Category | Sans-serif |
---|---|
Classification | Humanist |
Designer(s) | Robert Slimbach Carol Twombly |
Foundry | Adobe Type |
Date released | 1992 |
Design based on | Frutiger |
Myriad is a humanist sans-serif typeface designed by Robert Slimbach and Carol Twombly for Adobe Systems. Myriad was intended as a neutral, general-purpose typeface that could fulfill a range of uses and have a form easily expandable by computer-aided design to a large range of weights and widths. [1] [2]
Myriad is known for its usage by Apple Inc., replacing Apple Garamond as Apple's corporate font from April 29, 2002, to January 24, 2017. Myriad is easily distinguished from other sans-serif fonts due to its "y" descender (tail) and slanting "e" cut.
Myriad is a humanist sans-serif, a relatively informal design taking influences from handwriting. Its letterforms are open rather than "folded-up" on the nineteenth-century grotesque sans-serif model, and its sloped form is a "true italic" based on handwriting. [3] The 'g' is single-storey and the 'M' has sloped sides on the model of Roman square capitals. As a family intended for body text and influenced by traditional book printing, text figures are included as well as lining figures at cap height. [3] Twombly described the design process as one of swapping ideas to create a "homogeneous" design but said that in retrospect she found the experience "too hard" to want to repeat. [1]
Myriad is similar to Adrian Frutiger's famous Frutiger typeface, although the italic is a true italic unlike Frutiger's oblique; Frutiger described it as "not badly done" but felt that the similarities had gone "a little too far". [4] The later Segoe UI and Corbel are also similar.
Adobe’s first release of Myriad in 1992 was in the multiple master format, an ambitious format intended to allow the user to fine-tune weight, width and other characteristics of the design to their preferred form. [2] [5] [6] The Multiple Master format was not well supported by third-party applications, and so most releases of Myriad have been in the form of separate font files. [7] [8] [9] The concept behind Multiple Master fonts has since been redeveloped as part of the OpenType variable fonts technology. [10] [11]
This PostScript Type 1 font family was released after the original Myriad MM. It initially included four fonts in two weights, with complementary italics. All these Type 1 versions supported the ISO-Adobe character set; all were discontinued in the early 2000s.
Myriad Web is a version of Myriad in TrueType font format, optimized for onscreen use. It supports Adobe CE and Adobe Western 2 character sets. Myriad Web comprises only five fonts: Myriad Web Pro Bold, Myriad Web Pro Regular, Myriad Web Pro Condensed Italic, Myriad Web Pro Condensed, Myriad Web Pro Italic. Myriad Web Pro is slightly wider than Myriad Pro, while the width of Myriad Web Pro Condensed is between Myriad Pro Condensed and Myriad Pro SemiCondensed.
The family is bundled as part of the Adobe Web Type Pro font pack.
Myriad Pro is the OpenType version of the original Myriad font family. It first shipped in 2000, as Adobe moved towards the OpenType standard. Additional designers were Christopher Slye and Fred Brady. Compared to Myriad MM, it added support for Latin Extended, Greek, and Cyrillic characters, as well as oldstyle figures.
Myriad Pro originally included thirty fonts in three widths and five weights each, with complementary italics. A "semi-condensed" width was added in early 2002,[ citation needed ] expanding the family to forty fonts in four widths and five weights each, with complementary italics.
Myriad Pro Regular, Bold, Italic and Bold Italic are bundled with Adobe Reader 7 and 8. In Adobe Reader 9 and onwards, the fonts are included, but not installed in the system fonts directory.
Myriad Wild is an Adobe font package comprising the Myriad Sketch and Myriad Tilt fonts in Type 1 format. Myriad Sketch is a slightly irregular outline version of Myriad, while Myriad Tilt incorporates irregular stroke weight and paths. The family supports ISO-Adobe character set.
MyriadCAD is included in Adobe Reader 9 and is thought to be an implementation of the ANSI CAD lettering. [12] It is also available in the current Adobe Acrobat.
Myriad Currency is included in Adobe Reader 9 and is thought to be the company's embedded font for their currency typefaces. It can be found in the Fonts subfolder of the Resources folder under Adobe Reader 9 from the Program Files folder in the Local Hard Disk Drive.
Myriad Arabic was designed by Robert Slimbach, with the help of Adobe's technical team as well as outside Arabic experts. The principal outside consultant was Dr. Mamoun Sakkal. [13] Five weights of Myriad Arabic (which include Latin-alphabet characters) were licensed by Apple for inclusion with macOS, but must be manually enabled by the user. [14]
Myriad Hebrew is an extension of Adobe's popular humanist sans-serif typeface Myriad, bringing the sensibility of Myriad into another language and another writing system. Myriad Hebrew is one of the most extensive families of Hebrew typefaces available today, comprising twenty different digital fonts: four weights, each with two italic complements; plus an informal cursive version, also in four weights, with both upright and slanted variants. Myriad Hebrew was designed by Robert Slimbach, with the help of Adobe's technical team as well as outside Hebrew experts. The principal outside consultant was Scott-Martin Kosofsky. [15]
The Myriad Set Pro font family was first embedded into Apple's corporate website. Myriad Set Pro is available in Bold, Medium, Thin, Text, Semibold and Ultralight weights with corresponding italics, and could be found in most of Apple's websites until 2017, when it was replaced with Apple's custom typeface San Francisco.
Kozuka Gothic is a Japanese typeface, designed as a sans-serif companion to Kozuka Mincho family. The Japanese letters were designed by Masahiko Kozuka and Adobe's Japanese type design team. The Latin letters in Kozuka Gothic were adapted from Myriad.
Adobe Heiti is a simplified Chinese typeface that borrows its Latin glyphs from Myriad. It is included with Adobe Illustrator CS3, [18] Adobe Reader 8 Simplified Chinese font pack, Adobe Creative Suite 4.0. [19]
Myriad Pro won bukva:raz! 2001 under the Greek and Cyrillic categories. [36]
Myriad Pro Greek won TDC2 2000 (Type Directors Club Type Design Competition 2000) in the Text/display type systems category. [37]
Frutiger is a series of typefaces named after its Swiss designer, Adrian Frutiger. Frutiger is a humanist sans-serif typeface, intended to be clear and highly legible at a distance or at small text sizes. A popular design worldwide, type designer Steve Matteson described its structure as "the best choice for legibility in pretty much any situation" at small text sizes, while Erik Spiekermann named it as "the best general typeface ever".
Arial is a sans-serif typeface in the neo-grotesque style. Fonts from the Arial family are included with all versions of Microsoft Windows after Windows 3.1, as well as in other Microsoft programs, Apple's macOS, and many PostScript 3 printers. In Office 2007, Arial was replaced by Calibri as the default typeface in PowerPoint, Excel, and Outlook.
Futura is a geometric sans-serif typeface designed by Paul Renner and released in 1927. It was designed as a contribution on the New Frankfurt-project. It is based on geometric shapes, especially the circle, similar in spirit to the Bauhaus design style of the period. It was developed as a typeface by the Bauer Type Foundry, in competition with Ludwig & Mayer's seminal Erbar typeface of 1926.
Univers is a sans-serif typeface family designed by Adrian Frutiger and released by his employer Deberny & Peignot in 1957. Classified as a neo-grotesque sans-serif, one based on the model of nineteenth-century German typefaces such as Akzidenz-Grotesk, it was notable for its availability from the moment of its launch in a comprehensive range of weights and widths. The original marketing for Univers deliberately referenced the periodic table to emphasise its scope.
Adrian Johann Frutiger was a Swiss typeface designer who influenced the direction of type design in the second half of the 20th century. His career spanned the hot metal, phototypesetting and digital typesetting eras. Until his death, he lived in Bremgarten bei Bern.
Apple Inc. uses a large variety of typefaces in its marketing, operating systems, and industrial design with each product cycle. These change throughout the years with Apple's change of style in their products. This is evident in the design and marketing of the company. The current logo is a white apple with a bite out of it, which was first utilized in 2013.
Franklin Gothic and its related faces are a large family of sans-serif typefaces in the industrial or grotesque style developed in the early years of the 20th century by the type foundry American Type Founders (ATF) and credited to its head designer Morris Fuller Benton. "Gothic" was a contemporary term meaning sans-serif.
In metal typesetting, a font or fount is a particular size, weight and style of a typeface, defined as the set of fonts that share an overall design. For instance, the typeface Bauer Bodoni includes fonts "Roman", "bold" and "italic"; each of these exists in a variety of sizes.
Akzidenz-Grotesk is a sans-serif typeface family originally released by the Berthold Type Foundry of Berlin. "Akzidenz" indicates its intended use as a typeface for commercial print runs such as publicity, tickets and forms, as opposed to fine printing, and "grotesque" was a standard name for sans-serif typefaces at the time.
Rotis is a typeface developed in 1988 by Otl Aicher, a German graphic designer and typographer. In Rotis, Aicher explores an attempt at maximum legibility through a highly unified yet varied typeface family that ranges from full serif, glyphic, and sans-serif. The four basic Rotis variants are:
Multiple master fonts are an extension to Adobe Systems' Type 1 PostScript fonts, now superseded by the advent of OpenType and, in particular, the introduction of OpenType Font Variations in OpenType 1.8, also called variable fonts.
Minion is a serif typeface released in 1990 by Adobe Systems. Designed by Robert Slimbach, it is inspired by late Renaissance-era type and intended for body text and extended reading. Minion's name comes from the traditional naming system for type sizes, in which minion is between nonpareil and brevier, with the type body 7pt in height. As the historically rooted name indicates, Minion was designed for body text in a classic style, although slightly condensed and with large apertures to increase legibility. Slimbach described the design as having "a simplified structure and moderate proportions." The design is slightly condensed, although Slimbach has said that this was intended not for commercial reasons so much as to achieve a good balance of the size of letters relative to the ascenders and descenders.
News Gothic is a sans-serif typeface designed by Morris Fuller Benton, and was released in 1908 by his employer American Type Founders (ATF). The typeface is similar in proportion and structure to Franklin Gothic, also designed by Benton, but lighter.
Avenir is a geometric sans-serif typeface designed by Adrian Frutiger in 1987 and released in 1988 by Linotype GmbH.
Monotype Grotesque is a family of sans-serif typefaces released by the Monotype Corporation for its hot metal typesetting system. It belongs to the grotesque or industrial genre of early sans-serif designs. Like many early sans-serifs, it forms a sprawling family designed at different times.
Trade Gothic is a sans-serif typeface designed in 1948 by Jackson Burke (1908–1975), who continued to work on further style-weight combinations, eventually 14 in all, until 1960, while he was director of type development for Linotype in the US. The family includes three weights and three widths.
Utopia is the name of a transitional serif typeface designed by Robert Slimbach and released by Adobe Systems in 1989.
Source Sans is a sans-serif typeface created by Paul D. Hunt, released by Adobe in 2012. It is the first open-source font family from Adobe, distributed under the SIL Open Font License.
San Francisco is a neo-grotesque typeface made by Apple Inc. It was first released to developers on November 18, 2014. It is the first new typeface designed at Apple in nearly twenty years and has been inspired by Helvetica and DIN.
Source Serif is a serif typeface created by Frank Grießhammer for Adobe Systems. It is the third open-source font family from Adobe, distributed under the SIL Open Font License.
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