| Nasir | |
|---|---|
| Directed by | Arun Karthick |
| Produced by | Mathivanan Rajendran |
| Starring | Koumarane Valavane Sudha Ranganathan |
| Cinematography | Saumyananda Sahi |
| Edited by | Arghya Basu |
Production companies | Stray Factory Rinkel Film, Uncombed Buddha, Magic Hour Films, Colored Pickle Films, Harman Ventures |
Release date |
|
Running time | 75 min |
| Country | India |
| Language | Tamil |
Nasir is a 2020 Tamil-language drama film directed by Arun Karthick and is an Indo-Dutch co-production between Stray Factory, Rinkel Film, Uncombed Buddha, Magic Hour Films, Colored Pickle film & Harman Ventures. The Hollywood Reporter described the film as "An observational chronicle of one seemingly ordinary day in the life of a seemingly ordinary sari salesman in the southern city of Coimbatore," with a focus on tolerance and human values. The movie's poster is inspired by the outline of Gandhipuram. [1]
Nasir was the recipient of the Hubert Bals Fund in 2018. [2] The film premiered at the International Film Festival of Rotterdam in Tiger Competition and won the NETPAC award for Best Asian Film premiering at the Festival [3] It also bagged the Grand Prix at the 14th Andrei Tarkovsky Zerkalo International Film Festival, Russia. [4] It won the Golden Wood in the Asian Arthouse Film Festival, 2021, Kolkata.
On the review aggregator website Rotten Tomatoes , 100% of 6 critics' reviews are positive, with an average rating of 7/10.
Saibal Chatterjee of NDTV gave 4/5 stars and wrote, "Nasir is a heartfelt ode to a man who deserves better - and, by extension, to all humans who do." [7] Shikhar Verma of High on Films gave 3/5 stars and wrote, "Nasir is a political film showcased through a life of miserable positivity. It takes us through sequences of daily routines – some of which can be easily dismissed as boring; to bring us to its ultimate climactic reasoning." [8]
Luke Gorham of In Review Online wrote, "What’s immediately striking about Nasir, Arun Karthick’s sophomore feature, is the ebb-and-flow rhythm of its slice-of-life portraiture. Karthick immediately and consistently trains his camera on the toil of hands, maestros of daily drudgery; characters’ heads, meanwhile, often extend beyond the frame, as if to suggest their peripherality with regard to life’s grind." [9]
Jay Weissberg of Variety wrote, "'Nasir' is a superb example of what can be done on a tiny budget when the vision is strong, the script is low-key, and the performers privilege rapport and naturalism over dramatic flourishes." [10]
Neil Young of Hollywood Reporter wrote, "A quiet plea for tolerance and an assertion of humanistic values in an era where such things can no longer be taken for granted, Nasir is all the more touching for its scrupulous avoidance of sentimentality and manipulation. The quietest voices, it reminds us, can often make the most penetrating, memorable impact." [11]
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