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Nasib Si Labu Labi | |
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Directed by | P. Ramlee |
Written by | P. Ramlee |
Starring | P. Ramlee M.Zain Udo Omar Mariani |
Music by | P. Ramlee |
Production company | |
Distributed by | Shaw Brothers |
Release date |
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Countries | Singapore, Malaysia |
Language | Malay |
Nasib Si Labu Labi (English: The Fate of Labu and Labi), or known as What Happened to Labu and Labi is a 1963 Singaporean Malay-language black-and-white buddy comedy film directed by and starring P. Ramlee. The film is a sequel to Labu dan Labi and features a number of returning cast members. [1]
Set sometime after the events of the previous film, Haji Bakhil's wife has died. Haji Bakhil is alone and depressed, but eventually meets a beautiful young woman named Murni or Murniyati Haji Ibrahim(Murni Sarawak), who is a teacher at a school for orphans. Haji Bakhil (Udo Umar) spends some time pursuing her, and his attention is apparently not unwelcome.
In a subplot, Labu and Labi discover that they are both in love with Haji Bakhil's daughter Manisah, and decide to fight for her properly in a boxing match. However, this thread is not resolved by the end credits, and the pair's feud is not addressed after their failed boxing match.
In the main plot, Haji Bakhil eventually sends Labu and Labi on his behalf to Murni's house to ask her father (Ibrahim Pendek), for her hand in marriage, but Murni's father refuses. Labu and Labi come up with a plan to kidnap Murni in the middle of the night for an elopement, but they accidentally kidnap Murni's father, instead and bring him in a blanket to Tok Kadi (Aziz Sattar). Labu, Labi and Haji Bakhil are arrested and tried by the judge(Hakim) (Ahmad Nisfu). Haji Bakhil is able to post his own bail, but he refuses to bail his servants. The film ends with Labu and Labi moaning their fate in prison.
This article lists important figures and events in Malayan and Malaysian public affairs during the year 1963, together with births and deaths of significant Malaysians. The Federation of Malaya merged with Singapore, North Borneo, and Sarawak to form the Federation of Malaysia on 16 September.
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Personal names in Malaysia vary greatly according to ethno-cultural group. Personal names are, to a certain degree, regulated by the national registration department, especially since the introduction of the National Registration Identity Card (NRIC).
Ibu Mertuaku is a 1962 Singaporean Malay-language black-and-white melodrama film directed by and starring silver-screen legend P. Ramlee. The film's story revolves around the tragic love affair between Kassim Selamat, a poor musician, and Sabariah, the only daughter of a wealthy woman.
Tiga Abdul is a 1964 Malaysian Malay-language black-and-white comedy film directed by and starring Malaysian silver-screen icon P. Ramlee. It tells the story of three brothers who are caught in a web of trickery set by the cunning Sadiq Segaraga, who uses his three daughters to try and fleece the three brothers of all their wealth. The movie is a tribute to traditional folktales with a moral set into the story and is set in a fictional Middle Eastern country named Isketambola, loosely based on Istanbul, Turkey. It was the last film to be directed by P. Ramlee in Singapore before he moved to his new workplace in Merdeka Studios, Kuala Lumpur in 1965.
Labu dan Labi is a 1962 Singaporean Malay-language black-and-white buddy comedy film directed by and starring P. Ramlee. The movie was filmed in Singapore and it revolves around the antics of Labu and Labi, two servants with wild imaginations who work in the house of a wealthy but miserly man, Haji Bakhil bin Haji Kedekut. The movie is filmed in the style of a stage pantomime, with over-the-top comedy and featuring the characters occasionally talking directly to the audience. The film's sequel is Nasib Si Labu Labi.
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Madu Tiga is a 1964 Singaporean black-and-white Malay-language romantic comedy film directed by and starring P. Ramlee, Sarimah, Ahmad Nisfu and M. Rafiee.
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Seniman Bujang Lapok is a 1961 Singaporean Malay-language black-and-white comedy film directed by P. Ramlee. It is the fourth instalment in the Bujang Lapok series of films, but the last to feature P. Ramlee, S. Shamsuddin and Aziz Sattar as the main trio of actors. However, it is not a direct sequel to the previous "Bujang Lapok" films, as there are no references to the events of the previous films.
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The Indonesian Malaysians are Malaysian citizens of Indonesian ancestry. Today, there are many Malaysian Malays who have lineage from the Indonesian archipelago and have played an important role in the history and contributed to the development of Malaysia, they have been assimilated with other Malay communities and are grouped as part of the foreign Malays or anak dagang in terms of race. The Malaysian census does not categorize ethnic groups from the Indonesian archipelago as a separate ethnic group, but rather as Malay or Bumiputera.
Pahang Malays are a sub-group of Malay people native to the state of Pahang, in the east coast of Peninsular Malaysia. With population of approximately 1.08 million people, they constitutes 70% of Pahang state's population, making them the dominant ethnic group in the state. Their language, Pahang Malay is one of many Malayan languages spoken in the region that belong to the Malayo-Polynesian group of Austronesian family.
Do Re Mi is a 1966 Malaysian Malay-language black-and-white satirical comedy film directed by and starring P. Ramlee. The concept was partly based on the idea of The Three Stooges with Ramlee playing the character Do. Its success led to two sequels, Nasib Do Re Mi and Laksamana Do Re Mi (1972), Ramlee's last film before his death.
Siti Zainab binti Kimpal, credited as Zainab, also known as Inab or Ibu Zainab, was an Indonesian actress, singer, dancer, homemaker, who was active in the 1940s and 1950s. She was known for her appearance in Singapore and Malay film industry along with Kasma Booty, Siput Sarawak, and P. Ramlee. Zainab was the second wife of Zakaria bin Muhammad Amin, an ulama, as well the mother of 7 children, including Gamal Abdul Nasir Zakaria and Rita Puspa Zakaria. Her career were cut short after her marriage when she decided to retired for taking care of her husband's children from previous marriage.