at number two on the Billboard Hot Dance Club Songs chart in the US and number 53 in the UK. When re-released in 1986, it peaked at number 12 in the UK. The track has come to be one of Jones' signature tunes and her first transatlantic hit.
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