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Let It Be is the twelfth and final studio album by the English rock band the Beatles. It was released on 8 May 1970, nearly a month following the official announcement of the group's public break-up, in tandem with the documentary of the same name. Concerned about recent friction within the band, Paul McCartney had conceived the project as an attempt to reinvigorate the group by returning to simpler rock 'n' roll configurations. Its rehearsals started at Twickenham Film Studios on 2 January 1969 as part of a planned television documentary showcasing the Beatles' return to live performance.
Alexander Nikolayevich Scriabin was a Russian composer and pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed in a relatively tonal, late-Romantic idiom. Later, and independently of his influential contemporary Arnold Schoenberg, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not atonal, which accorded with his personal brand of metaphysics. Scriabin found significant appeal in the concept of Gesamtkunstwerk as well as synesthesia, and associated colours with the various harmonic tones of his scale, while his colour-coded circle of fifths was also inspired by theosophy. He is often considered the main Russian symbolist composer and a major representative of the Russian Silver Age.
In music, the mystic chord or Prometheus chord is a six-note synthetic chord and its associated scale, or pitch collection; which loosely serves as the harmonic and melodic basis for some of the later pieces by Russian composer Alexander Scriabin. Scriabin, however, did not use the chord directly but rather derived material from its transpositions.
Prometheus: The Poem of Fire, Op. 60 (1910), is a tone poem by the Russian composer Alexander Scriabin for piano, orchestra, optional choir, and clavier à lumières or "Chromola". Prometheus is only loosely based on the myth of Prometheus. It premiered in Moscow on 2 March 1911. A typical performance lasts about 20 minutes.
The Piano Sonata No. 8, Op. 66, by Alexander Scriabin, was composed between 1912 and 1913. As one of Scriabin's late piano sonatas, the eighth sonata features non-tertian harmony, though is arguably less dissonant than some of his other late works. Like Scriabin's other late piano sonatas, the eighth sonata reflects the composer's mystical interests. Scriabin saw some parts of this sonata, which, like the sixth sonata, he never performed in public, as "the most tragic episode of my creative work".
The Piano Sonata No. 5, Op. 53, is a work written by Alexander Scriabin in 1907. This was his first sonata to be written in one movement, a format he retained from then on. A typical performance lasts from 11 to 12 minutes. The work is considered to be one of Scriabin's most difficult compositions, both technically and musically.
Russian cosmism, also cosmism, is a later term for philosophical and cultural movement that emerged in Russia at the turn of the 19th century, and again, at the beginning of the 20th century. At the beginning of the 20th century, there was a burst of scientific investigation into interplanetary travel, largely driven by fiction writers such as Jules Verne and H. G. Wells as well as philosophical movements like the Russian cosmism.
Mysterium Cosmographicum is an astronomy book by the German astronomer Johannes Kepler, published at Tübingen in late 1596 and in a second edition in 1621. Kepler proposed that the distance relationships between the six planets known at that time could be understood in terms of the five Platonic solids, enclosed within a sphere that represented the orbit of Saturn.
The Piano Sonata No. 3 in F-sharp minor, Op. 23, by Alexander Scriabin was composed between 1897 and 1898. The sonata consists of four movements, typically spanning 18 minutes in performance.
An unfinished creative work is a painting, novel, musical composition, or other creative work, that has not been brought to a completed state. Its creator may have chosen not to finish it, deferred its completion indefinitely, or may have been prevented from doing so by circumstances beyond their control, such as death. Such pieces are often the subject of speculation as to what the finished piece would have been like had the creator completed the work. Sometimes artworks are finished by others and released posthumously. Unfinished works have had profound influences on their genres and have inspired others in their own projects. The term can also refer to ongoing work which could eventually be finished and is distinguishable from "incomplete work", which can be a work that was finished but is no longer in its complete form.
The Piano Sonata No. 6, Op. 62, by Alexander Scriabin was composed in 1911. Although it was named the sixth sonata, the piece was preceded by the Sonata No. 7. As it is one of the late piano sonatas of Scriabin's career, the music consists of a single movement and is almost atonal, although it is sometimes listed as being in the key of G. Scriabin reportedly never played the sonata in public, because he feared its darkness.
Alexander Scriabin's Prelude, Op. 74, No. 2, entitled Très lent, contemplatif, is one of five preludes in Op. 74, composed in late 1914.
William Simpson was a Scottish artist, war artist and war correspondent.
Alexander Scriabin's Symphony No. 1, Op. 26, in E major was written in 1899 and 1900. It is an ambitious first symphony, consisting of six movements, the last of which has a chorus and two vocal soloists. This work is one of the first in which Scriabin's idea of art morally transforming a person is clearly expressed.
Pyotr Ilyich Tchaikovsky's Symphony in E-flat was commenced after Symphony No. 5, and was intended initially to be the composer's next symphony. Tchaikovsky abandoned this work in 1892, only to reuse the first movement in the single-movement Third Piano Concerto, Op. 75, first performed and published after his death in 1895. Two other movements were reworked for piano and orchestra by Sergei Taneyev as the Andante and Finale, which was published as Tchaikovsky's Op. posth. 79 in 1897.
Mysterium may refer to:
The Poem of Ecstasy, Op. 54, is a symphonic poem by Russian composer and pianist Alexander Scriabin written between 1905 and 1908, when Scriabin was actively involved with the Theosophical Society. The 20-minute work premiered on 10 December 1908 in New York City.
Cosmos: A Sketch of a Physical Description of the Universe is an influential treatise on science and nature written by German scientist and explorer Alexander von Humboldt. It began as a lecture series delivered by Humboldt at the University of Berlin, and was published in five volumes between 1845 and 1862. In the first volume, Humboldt paints a general "portrait of nature", describing the physical nature of outer space and the Earth. In the second volume he describes the history of science.
Maria Lettberg is a Swedish pianist, resident in Berlin.
Manfred Kelkel was a 20th-century French musicologist and composer of contemporary music. A pupil of Darius Milhaud at the Conservatoire de Paris, he got interested in the music of Russian composer Alexander Scriabin, whose latest works influenced his own compositions. His work on Scriabin and a certain esoteric aesthetic of music are authoritative.
References
- ↑ "SCRIABIN The Complete Works - 18 CDs - Buy Now". www.deccaclassics.com. Retrieved 2019-09-24.
