The Last Sweet Days of Isaac

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The Last Sweet Days of Isaac
The Last Sweet Days of Isaac original soundtrack album cover.jpg
Original broadway cast soundtrack
Genremusical
Date of premiereJanuary 26, 1970
Final showMay 2, 1971
LocationEastside Playhouse, New York
Creative team
book Gretchen Cryer
lyricsGretchen Cryer
musicNancy Ford
director Word Baker
producers Haila Stoddard, Mark Wright, Duane Wilder

The Last Sweet Days of Isaac is an American Off-Broadway rock musical by Gretchen Cryer and Nancy Ford, which premiered in 1970. It starred Austin Pendleton and Fredricka Weber, and later Alice Playten. It received positive reviews, and won three Obies, a Drama Desk Award, and an Outer Critics Circle Award. [1] It opened at the Eastside Playhouse on January 26, 1970, and closed May 2, 1971.

Contents

Plot summary

Part I

Isaac Bernstein (Pendleton) imagines himself at the brink of an untimely death, and determines to make every subsequent moment a perfect work of art. He carries with him a guitar, trumpet, other instruments, a tape recorder, and a camera. At age 33, he is stuck in an elevator with Ingrid (Weber), a secretary who longs to become a poet. During the hour they are stuck there, Isaac attempts to teach Ingrid his life philosophy. [2]

Part II

Isaac, now 19, and Alice, are locked separately in prison cells. They communicate with each other and the outside through a TV camera and receiver in each cell. They attempt to make love to each other's image, when a newscast interrupts their tryst with a report of Isaac's death at a demonstration. The newscast ends, with the two left with each other's image, unsure if they are alive or dead.

Production

The director, Word Baker, was the director for the first production of The Fantasticks .

Reception

Noted theatre critic Walter Kerr called it "My favorite rock musical". It won the 1970 Outer Critics Circle Award for Best Off-Broadway Musical, and the 1970 Obie Award for Best Musical. Pendleton won the Drama Desk Award for Outstanding Performance and an Obie Award for Distinguished Performance. Weber won an Obie for Distinguished Performance, and the 1970 Theatre World Award. It received positive reviews at the time. [3] Later critics have noted the dated qualities of the musical. [4]

Revival

The show was revived in 1997, as The Last Sweet Days, a combined hybrid showing of "Isaac" and the similarly themed 1973 Cryer/Ford show Shelter , with Willy Falk as Isaac/Michael and Ellen Foley as Ingrid in both parts I and II. Directed by Worth Gardner, it received positive reviews. [5]

Original cast recording

An original cast recording, with the same name, was released in 1970, on the RCA label.

Track listing

  1. "Overture and The Last Sweet Days of Isaac", performed by Austin Pendleton and The Zeitgeist (3:40)
  2. "A Transparent Crystal Moment", Pendleton, Fredricka Weber, Zeitgeist (2:01)
  3. "My Most Important Moments Go By", Weber, Pendleton (3:45)
  4. "Love, You Came to Me", Pendleton, Weber, Zeitgeist (3:13)
  5. "Finale", Pendleton, Weber, Zeitgeist, trumpet by Weber (4:32)
  1. "I Want to Walk to San Francisco", The Company (1:44)
  2. "I Can't Live in Solitary", John Long, Zeitgeist (1:59)
  3. "Wherein Lie the Seeds of Revolution", Charles Collins, Zeitgeist (2:27)
  4. "Touching Your Hand Is Like Touching Your Mind", Pendleton, Zeitgeist (1:52)
  5. "Somebody Died Today", C. David Colson, Zeitgeist (2:05)
  6. "Yes, I Know That I'm Alive", Louise Heath, Zeitgeist (2:15)
  7. "Finale", The Company (1:16)

The album was produced by Steve Schwartz, who would later create such musicals as Godspell.

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References

  1. ↑ "Lortel Archives--The Internet Off-Broadway Database". www.lortel.org. Archived from the original on 2006-10-01.
  2. ↑ The Last Sweet Days of Isaac, original cast recording. RCA LSO-1169 (1970) record jacket notes.
  3. ↑ "New York Magazine". 9 February 1970.
  4. ↑ "ON THE RECORD: The Threepenny Opera, The Last Sweet Days of Isaac and "Alphabet City Cycle" - Playbill.com". www.playbill.com. Archived from the original on 2012-10-22.
  5. ↑ "Theater". The New York Times.
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