This article may rely excessively on sources too closely associated with the subject , potentially preventing the article from being verifiable and neutral.(January 2020) |
Established | 2004 |
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Location | 41 E 57th Street, Suite 704, New York, New York |
Director | Nailya Alexander [1] |
Website | nailyaalexandergallery |
The Nailya Alexander Gallery is an American art gallery that was founded in New York City in 2004. [2] [3] A member of the Association of International Photography Art Dealers, [1] the gallery is known for its collection of rare and vintage gelatin-silver prints by the pioneers of the Russian avant-garde, as well as for its representation of contemporary American and European photographers. [3] [1] [4]
The gallery has served as a venue for solo shows for contemporary artists Irina Nakhova, Pentti Sammallahti, George Tice, and Alexey Titarenko. Group photography exhibitions have included the "AIPAD Photography Show" (2014), "Classic Photographs Los Angeles" (2016), "Constructing The Frame: Composition Among The Early Soviet Avant-Garde", (2019) "Masters Of Early 20th Century Soviet Photography" (2019), "Russian Photography After the Revolution" (2017), "Soviet Photomontage 1920s-1930s" (2017), and "TASS Windows: World War II and the Art of Agitation" (2019). [5]
Since 2010, the gallery has been located in New York's historic Fuller Building, where its first exhibition was of the works of Titarenko, titled "St. Petersburg in Four Movements". [6] In 2019 the gallery commemorated its fifteenth anniversary with the show Color of Light: Fifteen Years of Nailya Alexander Gallery. [7] [3]
Joel Meyerowitz is an American street, portrait and landscape photographer. He began photographing in color in 1962 and was an early advocate of the use of color during a time when there was significant resistance to the idea of color photography as serious art. In the early 1970s he taught photography at the Cooper Union in New York City.
The Russian avant-garde was a large, influential wave of avant-garde modern art that flourished in the Russian Empire and the Soviet Union, approximately from 1890 to 1930—although some have placed its beginning as early as 1850 and its end as late as 1960. The term covers many separate, but inextricably related, art movements that flourished at the time; including Suprematism, Constructivism, Russian Futurism, Cubo-Futurism, Zaum, Imaginism, and Neo-primitivism. In Ukraine, many of the artists who were born, grew up or were active in what is now Belarus and Ukraine, are also classified in the Ukrainian avant-garde.
Olga Vladimirovna Rozanova was a Russian avant-garde artist painting in the styles of Suprematism, Neo-Primitivism, and Cubo-Futurism.
Nadezhda Andreevna Udaltsova was a Russian avant-garde artist, painter and teacher.
Guy Bourdin, was a French artist and fashion photographer known for his highly stylized and provocative images. From 1955, Bourdin worked mostly with Vogue as well as other publications including Harper's Bazaar. He shot ad campaigns for Chanel, Charles Jourdan, Pentax and Bloomingdale's.
Henryk Stażewski was a Polish painter, visual artist and writer. His career spanned seven decades and he is considered a pivotal figure in the history of constructivism and geometric abstraction in Poland. Stażewski was one of the few prominent Polish avant-garde artists of the interwar period who remained active and gained further international recognition in the second half of the 20th century.
Yevgeni Mokhorev is a Russian photographer. He became a professional photographer in 1986. Two years later he joined the well- known photo club "Zerkalo" or "Mirror" where he met Alexey Titarenko and other photographers that influenced him. He has participated in more than 40 events, both in Russia and abroad, including Ballet Royal: Arithmetic of the Ideal, a collaboration between Mokhorev and the Mariinsky Ballet, and is a well-known photographer in St. Petersburg.
Richard Pare is an English photographer known for his work documenting Soviet modernist architecture. He was born in Portsmouth, England, on 20 January 1948. He studied graphic design and photography at Winchester and Ravensbourne College of Art before attending the Art Institute of Chicago. He received a Master of Fine Arts from Chicago in 1973. He was the founding curator of the Photography Collection of the Canadian Centre for Architecture.
Max Zakharovich Penson was a Russian-Jewish photojournalist and photographer of the Soviet Union noted for his photographs of Uzbekistan. Max Penson is one of the most prominent representatives of Uzbek and Soviet-era photography, especially Russian avant-garde, revered by prominent figures like Sergei Eisenstein. Penson's works have been featured in exhibitions across the globe, sponsored by the likes of Roman Abramovich and New York's MoMA.
Ida Kar was a photographer active mainly in London after 1945. She took many black-and-white portraits of artists and writers. Her solo show of photographs at the Whitechapel Gallery in 1960 was the first of its kind to be held in a major public gallery in London. Kar thus made a significant contribution to the recognition of photography as a form of fine art.
Yuri Kosin was a Ukrainian photographer, lecturer, curator of exhibitions, and traveler. Kosin was a member of the National Society of Photo Artists of Ukraine, tutor and curator at the Independent Academy of the Photographic Arts of Ukraine, organizer and curator of the "Eksar" photo gallery, Ukraine. He was also a member of the "Kulturforum" association and the artistic studio "Kulturwerkstatt Trier", Germany. He was a permanent member of the TV Ukrainian program "Svoimi ochima" (eyewitness) dedicated to travel and tourism. Kosin was named one of the experts in photography criticism in Ukraine in expert poll conducted in 2011 and was a participant of the Ukrainian New Wave.
Alexey Viktorovich Titarenko is a Soviet Union-born American photographer and artist. He lives and works in New York City.
The Lumiere Brothers Center for Photography is a private exhibition organization located in the former chocolate factory and acting art cluster Red October in Moscow.
Julien Levy (1906–1981) was an art dealer and owner of Julien Levy Gallery in New York City, important as a venue for Surrealists, avant-garde artists, and American photographers in the 1930s and 1940s.
Galerie Max Hetzler is a gallery for contemporary art with locations in Berlin, Paris and London.
Irina Isayevna Nakhova is a Russian artist. Her father, Isai Nakhov, is a philologist. At 14 years old her mother took her to Victor Pivovarov's Atelier. Pivovarov played an important role in her life and later became her mentor. In 2015, Nakhova became the first female artist to represent Russia in its pavilion at the Venice Biennial. She is represented by Nailya Alexander Gallery in New York City. Nakhova currently lives and works in Moscow and New Jersey. She works with different mediums like fine art, photography, sounds, sensors and inflatable materials. She is a Laureate of the Kandinsky 2013 Award.
Gary Tatintsian an art dealer, owner of the Gary Tatintsian Gallery.
Boris Vsevolodovich Ignatovich was a Soviet photographer, photojournalist, and cinematographer. He was a pioneer of Soviet avant-garde photography in the 1920s and 1930s, one of the first photojournalists in the USSR, and one of the most significant artists of the Soviet era.
Natalia Eduardovna Grigorieva-Litvinskaya is a founder and Chief Curator of The Lumiere Gallery (2001) – the first Russian photography gallery, aimed at encouraging promotion and sales of the finest Russian and European photographs in Moscow.
The Kharkiv School of Photography (KSOP) is a Ukrainian artistic photography movement. It was created in opposition to the Soviet socialist realism art style, which reigned from 1934 until the 1980s. KSOP started to form in the 1960s when artistic photography revived in Kharkiv during the period of the Khrushchev Thaw. KSOP's official formation as a non-conformist underground movement was denoted by the establishment of a group by Kharkiv photographers named the Vremia Group 1971; its foundation is considered the sign of the revival of modernist art in Kharkiv.