Narahari Sonar | |
---|---|
Personal | |
Born | |
Religion | Hinduism |
Organization | |
Philosophy | Advaita, Varkari |
Narahari Sonar (also spelt Narhari Sonar, literally Narahari the Goldsmith, a name often used in English sources) or Narharidas was a 13th-century Hindu poet-saint of the Varkari sect and goldsmith ( sonar ) from Maharashtra, India. His hagiography speaks about his transition from a staunch Shaiva (devotee of Shiva) to a Vithoba-worshipping Varkari after a miracle that makes him realize that Vithoba and Shiva are one and the same.
Narahari Sonar's chief hagiographical account is found in the Bhaktavijaya by Mahipati (1715 - 1790). Narahari Sonar was a staunch Shaiva (sect which considers the god Shiva as the Supreme Being), who lived in Pandharpur, where the chief temple of Vithoba stands. Vithoba is a form of the god Vishnu and the patron god of the Varkari sect, part of the Vishnu-worshipping Vaishnava sect and a rival sect of the Shaivas. Narahari Sonar worshipped at the Mallikarjuna temple, the Shiva temple located in the southwest part of the town. He is described as "bigoted" and "fanatic". He worshipped only one god, Shiva. He never visited the famous shrine of Vithoba even once and even refused to look at the shikhara (pinnacle) of the temple. [1] [2]
A merchant (in some versions, a rich landlord) had vowed if Vithoba blessed him with a son, he will offer a waistband to the deity. After fulfilment of the vow, the merchant enquired about the best goldsmith in Pandharpur and was led to Narahari Sonar. Narahari agreed to make the waistband on the condition that he will not enter the temple and the merchant bring him the measurements of the stone image of Vithoba. He crafted an ornate waistband with the gold and jewels brought by the merchant and the provided measurements. The merchant offered the waistband to Vithoba, but it was too tight. The merchant returned after Narahari lengthened the waistband, but it was too loose then. The merchant implored Narahari to come to the temple and fit the waistband himself, however Narahari was adamant. He said that he observed the vow of looking only at one deity, Shiva. The merchant suggested that he would blindfold Narahari to maintain the vow. Narahari conceded. [1] [2]
The merchant brought Narahari to the sanctum of Vithoba's temple, while people on the streets mocked Narahari's blindhold and his beliefs. Narahari touched Vithoba's image and felt as though the image had five heads and ten arms. The image wore serpent ornaments around his neck and matted hair on its head. He wore tiger and elephant skin garments and his body was covered in ash. Narahari recognised the iconography of his patron deity Shiva and removed the blindfold to see him. However, he saw the traditional form of Vithoba: a two-armed, arms-akimbo god standing on a brick in silken garments and gold finery. In disbelief, he blindfolded himself again and touched the image. Again, he felt as though he was touching an image of Shiva, not Vithoba. He realised that Shiva and Vithoba (Vishnu) were one and the same. He removes the blindfold and embraces Vithoba's feet. He sings a panegyric in honour of Vithoba, equating him with Vishnu and Shiva alike. Narahari becomes a devotee of Vithoba and joins the Varkaris, preaching the oneness of God. [1] [2]
R. D. Ranade records that Narahari lived in Devagiri (currently known as Daulatabad), before moving to Pandharpur. A staunch Shaiva, he was influenced by the Varkari saint Dnyaneshwar (1275–1296) and others to become the devotee of Vithoba. He died in 1313 (Shaka 1235). [3]
Narahari Sonar composed Marathi devotional poetry called abhanga . He speaks the ephemeral and unreal world, which like a picture on the wall. Just as children build stone houses and then abandon them, people engage in world affairs and then die. In another abhanga, he speaks about the importance of a guru. Just like an elephant is controlled by an ankusha (goad) and a tiger by a cage, Narahari is brought under control by the grace of his guru Gaibinatha. He talks about an "unstruck sound" has mesmerized his mind. By this sound, he thinks of God and mediates upon Him. Narahari says by his own experience that this sound will fill one with true love of God and lead to Him. Narahari also refers to his profession as a goldsmith in an abhanga. He calls himself a goldsmith who deals in the name of God. Narahari's body is the melting vessel for his soul of gold. "In the matrix of three gunas, he pours the juice of God". He hammers out anger and passion from the soul. With scissors of discernment, he cuts the gold leaf of the name of God. He weighs the name of God with a balance of spiritual enlightenment. Narahari Sonar, the devotee of God, mediates upon Him eternally. [4]
In another abhanga, Narahari Sonar alludes to his profession. He calls God his customer. He says that he "uses his intellect as the scissors to steal the gold of bhakti (devotion) while cutting a deal with his customer - God". [5]
Apart from being formally included in the list of Sants (saints) in the Bhaktavijaya, the abhanga s of Eknath accord him sainthood and mention him with other saints. Eknath's abhanga praises Vithoba who melted gold with Narahari. [6]
The Sonar community, to which Narahari belonged, worship him at a shrine they have built in Pandharpur. [7]
The Marathi feature film Katibandh, written by Navnath Pawar, directed by Mukund Bhujbal, produced by Rahul Prakash Jadhav of Nashik and Sanjay Jadhav, and edited by Ramesh Auti, released in August 2019, captures his life.
Sant Dnyaneshwar, also referred to as Dnyaneshwar, Dnyanadeva, Dnyandev or Mauli or Dnyaneshwar Vitthal Kulkarni (1275–1296), was a 13th-century Indian Marathi saint, poet, philosopher and yogi of the Nath and Varkari tradition. In his short life of 21 years, he authored Dnyaneshwari and Amrutanubhav. These are the oldest surviving literary works in the Marathi language, and considered to be milestones in Marathi literature. Sant Dnyaneshwar's ideas reflect the non-dualistic Advaita Vedanta philosophy and an emphasis on Yoga and bhakti towards Vithoba, an incarnation of Lord Vishnu. His legacy inspired saint-poets such as Eknath and Tukaram, and he is one of the founders of the Varkari (Vithoba-Krishna) Bhakti movement tradition of Hinduism in Maharashtra. Dnyaneshwar undertook samadhi at Alandi in 1296 by entombing himself in an underground chamber.
Sant Tukaram Maharaj, also known as Tuka, Tukobaraya, Tukoba, was a Hindu, Marathi Saint of Varkari sampradaya" in Dehu village, Maharashtra in the 17th century. He was a bhakt of the god Vithoba of Pandharpur. He is best known for his devotional poetry called Abhanga, which are popular in Maharashtra, many of his poems deals with social reform.
Pandharpur is a popular pilgrimage town, on the banks of Chandrabhagā River, near Solapur city in Solapur District, Maharashtra, India. Its administrative area is one of eleven tehsils in the District, and it is an electoral constituency of the state legislative assembly. The Vithoba temple attracts about a million Hindu pilgrims during the major yātrā (pilgrimage) in Ashadha (June–July).
Namdev, also transliterated as Nam Dayv, Namdeo, Namadeva, was a Marathi Vaishnava saint from Narsi, Hingoli, Maharashtra, Medieval India within the Varkari tradition of Hinduism. He was as a devotee of the deity Vithoba of Pandharpur.
Warkari is a sampradaya within the bhakti spiritual tradition of Hinduism, geographically associated with the Indian state of Maharashtra. Warkaris worship Vitthal, the presiding deity of Pandharpur, regarded as a form of Vishnu. Saints and gurus of the bhakti movement associated with the Warkaris include Dnyaneshwar, Namdev, Chokhamela, Eknath, and Tukaram all of whom are accorded the title of Sant. Recent research has suggested that the Varkaris were historically the followers of Krishna.
Vithoba, also known as Vitthala, and Panduranga, is a Hindu deity predominantly worshipped in the Indian state of Maharashtra and Karnataka. He is a form of the Hindu deity Vishnu in his avatar: Krishna. Vithoba is often depicted as a dark young boy, standing arms akimbo on a brick, sometimes accompanied by his consort Rakhumai.
Pundalik or Pundarika is an Indian saint and a devotee of the Hindu deity Vithoba. Vithoba is a Vaishnava deity and a recincarnation of Vishnu and Krishna. Pundalik is thought to have brought Vithoba to Pandharpur, where Vithoba's main shrine stands today. Pundalik is also the historical founder of the Varkari sect, which is centered on the worship of Vithoba.
Abhanga is a form of devotional poetry sung in praise of the Hindu god Vitthal, also known as Vithoba. The word "abhang" comes from a for "non-" and bhanga for "ending" or "interrupting", in other words, a flawless, continuous process, in this case referring to a poem. By contrast, the devotional songs known as Bhajans focus on the inward journey. Abhangs are more exuberant expressions of the communitarian experience. Abhanga is considered a form of the ovi. Abhangs are sung during pilgrimage to the temples of Pandharpur, by the devotees.
Sena Nhavi, also known as Saint Sena, and Sena, is a Hindu saint-poet (sant-kavi) of the Varkari sect dedicated to the god Vithoba.
The Vithoba Temple, officially known as Shri Vitthal-Rukmini Mandir, is a Hindu temple in Pandharpur, in the Indian state of Maharashtra. It is the main centre of worship for Vithoba, a form of the god Vishnu or Krishna, and his consort Rakhumai. It is Classified one among the 108 Abhimana Kshethram of Vaishnavate tradition. The temple was built by King Vishnuvardhana of Hoysala Empire between 1108 and 1152 CE upon being convinced by the historical figure Pundalik. Also, there is an inscription in the temple, of a Hoysala King Vira Someshwara dating back to 1237 CE, which grants the temple a village for its upkeep. It is the most visited temple in Maharashtra. The Warkaris start marching from their homes to the temple of Pandharpur in groups called Dindi (procession) to reach on Aashadhi Ekadashi and Kartiki Ekadashi. A dip in the holy river Chandrabhaga, on whose banks Pandharpur resides, is believed to have power to wash all sins. All the devotees are allowed to touch the feet of the idol of Vithoba. In May 2014, the temple became the first in India to invite women and people from backward classes as priests.
Visoba Khechara, spelled also as Visoba Khechar or Visoba Khecar, was the yogi-guru of the Varkari poet-saint Namdev (c.1270-1350) of Maharashtra, India. Visoba was a disciple of the Varkari poet-saint Jñāneśvar. He had linkages with the Varkari tradition as well as the Nath tradition of Maharashtra. Though a staunch Shaiva, Visoba has composed verses in praise of the god Vithoba, the patron deity of the Varkari faith. He has also composed a metaphysical treatise called the Shatsthala.
Kanhopatra was a 15th-century Marathi saint-poet, venerated by the Varkari sect of Hinduism.
Prabodhini Ekadashi, also known as Deva Uttana Ekadashi, is the 11th lunar day (ekadashi) in the bright fortnight of the Hindu month of Kartika. It marks the end of the four-month period of Chaturmasya, when the god Vishnu is believed to be asleep. It is believed that Vishnu sleeps on the day of Shayani Ekadashi, and wakes on this day.
Bhanudasa (1448–1513), was a Hindu sant who brought back the sacred image of the god Vithoba back from Vijayanagara to Pandharpur, its original location. He was Eknath’s great grandfather. As a boy he worshipped the Sun but later came to worship Vithoba. He is the subject of two chapters in the Bhaktavijaya. His Samadhi situated in solkhambi mandap of Vitthal temple at Pandharpur.
Sheikh Muhammad (1560–1650), also known as Shekh Mahammad (Mohammad), Sayyad Shaikh Mahammad Qadiri, Shaikh Muhammad Shrigondekar (lit. Sheikh Muhammad of Shrigonde), and Sheikh (Shekh) Mahammad-baba, was a Muslim saint-poet who is venerated by Hindus. He is considered the most well-known Marathi Muslim poet. He is the author of the Yoga-samgrama (Yoga-sangrama).
Damaji, also known as Damaji Pant, Sant Damaji and Bhakta Damaji, was a 15th-century Marathi saint (sant) or bhakta ("devotee"), venerated by the Varkari sect of Hinduism. He was the Kamavisdar of Mangalvedha under the Bahamani king of Bidar. He is described as a devotee of the god Vithoba - the patron deity of the Varkari sect. He distributed grain from the royal granaries to the people in famine. Vithoba is said to have come as an outcaste with a bag of gold to pay for the grain and rescue Damaji. The famine of 1460 is known as Damaji Pant's famine in the Deccan region in honour of Damaji's generosity in the famine.
Idangazhi (Idangali), also known as Idangazhi Nayanar, Idangaliyar (Idankaliyar) was a Nayanar saint, venerated in the Hindu sect of Shaivism. He is generally counted as the fifty-fourth in the list of 63 Nayanars. He was an Irukku Velir chieftain, who is described to not only have pardoned a devotee of the god Shiva, who stole from the royal granaries, but also distributed rice to devotees of Shiva.
Kalikamba Nayanar, known as Kalikkamba, Kalikamba, Kalikambar, Kaliyamba, Kalikkambar, Kalikkampa(r), Kali Kambanar, Kalikkampa Nayanar and Kaliyamba Nayanar(u), is a Nayanar saint, venerated in the Hindu sect of Shaivism. He is generally counted as the forty-third in the list of 63 Nayanars. His hagiography speaks about how he cut the hand of his wife, who did not help in serving a Shaiva, devotee of the god Shiva.
Murthi Nayanar, also spelt as Murthy Nayanar, Moorthy Nayanar and Murti Nayanar and also known as Murtti, is a Nayanar saint, venerated in the Hindu sect of Shaivism. He is generally counted as the fifteenth in the list of 63 Nayanars.
Hindus form 79.83% of the state's total population as per 2011 census. Hindus form the majority in all the districts of the state.The religion plays an important role in the lives of the Maharashtrian people in their day-to-day life. Vitthoba, along with other incarnations of Vishnu such as Rama and Krishna, Hanuman, Dattatreya, and Shaiva deities such as Shiva, Parvati, and Ganesha, are popular with Hindus of Maharashtra. The Varkari tradition holds a strong grip on the local Hindus of Maharashtra. The public Ganesha festival started by Bal Gangadhar Tilak in the late 19th century is very popular. Marathi Hindus also revere Bhakti saints associated with varkari sects such as Dnyaneshwar, Savata Mali, Tukaram, Namdev, Janabai, and Chokhamela. Many religious figures from 19th and 20th century are revered. They include Swami Samarth, Gajanan Maharaj, Sai baba of Shirdi, Tukdoji Maharaj, Gondavalekar Maharaj, and Gadge Maharaj.