 | A major contributor to this article appears to have a close connection with its subject.(November 2018) |
Nancy L. Wicker is professor of art history at the University of Mississippi. She was previously professor in the department of art at Minnesota State University, Mankato.
Wicker graduated BA with High Honors from Eastern Illinois University, majoring in art history and studio art, in 1975. She took her MA in art history from the University of Minnesota in 1979, followed by her Ph.D. also from Minnesota in 1990, with work on interdisciplinary art history, archaeology, and Germanic philology. In 1988 she was awarded the Aurora Borealis Prize of the Society for the Advancement of Scandinavian Study. [1]
She was appointed an assistant professor in the department of art at Minnesota State University, Mankato, in 1990, promoted to associate professor in 1995, and then professor in 2000. Since 2003 she has been professor of art history at the University of Mississippi. [1] She was visiting professor at Uppsala University. [2]
Wicker is a specialist in the function of jewellery in the Early Medieval period in Europe and gender and archaeology about which she has edited three books, including Gender and the Archaeology of Death (2001). [2]
She has been president of the Society of Historians of Scandinavia, [2] an interest group within the Society for the Advancement of Scandinavian Study. [3]
Vikings is the modern name given to seafaring people primarily from Scandinavia, who from the late 8th to the late 11th centuries raided, pirated, traded and settled throughout parts of Europe. They also voyaged as far as the Mediterranean, North Africa, the Middle East, and North America. In some of the countries they raided and settled in, this period is popularly known as the Viking Age, and the term "Viking" also commonly includes the inhabitants of the Scandinavian homelands as a collective whole. The Vikings had a profound impact on the early medieval history of Scandinavia, the British Isles, France, Estonia, and Kievan Rus'.
The Kensington Runestone is a slab of greywacke stone covered in runes that was allegedly discovered in central Minnesota in 1898. Olof Öhman, a Swedish immigrant, reported that he unearthed it from a field in the largely rural township of Solem in Douglas County. It was later named after the nearest settlement, Kensington.
A bracteate is a flat, thin, single-sided gold medal worn as jewelry that was produced in Northern Europe predominantly during the Migration Period of the Germanic Iron Age. Bracteate coins are also known from the medieval kingdoms around the Bay of Bengal such as Harikela and Mon city-states. The term is also used for thin discs, especially in gold, to be sewn onto clothing in the ancient world, as found for example in the ancient Persian Oxus treasure, and also later silver coins produced in central Europe during the Early Middle Ages.
Runes are the letters in a set of related alphabets known as runic alphabets. Runes were used to write various Germanic languages before the adoption of the Latin alphabet and for specialised purposes thereafter. In addition to representing a sound value, runes can be used to represent the concepts after which they are named (ideographs). Examples of this are often referred to as Begriffsrunen by academics. The Scandinavian variants are also known as futhark or fuþark ; the Anglo-Saxon variant is futhorc or fuþorc.
Germanic paganism included various religious practices of the Germanic peoples from the Iron Age until Christianisation during the Middle Ages. Religious practices represented an essential element of early Germanic culture. From both archaeological remains and literary sources, it is possible to trace a number of common or closely related beliefs among the Germanic peoples into the Middle Ages, when the last areas in Scandinavia were Christianized. Rooted in Proto-Indo-European religion, Proto-Germanic religion expanded during the Migration Period, yielding extensions such as Old Norse religion among the North Germanic peoples, the paganism practiced amid the continental Germanic peoples, and Anglo-Saxon paganism among the Old English-speaking peoples. Germanic paganism is best documented in 10th- and 11th-century texts from Scandinavia and Iceland.
The Younger Futhark, also called Scandinavian runes, is a runic alphabet and a reduced form of the Elder Futhark, with only 16 characters, in use from about the 9th century, after a "transitional period" during the 7th and 8th centuries. The reduction, somewhat paradoxically, happened at the same time as phonetic changes that led to a greater number of different phonemes in the spoken language, when Proto-Norse evolved into Old Norse. Also, the writing custom avoided carving the same rune consecutively for the same sound, so the spoken distinction between long and short vowels was lost in writing. Thus, the language included distinct sounds and minimal pairs that were written the same.
The Elder Futhark, also known as the Older Futhark, Old Futhark, or Germanic Futhark, is the oldest form of the runic alphabets. It was a writing system used by Germanic peoples for Northwest Germanic dialects in the Migration Period. Inscriptions are found on artifacts including jewelry, amulets, plateware, tools, and weapons, as well as runestones in Scandinavia, from the 2nd to the 10th centuries.
Anglo-Saxon runes are runes used by the early Anglo-Saxons as an alphabet in their writing system. The characters are known collectively as the futhorc from the Old English sound values of the first six runes. The futhorc was a development from the 24-character Elder Futhark. Since the futhorc runes are thought to have first been used in Frisia before the Anglo-Saxon settlement of Britain, they have also been called Anglo-Frisian runes. They were likely to have been used from the 5th century onward, recording Old English and Old Frisian.
Viking art, also known commonly as Norse art, is a term widely accepted for the art of Scandinavian Norsemen and Viking settlements further afield—particularly in the British Isles and Iceland—during the Viking Age of the 8th-11th centuries CE. Viking art has many design elements in common with Celtic, Germanic, the later Romanesque and Eastern European art, sharing many influences with each of these traditions.
A runic inscription is an inscription made in one of the various runic alphabets. They generally contained practical information or memorials instead of magic or mythic stories. The body of runic inscriptions falls into the three categories of Elder Futhark, Anglo-Frisian Futhorc and Younger Futhark.
The sequence alu is found in numerous Elder Futhark runic inscriptions of Germanic Iron Age Scandinavia between the 3rd and the 8th century. The word usually appears either alone or as part of an apparent formula. The symbols represent the runes Ansuz, Laguz, and Uruz. The origin and meaning of the word are matters of dispute, though a general agreement exists among scholars that the word represents an instance of historical runic magic or is a metaphor for it. It is the most common of the early runic charm words.
The Thorsberg moor near Süderbrarup in Anglia, Schleswig-Holstein, Germany, is a peat bog in which the Angles deposited votive offerings for approximately four centuries. It is the location of important Roman Iron Age finds, including early Elder Futhark runic inscriptions such as the Thorsberg chape, a Roman helmet, a shield buckle, and an early example of socks. The finds are of similar importance as the contemporaneous finds from Illerup and Vimose in Denmark.
A number of runestones have been found in Oklahoma. All of them are likely of modern origin, with some of them possibly dating to the 19th century "Viking revival" or being produced by 19th-century Scandinavian settlers.
The Undley bracteate is a 5th-century bracteate found in Undley Common, near Lakenheath, Suffolk. It bears the earliest known inscription that can be argued to be in Anglo-Frisian Futhorc.
The medieval runes, or the futhork, was a Scandinavian runic alphabet that evolved from the Younger Futhark after the introduction of stung runes at the end of the Viking Age. These stung runes were regular runes with the addition of either a dot diacritic or bar diacritic to indicate that the rune stood for one of its secondary sounds. The medieval futhork was fully formed in the early 13th century. Due to the expansion of its character inventory, it was essentially possible to have each character in an inscription correspond to only one phoneme, something which was virtually impossible in Younger Futhark with its small inventory of 16 runes.
The Rus' people were an ethnos in early medieval eastern Europe. The scholarly consensus holds that they were originally Norse people, mainly originating from present-day Sweden, settling and ruling along the river-routes between the Baltic and the Black Seas from around the 8th to 11th centuries AD. They formed a state known in modern historiography as Kievan Rus', which was initially a multiethnic society where the ruling Norsemen merged and assimilated with Slavic, Baltic and Finnic tribes, ending up with Old East Slavic as their common language. The elite of Kievan Rus' was still familiar with Old Norse until their assimilation by the second half of the 11th century, and in rural areas vestiges of Norse culture lingered as long as the 14th and early 15th centuries.
The swastika design is known from artefacts of various cultures since the Neolithic, and it recurs with some frequency on artefacts dated to the Germanic Iron Age, i.e. the Migration period to Viking Age period in Scandinavia, including the Vendel era in Sweden, attested from as early as the 3rd century in Elder Futhark inscriptions and as late as the 9th century on Viking Age image stones.
Sö Fv1948;295 is the Rundata catalog number for a Viking Age memorial runestone that is located in Prästgården, which is just west of Jönåker, Södermanland County, Sweden. It commemorates two men who are described as being thegns.
Judith Jesch is professor of Viking Age studies at the University of Nottingham. Jesch is chair of the international Runic Advisory Group and president of the English Place-Name Society.
Morten Axboe is a Danish archaeologist and till 30.4.2019 a curator at the National Museum of Denmark, notable for his study of bracteates. Axboe is also known for theorizing a connection between finds of 6th century Scandinavian gold hoards and the extreme weather events of 535–536, as a reaction to the 'dying' sun and the fimbulwinter-like climate of those years. Gold may have been buried, he suggested, as sacrifices intended to appease the gods.