Nancy Ford, ca. 1980Gretchen Cryer and Nancy Ford, ca. 2005
Early life and education
Nancy Ford grew up in Kalamazoo, Michigan. She attended DePauw University, a pivotal time in her life, as it was there that she met Gretchen Cryer.[3] Their collaboration, which spans seven decades and produced thirteen musicals, began in earnest at DePauw, where they wrote two musicals for the annual Monon Revue. Their partnership continued after graduation, resulting in a third musical performed at Boston University, directed by Gretchen’s then-husband, David Cryer.[2]
Career
Nancy Ford's career in musical theatre began alongside her early professional life in New York City, where she balanced daytime secretarial work at Benton & Bowles with nighttime piano playing for Off-Broadway productions, notably Brecht on Brecht and The Fantasticks.[2] Ford's secretarial work paved the way for a 23-year career as a scriptwriter for soap operas, including Love of Life, As the World Turns, Ryan's Hope, and Guiding Light.[4] It was during her time with The Fantasticks that she met her husband, actor Keith Charles, with whom she shared 44 years of marriage until his death in 2008.[5]
Ford's career is closely intertwined with her long-term partnership with Cryer. Together, they created several off-Broadway and Broadway musicals. Their most acclaimed work is The Last Sweet Days of Isaac (1970), which won the Obie Award for Best Musical.[6] The show is a two-character musical that explores themes of alienation and connection in contemporary society.[7] Other collaborations include:
Nancy Ford's work extends beyond her well-known collaborations with Cryer. She contributed arrangements and additional music to Tom Jones's The Game of Love and partnered with Mimi Turque on Blue Roses, a musical adaptation of Tennessee Williams's The Glass Menagerie. Her involvement in the theatre community includes service on the Council of the Writers Guild of America East and The Dramatists Guild Council, as a board member of the League of Professional Theatre Women/New York, and as a nominator for the American Theatre Wing'sTony Awards.[11][12]
Works
For Reasons of Royalty (1955)
Hey Angie! (1957)
Rendezvous (1960)
Now Is the Time for All Good Men (1967)
The Last Sweet Days of Isaac (1970)
Shelter (1973)
I'm Getting My Act Together and Taking it on the Road (1978)
1 2 Kerns, Nancy Jane (December 2018). "Elevating the Female Voice in American Musical Theater" (M.A. thesis). University of Hawai‘i at Mānoa. ProQuest Dissertations & Theses Global. p. 192. Retrieved March 22, 2025, from https://www.proquest.com/openview/f2208413945ef19bdb2da80c790d00ba/1.pdf?cbl=18750&diss=y&pq-origsite=gscholar.
Nancy Ford interview with The Primary Stages Off-Broadway Oral History Project: Celebrating the Visionaries Who Created New York’s Vibrant Off and Off-Off-Broadway Theater
Nancy Ford interview with The Dramatists Guild Foundation: Legacy Project (Vol. 3)
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