Naomi Phoenix | |
---|---|
Birth name | Naomi Bolster |
Also known as | Naomi, Naomi Freeth, Naomi Phoenix |
Origin | Warwick, Warwickshire, England |
Genres | Pop, rock |
Occupation(s) | Singer-songwriter |
Years active | 1997–2002 |
Labels | Gut |
Website | www.facebook.com/naomiphoenix |
Naomi Phoenix is an English singer-songwriter from Warwick, who had several releases between 1997 and 1999 on Gut under the alias Naomi. Naomi's name at the time of the releases was Naomi Freeth, but since leaving Gut has since changed her name to Naomi Phoenix.
Whilst with Gut, Phoenix's label mates were Sound 5, Jimmy Somerville, James Taylor Quartet, Space, Arabesque and Tom Jones. [1] Naomi's band was formed of Phoenix (vocals and guitar), Spike Barker (drums), Simon 'Sickboy' Bayliss (bass), Dan Whitehouse (guitar) and Dean Deavall (keyboards)[ citation needed ] and produced by Gavin Monaghan, who is also known for his work with Ocean Colour Scene, Editors, Scott Matthews, Nizlopi and The Twang. [2] [3] Phoenix was educated at The Trinity Catholic School in Warwick, [4] [5] and was in the same year at this school as the folk duo Nizlopi. Phoenix released her first single "Personal Touch" as a limited release of 3,000 copies in 1997. [6] This debut single was supported several times by the Melody Maker music magazine featuring in their 'Hit List' prior to its release on 18 October 1997, [7] given 'Single of the Week' following its release in December 1997, [8] [9] and given a large spread interview as their 'Pick of the Week' on 6 December 1997. [10] Phoenix also caught the attention of the NME . [11] [12] She has also appeared on national television including 'Music File' on BBC Two [13] and also The Melinda Messenger Show on Channel 5. [14]
Phoenix has supported Beth Orton, Saint Etienne, Hurricane #1, and Heather Nova. [15]
Spacemen 3 were an English rock band, formed in 1982 in Rugby, Warwickshire, by Peter Kember and Jason Pierce, known respectively under their pseudonyms Sonic Boom and J Spaceman. Their music is known for its brand of "trance-like neo-psychedelia" consisting of heavily distorted guitar, synthesizers, and minimal chord or tempo changes.
Tindersticks is the debut album by the chamber pop band Tindersticks, released in the UK on 11 October 1993 on This Way Up. Following positive reviews for their early singles and live performances, it was released to widespread critical acclaim by the music press, eventually being named album of the year by the UK music magazine Melody Maker.
"Puss"/"Oh, the Guilt" is a split single, released as a double a-side, from the American rock bands the Jesus Lizard and Nirvana, released via Touch and Go Records.
Erasure is the seventh studio album by English synth-pop duo Erasure, released on 23 October 1995 by Mute Records. It was produced by Thomas Fehlmann and Gareth Jones.
"Neighbourhood" is a song by Liverpudlian band Space, written by band members Tommy Scott and Franny Griffiths and released as the second single from their debut album, Spiders (1996), and their third single altogether. It was originally released on 25 March 1996 by Gut Records and peaked at number 56 on the UK Singles Chart, but it was later re-released on 21 October that year, this time peaking at number 11. Outside the UK, the song reached number 18 in Iceland, number 22 in New Zealand and number 90 in Australia.
Nizlopi were an English folk and alternative duo formed in Leamington Spa, Warwickshire, by Luke Concannon on vocals, guitar, and bodhrán, and John Parker on double bass, human beatbox, and backing vocals.
Non-Stop Erotic Cabaret is the debut studio album by English synth-pop duo Soft Cell, released on 27 November 1981 by Some Bizzare Records. The album's critical and commercial success was bolstered by the success of its lead single, a cover version of Gloria Jones's song "Tainted Love", which topped the charts worldwide and became the second best-selling British single of 1981. In the United States—as a result of the single's success, the album had reported advance orders of more than 200,000 copies. The album spawned two additional top-five singles in the UK: "Bedsitter" and "Say Hello, Wave Goodbye".
The Lone Ranger is the first solo album by British singer Suggs, released in 1995. The album peaked at No. 14 in the UK charts. "Cecilia", a cover of the Simon and Garfunkel song, reached No. 4 on the UK charts. The song "4 am" was later re-recorded and appeared on the 1999 Madness album Wonderful.
Formica Blues is the only album by English trip hop duo Mono. It was first released in the UK in 1997. Four singles were released from the album, of which the lead single, "Life in Mono", was the most successful. The album reached #71 in the UK album charts and remained on the chart for 1 week. In the United States, the album reached 137 on the Billboard 200 and remained on the chart for 7 weeks.
"Don't Know What You Got (Till It's Gone)" is a power ballad by American rock band Cinderella from their second album, Long Cold Winter. Written by frontman Tom Keifer, it was released in August 1988 and was their most successful single, peaking at number 12 on US Billboard Hot 100 in November 1988.
"This Woman's Work" is a song written and performed by the English singer-songwriter Kate Bush. It was initially featured on the soundtrack of the American film She's Having a Baby (1988). The song was released as the second single from her album The Sensual World in 1989 and peaked at 25 in the UK Singles Chart.
Perfume were a British indie group from Leicester, active between 1993 and 1997.
"Single-Bilingual" is a song by English synth-pop duo Pet Shop Boys, released on 11 November 1996 as the third single from their sixth studio album, Bilingual (1996). The track peaked at number 14 on the UK Singles Chart. The song is named "Single" on the album version but was retitled "Single-Bilingual" because Everything but the Girl also had a song named "Single", which had been released the previous May. The album version cross-fades with the previous track, "Discoteca", of which both the album and single versions feature an interpolation at the end.
"Hold Me in Your Arms" is a song written and performed by English singer-songwriter Rick Astley. Released in early 1989 as the third single from his album Hold Me in Your Arms, it became a top ten hit in the United Kingdom and Ireland. In 2019, Astley recorded and released a "reimagined" version of the song for his album The Best of Me, which features a new piano arrangement.
"Open Letter (To a Landlord)" is a song by American rock band Living Colour. A power ballad, it was released as the fourth single from their 1988 debut album, Vivid. The song reached No. 82 on the Billboard Hot 100.
"I Build This Garden for Us" is a song by American rock musician Lenny Kravitz, released in 1990 by Virgin Records as the second single from his debut album, Let Love Rule (1989).
"Tower of Strength" is a song released by the English gothic rock band The Mission in February 1988. It was the first of two singles to be released from their second studio album Children. It peaked at No. 12 on the UK charts on its original release, but has seen re-recorded releases in 1994 and 2020 separately.
"I'm Falling" and "Cold Life" are songs by American Industrial band Ministry. Written by Al Jourgensen, these were first released in 1981 by Wax Trax! Records, as the band's debut single. Initially featuring "I'm Falling" as the A-side, the single found success via its B-side, "Cold Life", which was chosen as the A-side on release in the UK. In 1985, during Ministry's short-lived return on Wax Trax!, the single was reissued with "Cold Life" as the A-side.
"Flowers in December" is a song by American alternative rock band Mazzy Star, released in October 1996 as the lead single from their third studio album Among My Swan. It was written by Hope Sandoval and David Roback, and produced by Roback. "Flowers in December" reached No. 40 on the UK Singles Chart and remained in the top 100 for two weeks. A music video was filmed to promote the single, directed by Kevin Kerslake.
"Funeral Stomp" is a song by English singer Robert Lloyd, released in 1990 as the lead single from his debut solo studio album Me and My Mouth. The song was written by Lloyd and Mark Tibenham, and was produced by Andy Richards.
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