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Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types of material. As a method of printmaking, it is, along with engraving, the most important technique for old master prints, and remains in wide use today. In a number of modern variants such as microfabrication etching and photochemical milling, it is a crucial technique in modern technology, including circuit boards.
Intaglio is the family of printing and printmaking techniques in which the image is incised into a surface and the incised line or sunken area holds the ink. It is the direct opposite of a relief print where the parts of the matrix that make the image stand above the main surface.
Rembrandt Harmenszoon van Rijn, usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker, and draughtsman. He is generally considered one of the greatest visual artists in the history of art. It is estimated Rembrandt produced a total of about three hundred paintings, three hundred etchings, and two thousand drawings.
Hercules Pieterszoon Seghers or Segers was a Dutch painter and printmaker of the Dutch Golden Age. He has been called "the most inspired, experimental and original landscapist" of his period and an even more innovative printmaker.
Julie Robinson is Senior Curator of Prints, Drawings & Photographs at the Art Gallery of South Australia, where she has worked since 1988, and is also on the teaching staff at the University of Adelaide, where she offers supervision in Art History. Her curatorial projects include Candid Camera: Australian Photography 1950s–1970s (2010) and A Century in Focus: South Australian Photography 1840s-1940s (2007). Writing about the latter while national arts critic of The Australian, Pulitzer Prize-winning critic Sebastian Smee said: "If you are at all interested in Australian photography, whether or not you are from SA, you will want to see this show, or at least get hold of the catalogue".
Antonio Fantuzzi was an Italian painter and printmaker active in the French Renaissance in a Mannerist style. All that is known about his early life is that he was born in Bologna, from the accounts at Fontainebleau and one inscription on a print.
Print Quarterly is an international academic journal devoted to the history and art of printmaking, from its origins to the twentieth and twenty-first centuries. It is published in London four times a year, in March, June, September, and December. It was founded in 1984 by the scholar, patron of the arts and business man David Landau, who served as editor for twenty-eight years. The current editor Rhoda Eitel-Porter joined the staff of the periodical in September 2010. The journal's editorial board comprises notable academics and curators working in prints history and the graphic arts.
Gill Saunders is a senior curator at the Victoria and Albert Museum, an author, and broadcaster.
Jan Van der Stock is a Belgian art historian and exhibition curator. He is a full professor at the University of Leuven, where he lectures on Medieval and Renaissance Arts, Graphic Arts, Iconography, Iconology, and Curatorship. He is the director of Illuminare – Centre for the Study of Medieval Art and holder of the Van der Weyden Chair – Paul & Dora Janssen, the Veronique Vandekerchove Chair of the City of Leuven and the Chair of Medieval Sculpture in the Low Countries. Jan Van der Stock was the husband of Christiane Timmerman and is a father of two.
Una Johnson was an American curator and art historian. She was the head curator of prints and drawings at the Brooklyn Museum for more than 25 years.
Augusta Payne Briggs Rathbone was an American painter, etcher and printmaker. She studied at the University of California, Berkeley and in Paris. She depicted people and locations from San Francisco, the Sierra, New York City, the West Coast of Canada, the Canadian Rockies, and France. In 1938, she published a book of aquatints of French Riviera Villages with photographs by Juliet Thompson and text by Virginia Thompson. Her work appeared internationally in group and solo exhibitions, and continues to appear in retrospectives of American printmaking.
In printmaking, surface tone, or surface-tone, is produced by deliberately or accidentally not wiping all the ink off the surface of the printing plate, so that parts of the image have a light tone from the film of ink left. Tone in printmaking meaning areas of continuous colour, as opposed to the linear marks made by an engraved or drawn line. The technique can be used with all the intaglio printmaking techniques, of which the most important are engraving, etching, drypoint, mezzotint and aquatint. It requires individual attention on the press before each impression is printed, and is mostly used by artists who print their own plates, such as Rembrandt, "the first master of this art", who made great use of it.
Barbie Kjar is an Australian artist and educator, specialising in printmaking and drawing. Her work is included in the permanent collections of the National Gallery of Australia, the National Gallery of Victoria, Tasmanian Museum and Art Gallery, and the Gold Coast City Art Gallery.
Marrigje Rikken is a Dutch art historian, curator, and museum director, specializing in sixteenth- and seventeenth-century Netherlandish art.
Quentin Buvelot is a Dutch art historian. He works as the chief curator at the Mauritshuis in The Hague, and is regarded as a specialist in the painting of the Dutch Golden Age.
Ariane van Suchtelen is a Dutch art historian and museum curator, currently at the Mauritshuis.
Lara Yeager-Crasselt is an American art historian and curator of seventeenth-century Dutch and Flemish art. She studied art history Vassar College and the University of Maryland, where she received her PhD.
Betsy Wieseman is an American curator and art historian specialized in the art of seventeenth-century Northern Europe. She is the Curator and Head of the Department of Northern European Paintings at the National Gallery of Art in Washington, D.C. Prior to joining the National Gallery of Art, she held curatorial positions at the Cleveland Museum of Art and the National Gallery in London.
Cécile Tainturier is an art historian and curator based in Paris, France. She currently serves as a curator at the Fondation Custodia, Collection Frits Lugt, where she has worked since 2008.
Stijn Alsteens is a Belgian art historian and curator, known for his expertise in Dutch and Flemish Old Master drawings. He currently serves as the director of the Fondation Custodia in Paris, overseeing the Frits Lugt Collection.
References
- ↑ "Nadine Orenstein." CODART. Retrieved from .
- ↑ Kenney, Nancy. "How a Method of Armour Decorating in 16th-Century Germany Spawned a New Printmaking Technique." The Art Newspaper, October 21, 2019. Retrieved from .
- ↑ "Nadine Orenstein." CODART. August, 2023. Retrieved from .
- ↑ Roberta Smith (March 9, 2017). "A Dutch Master's Surreal Visions". The New York Times. Retrieved August 10, 2024.
- ↑ "Women in the Art World" . Retrieved August 29, 2024.
- ↑ Marcus, J.S. (September 23, 2016). "An Old Master's New Paintings: A grand re-evaluation of Segers expands his catalog to include major new works". The Wall Street Journal. Retrieved August 14, 2024.
- ↑ Scherer, Barrymore Laurence (February 8, 2017). "'The Mysterious Landscapes of Hercules Segers' Review: Etchings With a Painterly Touch". The Wall Street Journal. Retrieved August 14, 2024.
- ↑ Nancy Kenney (October 21, 2019). "How a Method of Armour Decorating in 16th-Century Germany Spawned a New Printmaking Technique". The Art Newspaper. Retrieved August 11, 2024.
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