"Amazing Grace" is a Christian hymn published in 1779, written in 1772 by English Anglican clergyman and poet John Newton (1725–1807). It is an immensely popular hymn, particularly in the United States, where it is used for both religious and secular purposes.
A doxology is a short hymn of praises to God in various forms of Christian worship, often added to the end of canticles, psalms, and hymns. The tradition derives from a similar practice in the Jewish synagogue, where some version of the Kaddish serves to terminate each section of the service.
The hymn "When I Survey the Wondrous Cross" was written by Isaac Watts, and published in Hymns and Spiritual Songs in 1707. It is significant for being an innovative departure from the early English hymn style of only using paraphrased biblical texts, although the first couplet of the second verse paraphrases Galatians 6:14a and the second couplet of the fourth verse paraphrases Gal. 6:14b. The poetry of "When I survey…" may be seen as English literary baroque.
"Love Divine, All Loves Excelling" is a Christian hymn by Charles Wesley on Christian perfection. Judging by general repute, it is among Wesley's finest. Judging by its distribution, it is also among his most successful.
"Joy to the World" is an English Christmas carol. It was written in 1719 by the English minister and hymnist Isaac Watts. The carol is usually sung to the American composer Lowell Mason's 1848 arrangement of a tune attributed to George Frideric Handel. The carol's lyrics are a Christian reinterpretation of Psalm 98 and Genesis 3.
"The Spirit of God Like a Fire Is Burning" is a hymn of the Latter Day Saint movement. It was written by W. W. Phelps, one of the most prolific hymnwriters of early Latter Day Saint movement.
Common metre or common measure—abbreviated as C. M. or CM—is a poetic metre consisting of four lines that alternate between iambic tetrameter and iambic trimeter, with each foot consisting of an unstressed syllable followed by a stressed syllable. The metre is denoted by the syllable count of each line, i.e. 8.6.8.6, 86.86, or 86 86, depending on style, or by its shorthand abbreviation "CM".
"Christ the Lord Is Risen Today" is a Christian hymn associated with Easter. Most of the stanzas were written by Charles Wesley, and the hymn appeared under the title "Hymn for Easter Day" in Hymns and Sacred Poems by Charles and John Wesley in 1739. The hymn eventually became well known for the "Alleluia" sung as a melisma after each line, which was added by an unknown author, probably to fit the commonly used hymn tune, "Easter Hymn". It remains a traditional processional hymn on Easter Sunday.
"I Surrender All" is a Christian hymn, with words written by American art teacher and musician Judson W. Van DeVenter (1855–1939), who subsequently became a music minister and evangelist. It was put to music by Winfield S. Weeden (1847–1908), and published in 1896.
"Recessional" is a poem by Rudyard Kipling. It was composed for the Diamond Jubilee of Queen Victoria, in 1897.
"Come Thou Fount of Every Blessing" is a Christian hymn written by the pastor and hymnodist Robert Robinson, who penned the words in the year 1758 at the age of 22.
"All Hail the Power of Jesus' Name" is a Christian hymn.
Edward Mote was a pastor and hymn writer. Born in London on 21 January 1797, his parents managed a pub and often left Edward to his own devices playing in the street. Speaking of these childhood years he once said, "So ignorant was I that I did not know that there was a God." He was finally exposed to the Christian gospel and was baptised the age of 18. He was trained as a cabinet maker and worked in London for 37 years. Only in his 50s did he enter the ministry and was pastor at Rehoboth Baptist Church in Horsham, West Sussex for 26 years. He was well liked by the congregation in Horsham and they offered him the church building as a gift. Mote replied "I do not want the chapel, I only want the pulpit; and when I cease to preach Christ, then turn me out of that." He died on 13 November 1874 and is buried in the church yard at Rehoboth Church.
"What a Friend We Have in Jesus" is a Christian hymn originally written by preacher Joseph M. Scriven as a poem in 1855 to comfort his mother, who was living in Ireland while he was in Canada. Scriven originally published the poem anonymously, and only received full credit for it in the 1880s. The tune to the hymn was composed by Charles Crozat Converse in 1868.
Johann Sebastian Bach composed the church cantata Allein zu dir, Herr Jesu Christ, BWV 33, in Leipzig in 1724 for the thirteenth Sunday after Trinity and first performed it on 3 September 1724. The chorale cantata is based on the 1540 hymn "Allein zu dir, Herr Jesu Christ" by Konrad Hubert.
"Wer weiß, wie nahe mir mein Ende" is a Lutheran hymn in German with lyrics by Ämilie Juliane von Schwarzburg-Rudolstadt, written in 1686. The hymn reflects the preparation for a good death. It is sung to the melody of "Wer nur den lieben Gott läßt walten", and is often used for funerals. It appears in the current German Protestant hymnal Evangelisches Gesangbuch (EG), but with a different melody.
Leaning on the Everlasting Arms is a hymn published in 1887 with music by Anthony J. Showalter and lyrics by Showalter and Elisha Hoffman. It is most commonly played on the scale of A-flat major.
"Praise, my soul, the King of heaven" is a Christian hymn. Its text, which draws from Psalm 103, was written by Anglican divine Henry Francis Lyte. First published in 1834, it endures in modern hymnals to a setting written by John Goss in 1868, and remains one of the most popular hymns in English-speaking denominations.
"There is a green hill far away" is a Christian hymn, originally written as a children's hymn but now usually sung for Passiontide. The words are by Cecil Frances Alexander, and the most popular tune by William Horsley.
"Alas! and Did My Saviour Bleed" is a hymn by Isaac Watts, first published in 1707. The words describe the crucifixion of Jesus and reflect on an appropriate personal response to this event. The hymn is commonly sung with a refrain added in 1885 by Ralph E. Hudson; when this refrain is used, the hymn is sometimes known as "At the Cross". The final line of the first stanza has attracted some criticism, as it leads the singer to call themselves a "worm". Hymnals often change the line from "for such a worm as I" to "for such a one as I" or "for sinners such as I".
