My Romance | |
---|---|
Music | Sigmund Romberg |
Lyrics | Rowland Leigh |
Book | Rowland Leigh |
My Romance is a musical comedy in three acts with book and lyrics by Rowland Leigh, and music by Sigmund Romberg. It was produced on Broadway in 1948.
This show originally started out with music by Denes Agay and lyrics by Rowland Leigh. After try-outs in Boston, in Philadelphia at the Forrest Theatre, [1] and elsewhere, the show folded. It was revived with a new score by the famous Sigmund Romberg, and with Lawrence Brooks replacing Charles Fredericks. My Romance premiered on Broadway at the Shubert Theatre on October 19, 1948, and then transferred to the Adelphi Theatre, closing on January 8, 1949, for a total run of 95 performances. [2]
It was produced by Messrs. Lee and J. J. Shubert. The show was based on “Romance,” the 1913 play by Edward Sheldon. It was staged by Mr. Leigh and choreographed by Fredric N. Kelly. The scenic design was by Watson Barratt and the costume design was by Lou Eisle. The music by orchestrated by Don Walker and the musical director was Roland Fiore. [2]
The cast starred Anne Jeffreys as Mme. Marguerita Cavallini, and Lawrence Brooks as Bishop Armstrong, [3]
“My Romance” told the story of a minister who fell in love with an opera diva. Edward Brewster Sheldon, who died in 1946 at the age of 60, wrote this sentimental drama in 1913 and it made the actress Doris Keane a memorable figure in American theatre. [4]
Brooks Atkinson of The New York Times called it “pretentious fiddle-faddle,” while John Chapman of the New York Daily News said that the “lovely” Jeffreys made for an “enchanting operetta heroine” who sang Romberg's songs “as though they meant something.” [5]
Jean Schwartz was a Hungarian-born Jewish American composer and pianist. He is best known for his work writing the scores for more than 30 Broadway musicals, and for his creation of more than 1,000 popular songs with the lyricist William Jerome. Schwartz and Jerome also performed together on the vaudeville stage in the United States; sometimes in collaboration with Maude Nugent, Jerome's wife, and the Dolly Sisters. Schwartz was married to Jenny Dolly from 1913 to 1921.
Sigmund Romberg was a Hungarian-born American composer. He is best known for his musicals and operettas, particularly The Student Prince (1924), The Desert Song (1926) and The New Moon (1928).
Edward Brewster Sheldon was an American dramatist. His plays include Salvation Nell (1908) and Romance (1913), which was made into a motion picture with Greta Garbo.
The Shubert Theatre is a Broadway theater at 225 West 44th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1913, the theater was designed by Henry Beaumont Herts in the Italian Renaissance style and was built for the Shubert brothers. Lee and J. J. Shubert had named the theater in memory of their brother Sam S. Shubert, who died in an accident several years before the theater's opening. It has 1,502 seats across three levels and is operated by The Shubert Organization. The facade and interior are New York City landmarks.
The Passing Show of 1918 is a Broadway musical revue featuring music of Sigmund Romberg and Jean Schwartz, with book and lyrics by Harold Atteridge. The show introduced the hit songs "I'm Forever Blowing Bubbles" and "Smiles".
The Lyric Theatre was a Broadway theatre built in 1903 in the Theater District of Manhattan in New York City. It had two formal entrances: at 213 West 42nd Street and 214-26 West 43rd Street. In 1934, it was converted into a movie theatre which it remained until closing in 1992. In 1996, its interior was demolished and the space was combined with that of the former Apollo Theatre to create the Ford Center, now the new Lyric Theatre. Both the 42nd and 43rd Street facades of the original Lyric were preserved and today form the front and back entrances of the modern Lyric Theatre.
The Passing Show of 1916 is a revue featuring the music of Sigmund Romberg and Otto Motzan, with book and lyrics by Harold Atteridge. It included the first George Gershwin songs introduced in a Broadway show.
Inside U.S.A. is a musical revue by Arthur Schwartz (music) and Howard Dietz (lyrics). It was loosely based on the book Inside U.S.A. by John Gunther. Sketches were written by Arnold M. Auerbach, Moss Hart, and Arnold B. Horwitt.
Robinson Crusoe, Jr. is a musical with a book by Edgar Smith, lyrics by Harold Atteridge, and music by Sigmund Romberg and James Hanley.
Sinbad is a Broadway musical with a book and lyrics by Harold Atteridge and music by Sigmund Romberg, Al Jolson and others. Jolson plays a porter in old Bagdad where he meets a series of characters from the Arabian Nights, including Sinbad. He is transported to various exotic settings.
My Maryland is a "musical romance" with book and lyrics by Dorothy Donnelly and music by Sigmund Romberg, based on the play Barbara Frietchie by Clyde Fitch. The musical takes place in the towns of Frederick, Maryland and Hagerstown, Maryland.
Central Theatre was a Broadway theatre in New York City built in 1918. It was located at 1567 Broadway, at the southwest corner with 47th Street, and seated approximately 1,100 patrons. The architect was Herbert J. Krapp. The theatre was built by the Shubert family on a site previously occupied by the Mathushek & Son piano factory.
Jesse C. Huffman (1869–1935) was an American theatrical director. Between 1906 and 1932 he directed or staged over 200 shows, mostly for the Shubert Brothers. Many of them were musical revues, musicals or operettas. He is known for The Passing Show series of revues that he staged from 1914 to 1924 at the Winter Garden Theatre on Broadway, daring alternatives to the Ziegfeld Follies.
Poor Little Ritz Girl is a musical comedy in two acts, with book by George Campbell and Lew Fields. The show had some songs with lyrics by Alex Gerber and music by Sigmund Romberg and other songs with lyrics by Lorenz Hart and music by Richard Rodgers. The show was produced by Lew Fields at the Central Theatre. It opened on July 28, 1920.
Romance is a play by the American dramatist Edward Sheldon. It was first produced in New York in 1913, and a London production followed in 1915, which ran for 1,049 performances. Both productions featured Doris Keane as an opera star who has an intense affair with a young clergyman.
Look, Ma, I'm Dancin’! is a musical comedy in two acts with a book by Jerome Lawrence and Robert E. Lee, and music and lyrics by Hugh Martin. It was produced on Broadway in 1948.
The Whirl of the World is a musical revue in two acts with music by Sigmund Romberg and both book and lyrics by Harold Atteridge. The work also contained some additional songs by Harry Gifford and Fred Godfrey. The musical premiered on Broadway at the Winter Garden Theatre on January 10, 1914. It closed on May 30, 1914, after 161 performances. Produced by brothers Lee and Jacob J. Shubert, the production was staged by William J. Wilson and used costumes designed by Melville Ellis.
Daniel J. Quinlan, born Daniel Cullinan and known on the stage as Dan Quinlan, was an American actor and vaudeville and minstrel show performer. He had an active career on the American stage from 1883 until his retirement in 1932. He began his career in minstrel shows and then transitioned into vaudeville where he performed as one half of the duo Quinlan & Mack from 1905 to 1910. In his latter career he worked in legitimate theatre; starring in several Broadway musicals in the 1910s and 1920s.
The Century Revue is a musical revue in two acts with music by Jean Schwartz, lyrics by Alfred Bryan, and a book by Howard Emmett Rogers. The revue was directed by J. J. Shubert and produced on Broadway by the Shubert brothers. It premiered at the Century Grove Theatre on July 12, 1920; closing after 150 performances on January 1, 1921.
Joseph Macauley, sometimes given as Joseph Macaulay, was an American actor and singer. A native of San Francisco, he originally trained as a lawyer at the University of California and also studied singing with Henry Bickford Pasmore. In his early acting career he performed with various theatre troupes in Northern California from 1913 to 1915 and was often seen in outdoor amphitheaters in public parks such as the Cushing Memorial Amphitheatre on Mount Tamalpais and the Forest Theater in Carmel. In 1916 he toured in John E. Kellerd's Shakespeare troupe, and then settled in New York City where he trained under George Arliss as a member of The Theatre Workshop in 1916–1917.